Sentences with phrase «includes pioneer feminist artists»

It includes pioneer feminist artists, such as Carolee Schneemann and Hannah Wilke, next to younger artists, such as Giordanne Salley.

Not exact matches

Ms. Macel chose to give the Biennale's Golden Lion for lifetime achievement to the pioneering feminist performance artist Carolee Schneemann, whose work — including her bacchanalian 1964 video, «Meat Joy» — pushes the boundary between dance and visual art.
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.
15th April — 21st May 2011 Margaret Harrison (b. 1940) is one of Britain's best known feminist artists, a pioneer of feminist art, whose peers and collaborators include Mary Kelly, Nancy Spero and Orlan.
Included in the exhibition are pioneer feminist artists such as Carolee Schneeman, with a film piece, «Mysteries of the Pussies,» and Yoko Ono, with «Sound Piece for Trump» (2016).
The exhibition includes a site - specific installation by feminist pioneer Mary Beth Edelson, part of an ongoing series of collage projects initiated years after her renowned collage posters of the 1970s; a series of preparatory collages by Marlene McCarty produced for her large - scale drawings of young women who committed patricide; and a series of mixed - media collages by veteran feminist artist Anita Steckel that places the artist within drawings by Tom of Finland, exploring the possibility of alternate forms of cross-gender desire and visual pleasure.
Whitney Biennial (New York) Established in 1973, and held at the Whitney Museum of American Art (March thru May), this is New York's leading exhibition of postmodernist art by unknown, emerging and established American - based artists - including a fair representation of women artists, thanks to feminist pioneers like Judy Chicago (b. 1939) and Barbara Kruger (b. 1945).
This exhibition showcases the pioneering feminist artist's work from her time on the West Coast and highlights her range of styles from the period including hard - edge paintings, computer - generated images, and her earliest Pattern and Decoration works.
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