Sentences with phrase «includes public exhibitions»

Chelsea space is part of the Chelsea College of Art & Design and its programme which includes public exhibitions, lectures, concerts and events, some of which are organized in collaboration with the Tate Britain.
This year's event will be held over five days and will include a public exhibition at the Royal College of Art; in previous years artists such as Antony Gormley, Rankin, Tracey Emin and Gavin Turk have all donated their work featured.
This year's event will be held over five days and will include a public exhibition at the Royal College of Art.

Not exact matches

Other west suburban museums to receive operating grants include: the Aurora Public Art Commission Gallery in Aurora, $ 9,640 for the creation of a brochure about the commission and the Aurora Outdoor Art and Science Walk; the Aurora Regional Fire Museum, $ 9,640 for a guide to help 3rd - and 4th - grade pupils better understand the exhibits; and the Bloomingdale Park District Museum, $ 9,640 for a series of adult and youth workshops to complement six major exhibitions on the museum's 2001 schedule.
Members shall in particular not make the Services available and accessible to third parties, e.g. to an open group of people by exposure or display of the Services in public areas, including but not limited to cinemas, theatres, exhibitions, show rooms, hotels, bars, clubs, pubs, restaurants, or other public spaces.
Ideas include public art projects, murals, or curating exhibitions.
Since opening to the public, JANM has presented over 70 exhibitions onsite and traveled 17 of its exhibitions to locations around the world, including the Smithsonian Institution and the Ellis Island Museum in the United States, and several leading cultural museums in Japan and South America.
Animal Exhibitors Businesses that feature animals in performances or use animals on display to the public, including zoos, petting zoos, circuses and other exhibitions.
Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.
The National Galleries of Scotland today announced upcoming exhibitions for 2012, including the first exhibition in the newly revamped National Portrait Gallery which opens to the public on 1st December.
Well, actually, there is the good news that Cavanagh's seen fit to include the game's «arcade mode» as an option — which adds local leaderboard entries so you can use the build for exhibitions and your own public tournaments — and that he's gotten away with one of the best tongue - in - cheek game descriptions on Steam, which you can spot here on your way to purchasing your copy.
For the first time, Michael Jackson: On the Wall will bring together the works of over 40 of these artists, drawn from public and private collections around the world, including new works made especially for the exhibition.
Glynn's work has been included in group exhibitions, including Pacific Standard Time organized by the Getty Research Institute, Los Angeles (2012); migrating public art project Station to Station (2013); Made in LA at the Hammer Museum, Los Angeles (2012); Performa 11, New York (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).
Marfa Dialogues / NY will feature two months of programming including community forums, art exhibitions, musical performance and environmental panels, all accessible to the public and available via broadcast and digital media.
A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».
What was always a private practice of creating work on a multitude of surfaces, including show invitations, sketchbooks, and ceramics, has recently become an important part of the artist's public exhibitions.
As a dedicated advocate for arts education, Allison has established the Foundation as a leading educational institution in the community through its bi-annual exhibitions and extensive public programming — including workshops, lectures, and publications.
The exhibition fills all three of the gallery's public spaces and includes twenty paintings, sculptures, photographs, and drawings.
The NMMA is committed to Mexico's folk artists by including their works in numerous exhibitions, inviting them to provide public demonstrations and hosting an annual Folk Art Week.
Mitchell has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New York.
Born in 1961, Catherine Opie has been the subject of numerous exhibitions both here and abroad, including a mid-career survey at the Guggenheim Museum in 2008, and is in the collections of dozens of public institutions.
In her first solo exhibition in a UK public institution, the Serpentine showed work from across her career and including paintings, drawings, poetry, film and tapestry.
She has exhibited her paintings widely in both solo and group exhibitions since the late 1960's, and her work is represented in numerous public, corporate and private collections, including The Museum of Modern Art, The Metropolitan Museum of Art, The Whitney Museum, in NYC, The Dallas Museum of Art, TX, The Albright Knox Museum, Buffalo.
Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.
The exhibition focuses on the artist's public mural projects, and also includes several key later paintings.
Working closely with international charities to create public exhibitions and charity fundraising events, exhibitions Simon has curated include WaterAid at the London Canal Museum, Layers at the Southbank Arts Centre, royal sculptor Frances Segelman's Tower of London retrospective for the Stroke Association and intersex activist Ela Xora's Captured Hermaphroditus campaign.
Their collaborative work has been presented in exhibitions in Australia and internationally, including: Sorry You Missed Me, Royal College of Art, London, 2016; Während der Ausstellung ist das Museum geschlossen, Museum für Neue Kunst, Freiburg, Germany, 2016; MONA FOMA Festival, Salamanca Art Centre, Hobart, 2016; Performing Public Art Festival, Vienna Biennale, Austria, 2015; MAF Edge: Social Capital program curated by Jacqueline Doughty, Melbourne Art Fair, 2014; Festival of Live Art, Arts House, Melbourne, 2014; Site Dedicated to the Active Effacement and Complete Disregard of History, Zentrum für Kunst und Urbanistik, Berlin, 2013; and Ibrahim the Algorithm, Mathematics of Small Numbers group exhibition curated by Anusha Kenny, Footscray Community Art Centre, Melbourne, 2012.
Samaras has been the subject of numerous solo exhibitions and his work is included in more than forty public collections worldwide.
The exhibition includes a number of works related to McBride's public sculpture, Mae West.
EAI's activities include viewing access, educational services, extensive online resources, and public programs such as artists» talks, exhibitions and panels.
He has been subject to numerous solo and group exhibitions in galleries across the country as well as abroad lending to most of his works becoming key pieces in many prominent private and public collections including The Metropolitan Museum of Art, The De Young Museum, San Francisco, CA and the Hirschhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC.
Sla307 produces a number of contemporary art exhibitions throughout the year as well as a series of public programming which include lectures, performances, and film screenings.
Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.
The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.
Myra Greene's work has been featured in nationally exhibitions in galleries and museums including The New York Public Library, Duke Center for Documentary Studies, Williams College Museum of Art, Spelman College Museum of Fine Art in Atlanta, Museum of the African Diaspora in San Francisco, and Sculpture Center in New York City.
Showcasing works that have transformed the public space of the city and also altered public expectations and the role of art outside the museums and galleries, the exhibition will include renderings, models, photographs and video footage of work by artists such as Red Grooms, Christo and Jeanne - Claude, and Kara Walker, among others.
This exhibition, curated to interact with Sudeley Castle's grounds, will include the elegant standing mobile 3 flèches blanches (1965), first presented to the public during Calder's major retrospective at the Palazzo a Vela, Turin, in 1983.
Ojih Odutola's exhibition «To Wander Determined» will open at the Whitney Museum of American Art on Oct. 20 and marks her first solo exhibition at a New York museum; in her role at Barnard, she will lead a variety of artistic and academic activities, including guided tours of the exhibit and host a public talk on her forthcoming book The Treatment.
Collaborations include an exhibition with the Picker Art Gallery, Colgate University, followed by collaborations with the Reading Public Museum, Demuth Museum, Stetson University and New Art Centre in UK, among others have extended the ability to show artists of international scope.
Group exhibitions include Socrates Sculpture Park, LIC; Halsey McKay, East Hampton; Andrea Rosen, NY; Derek Eller, NY; Bureau, NY, Double Take at Public Art Fund at Metrotech Center, Brooklyn; and Linkage at Museum of Contemporary Art, Detroit.
The Suzanne Deal Booth Art Prize at The Contemporary Austin is a biennial, unrestricted international art award of $ 100,000 to be given to an artist selected every two years, which also includes a solo exhibition, a scholarly publication, and related public programming.
Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).
The list of jurors is quite impressive and includes David Kiehl, Curator of Prints at the Whitney Museum of American Art; Eungie Joo, Director and Curator of Exhibitions and Public Programs at the New Museum; and Sylvie Fortin, Editor - in - Chief of ART PAPERS magazine.
- Recent solo exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu Art Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.
Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together by Shani.
Prior to moving to our new building at 38 St. Marks Place in 2017, exhibitions and public programs are focused on temporary structures — including publishing formats, social experiments and architectural forms — set against the fast - mutating landscape of downtown Manhattan.
Prior to moving to our new building at 38 St. Marks Place, exhibitions and public programs are focused on temporary structures — including publishing formats, social experiments and architectural forms — set against the fast - mutating landscape of downtown Manhattan.
They will rethink how a broader public, including families with children, teenagers, and seniors, can engage with the exhibitions.
Thanks to this commitment, HangarBicocca is able to offer an outstanding programme of exhibitions and public events to the public, including a series of activities for children and families.
As well as our in - house exhibitions, William Benington Gallery has contributed to various external projects including Sculpture in the City, a public exhibition of contemporary sculpture within the Square Mile of the City of London; and an ongoing collaboration with menswear fashion house, E.Tautz.
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