Sentences with phrase «including frac»

Ouadahi's work is held in several public collections including FRAC Centre, Orléans; Herbert - Weisenburger - Stiftung, Rastatt; Kunstmuseum Düsseldorf, Dusseldorf; Barjeel Art Foundation, Sharjah and Kamel Lazaar Foundation, Istanbul.

The artists have held several solo exhibitions in Europe and America including FRAC Auvergne in Clermont - Ferrand, Contemporary Fine Arts in Berlin, Museum of Contemporary Art in The Hague, Kunstmuseum in Bonn, and Kunsthalle Wien in Vienna to name a few.

Recent solo exhibitions include the FRAC Franche - Comté, (Besançon, France) and Cherry and Martin, (Los Angeles, CA).

Solo exhibitions include the Present / Future Illy Prize at Castello di Rivoli, Turin, IT from November 7 and currently at Tate Britain, London, UK until June 2015 as part of the BP Contemporary Spotlight programme Her works belong to Museum collections that include FRAC, Aquitaine, FR, Musée d'Art moderne de al Ville de Paris, FR and the Southampton City Art Gallery, UK.

Group shows include FRAC, Nord Pas - de - Calais; Fotomuseum Winterthur, Zurich; Kunsthalle, Mulhouse; FormContent, London; Jeu de Paume, Paris; and MACBA, Barcelona.

Group shows include FRAC, Nord Pas - de Calais; Fotomuseum Winterthur, Zurich; Kunsthalle, Mulhouse; FormContent, London; Jeu de Paume, Paris; and MACBA, Barcelona.

Not exact matches

In fact, the entire frac sand industry, including US Silica's competitors, Hi - Crush Partners (NYSE: HCLP), and Emerge Energy Services (NYSE: EMES), have very strong balance sheets.

The social media event is coordinated with the release of FRAC's annual reports that focus on participation in the National School Breakfast Program; the reports include:

These pilot programs were funded through the Partners for Breakfast in the Classroom; along with SNF, the partners include the Food Research and Action Center (FRAC), National Association of Elementary School Principals Foundation (NAESPF), and National Education Association Health Information Network (NEAHIN), and funded by the Walmart Foundation.

In the meantime, you can visit the Food Research and Action Center (FRAC)'s website for the most up - to - date information about hunger in America, including this recent report which indicates that one in four Americans now worry about having enough money for food.

The Partners for Breakfast in the Classroom are a consortium of national education and nutrition organizations, including the Food & Research Action Center (FRAC), the National Association of Elementary School Principals (NAESP) Foundation, the NEA Foundation, and the School Nutrition Foundation (SNF).

The Food Research & Action Center (FRAC) recently released its inaugural Afterschool Suppers: A Snapshot of Participation report about the Afterschool Nutrition Programs, which include the Child and Adult Care Food Program and the National School Lunch Program.

2008 FRAC, state officials, elderly advocates, and other anti-hunger allies secure more than $ 10 billion in 10 - year added funding in the 2008 Farm Bill for food stamps (now renamed the Supplemental Nutrition Assistance Program, or SNAP), including the first boost in the program's minimum benefit in more than 30 years.

Heather, who joined FRAC in January 2009, has a rich background in nutrition policy research, obesity prevention, and healthy eating strategies, including her prior work at the American Cancer Society, Mathematica Policy Research, and Tulane University.

2012 New polling data from FRAC show deep support for ending hunger and strong opposition to cutting food assistance programs, including SNAP.

Sarah Murphy, Public Affairs Associate for the School Nutrition Foundation, moderated a panel discussion with LaTonya Reed (VA Hunger Solutions), Meg Gruber (VA Education Association), Debbie Shiflett (Virginia SNA), and Catherine Grimes (VA Department of Education); other speakers included Eyang Garrison and Madeleine Levin of FRAC, Liz Campbell, a registered dietitian and SNF consultant, and Annalise Cohen of NEA Health Information Network.

The folks over at FRAC have some of our favorite school breakfast resources, including infographics and an excellent «Breakfast Matters» webinar series.

The Partners is a consortium of national education and nutrition organizations including the Food Research and Action Center (FRAC), the National Association of Elementary School Principals (NAESP) Foundation, The NEA Foundation, and the School Nutrition Foundation (SNF).

The Partners include the following four organizations: the Food Research & Action Center (FRAC), the National Association of Elementary School Principals (NAESP) Foundation, the School Nutrition Foundation (SNF), and The NEA Foundation.

His work is included in many private and public collections including Museum of Fine Arts, Houston, Solomon R. Guggenheim Museum, New York, The Metropolitan Museum of Art, New York, FRAC Nord - Pas de Calais, Whitney Museum of American Art, New York and the Victoria and Albert Museum, London.

Recent solo exhibitions include; «Gravity», Stephen Friedman Gallery, London, England (2014); «Paint and Styrofoam», Luhring Augustine, New York, USA (2014); Stephen Friedman Gallery, London, England (2012); «Up in the Air», Magasin 3, Stockholm Konsthalle, Stockholm; touring to FRAC Montpellier, France (2010); «REAM», Saint Louis Art Museum, Saint Louis, USA (2009); «Pure Invention», Mildred Lane Kemper Art Museum, Saint Louis (2006); «Tom Friedman», South London Gallery, London, England (2004); «Stitching», Fondazione Prada, Milan, Italy (2002).

Solo exhibitions include The Drawing Center, New York, Museum of Contemporary Art, Los Angeles, Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy, Centre D'Art Contemporain, Geneva, FRAC Champagne - Ardenne, Reims, Bonniers Konsthall, Stockholm, Museo d'Arte Contemporanea, Rome, Fondazione MEMMO, Rome, Kunsthalle Mainz, Germany, Museum Dhondt - Dhaenens, Ghent and the Baltimore Museum of Art.

Recent exhibitions include: Unheimliche Reisen at Dienstgebaude, Zurich; Coup Double at FRAC Aquitaine, Bordeaux; Voyage voyage at Maison de l'Amérique Latine; Green - white - red at Collezione Maramotti, Regio Emilia, Italia; Jours Heureux at 80WSE, New York; XOVUXY at Eva Hober gallery, Paris (solo show); Rehab, Espace Electra, Paris.

Selected public collections include: Tate Gallery, London; Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Princeton Art Gallery, NJ; Philadelphia Museum of Art, PA; Los Angeles County Museum, CA; Museum of Contemporary Art, San Diego, CA; Eastman House, Rochester, NY; National Gallery of Canada, Ottawa; Metropolitan Museum, Tokyo, JP; National Museum, Osaka, JP; Victoria and Albert Museum, London; Biblioteque National, Paris; IVAM, Valencia, ES; Australian National Gallery, Canberra; Stedelijk Museum, Amsterdam, NL; Stedelijk Van Abbemuseum, Eindhoven, NL; Art Gallery of Ontario, Toronto, CA; National Gallery of Scotland, Edinburgh, UK; British Council, London; Kunstmuseum, Basel, CH; Centro Cultural Arte Contemporaneo, Mexico City, MX; Centre d'Art Contemporain, Geneva, CH; Musee de Grenoble, FR; Musee St. Pierre, Lyon, FR; FRAC, Rennes, FR; National Gallery of Iceland, Reykjavík; Museum of Modern Art, Wakayama, JP; Museum Moderner Kunst, Vienna, AT; University of Lethbridge, CA.

Her work is in distinguished collections, including as the Museum of Modern Art, New York; the Museum of Modern Art, San Francisco; Hammer Museum, Los Angeles; the Dallas Museum of Art; St. Louis Art Museum; Speed Museum of Art, Louisville; and the FRAC des Pays de la Loire.

Publications on the artist's work include Early Works, published by the Estate of Ilse D'Hollander to coincide with the exhibition at White House Gallery, Leuven (2017); Ilse D'Hollander, a catalogue published by FRAC Auvergne to coincide with her solo exhibition in Clermont - Ferrand (2016).

His work has been included in group exhibitions at FRAC des Pays de la Loire, Carquefou, France (2016); Parallel Oaxaca, Mexico (2016); Nottingham Contemporary, England (2015); the Biennial of the Americas, Denver, Colorado (2015); Museo Universitario del Chopo, Mexico City, Mexico (2014); and SITE Santa Fe, New Mexico (2014).

Group exhibitions include; «Inventory, Vol.5: Acquisitions from 1992 to 1996», FRAC Haute - Normandie, Rouen, France (2015); «The Art of the Present», Helga de Alevear Collection, Centro Centro, Madrid, Spain (2013); «Je t «aime... moi non plus», Musée des Beaux - Arts Eugène Leroy, Tourcoing, France (2013); «Unlimited Bodies», Palais Diena, Paris, France (2012); «Twenty Years of Presence», MMK Museum für Moderne Kunst, Frankfurt, Germany (2011); «Idea and Object», Galerie Thaddaeus Roapc, Salzburg, Austria (2010); «Securities», DEWEER Gallery, Otegem, Belgium (2009); «Listen Darling The World Is Yours», Ellipse Foundation Contemporary Art Center, Lisbon, Portugal (2008); «Museum der Moderne Salzburg Mönchsberg», Salzburg, Austria (2006); «Faces in the Crowd», Whitechapel Gallery, London, England (2005) and «Albright Knox art Gallery, Buffalo, USA (2004).

Her work is included in numerous permanent collections, including those of Collection FRAC Lorraine (France), Migros Museum für Gegenwartskunst (Switzerland), Museum Boijmans van Beuningen (Netherlands), MUSAC de Castilla y Léon (Spain), Rabo Art Collection (Netherlands), Stedelijk Museum Collection (Netherlands), Avalon Park (New York, USA) among others.

Recent exhibitions include: 30th São Paulo Biennial, Unheimliche Reisen at Dienstgebaude, Zurich; Coup Double at FRAC Aquitaine, Bordeaux; Voyage voyage at Maison de l'Amérique Latine; Green - white - red at Collezione Maramotti, Regio Emilia, Italia; Jours Heureux at 80WSE, New York; XOVUXY at Eva Hober gallery, Paris (solo show); Rehab, Espace Electra, Paris.

Recent group exhibitions include: 11th Baltic Triennial of International Art, Tallin; Performa11, New York (both 2011); «Transient Spaces — The Tourist Syndrome», Neue Gesellschaft für Bildende Kunst, Berlin; «Fantasy & Island», FRAC Corse, Corsica (both 2010); «This Place You See Has No Size At All», Kadist Art Foundation, Paris, and «Everyday Challengers», Hisk, Gent, (both 2009).

He has been included in major group exhibitions at FRAC Nord - Pas de Calais, Dunkirk, France (2014); Nouveau Musée National de Monaco, Monaco, France (2013); Neues Museum Weserburg, Bremen, Germany (2010); Musée d'art moderne et contemporain, Geneva, Switzerland (2008); MuHKA, Museum voor Hedendaagse Kunst, Antwerp, Belgium (2007); Northern Gallery of Contemporary Art, Sunderland, UK (2005); Kunstmuseum Wolfsburg, Germany (2002); Fundacao Serralves, Porto, Portugal (1999); Kunstmuseum - Wolfsburg, Wolfsburg, Germany (1991); Stadtische Kunsthalle Düsseldorf, Düsseldorf, Germany (1984) and the Royal Academy of Arts, London, UK (1977).

His work is included in public collections including: Tate, London; Hirshhorn Museum, Washington; MUDAM, Luxembourg; Irish Museum of Modern Art, Dublin; FRAC Nord Pas - de-Calais and Pays de Loire; Arts Council of Ireland.

Solo exhibitions include Moderna Museet, Stockholm, Sweden (2017); Australian Centre for Contemporary Art, Melbourne, Australia (2016); Mead Gallery, Warwick Arts Centre, Coventry, UK (2016); Kunstmuseum St. Gallen, St. Gallen, Switzerland (2015); FRAC Pays de la Loire, Nantes, France (2014); The Whitechapel Gallery, London, UK (2013); Fundação Calouste Gulbenkian, Lisbon, Portugal (2012); IMMA, Dublin, Ireland (2011); Milton Keynes Gallery, Milton Keynes, UK (2011); The Renaissance Society, Chicago, IL, USA (2011); Lismore Castle Arts, Ireland (2010); The Common Guild, Glasgow, UK (2010); ICA Boston, Boston, MA, USA (2008); Statens Museum for Kunst, Copenhagen, Denmark (2008); Dusseldorf Kunstverein, Dusseldorf, Germany (2007); Contemporary Art Centre, Vilnius, Lithuania (2007); MUMOK, Vienna, Austria (2006); BAK, Utrecht, The Netherlands (2004); Frankfurter Kunstverein, Frankfurt, Germany (2003).

Their works are included in numerous collections including, the Castello di Rivoli, Turin, Italy, the Fondazione Sandretto Re Rebaudegno, Turin, Italy, MUSEION, Bolzano, Italy, FRAC Brétagne, Rennes, France, LIMAC, Museo de arte Contemporáneo, Lima, Peru, The Capital Group, Los Angeles, CA, and the Maison Bernard Anthonioz, Paris, France, among others.

His works are included in the collections of Tate Modern (London), Hamburger Kunsthalle (Hamburg), San Francisco Museum of Modern Art, the Centre National des Arts Plastiques (Paris), and FRAC Champagne - Ardenne.

Solo exhibitions in 2007 include A free smile, Yvon Lambert Gallery, New York, (USA); Museo Tamayo Arte Contemporáneo, Panorámica, Mexico, D.F. and Ciel Variable, FRAC Champagne Ardennes, France.

Major works by him are included in museum collections internationally, including the collections of Moderna Museet, Stockholm, Tate Britain, London, Kroller - Muller Museum, Otterlo, Hirschhorn Museum, Washington, MUDUM, Luxembourg, Museion, Bolzano, GAM, Torino, IMMA, Dublin, Lenbachhaus, Munich, Hugh Lane Gallery, Dublin, Kunsthalle Bern Foundation, and the FRAC collections of Nord Pas - de-Calais and Pays de la Loire.

In 2012 her work was included in Remote Control at the ICA, London, The Old, The New, The Different at Kunsthalle Bern and Face a Face, FRAC Poitou - Charentes, France.

Mercier has exhibited at many major museums and institutions around the world, including solo exhibitions at Centre Georges Pompidou, Musee d'Art Moderne de la Ville de Paris, FRAC Bourgogne, Villa Merkel in Esslingen am Neckar, Kunstmuseum St Gallen, Le Crédac Centre d'Art Contemporain d'Ivry, Foundation d'Entreprise Ricard d'Art Contemporain in Paris, and Kunsthalle Nürmberg, amongst others.

Her work has been the subject of numerous solo exhibitions including Institut d'art contemporain, Villeurbanne / Rhône - Alpes (2017); Nasher Sculpture Center, Dallas (2016); Wellcome Collection, London (2015); S.M.A.K., Ghent (2015); FRAC Corse, Corte (2013); Beppu Project, Beppu, Japan (2012); WIELS, Brussels (2009); Musée d'Orsay, Paris (2003); CCA Wattis Institute, San Francisco (2003); Kunsthalle, Bern (2003); and Ikon Gallery, Birmingham (2002).

His work is in the collection of numerous museums including the Museum of Modern Art, New York; Stedelijk Museum Amsterdam; Museum Boijmans van Beuningen, Rotterdam; Gemeentemuseum Den Haag; Museum Voorlinden, Wassenaar; Museum Kröller - Müller, Otterloo; Musée d'Art et d'Histoire, Geneva; FRAC Centre, Orleans; FRAC Nord - Pas de Calais; Musée des Beaux Arts, Lyon.

Eriksson's works are included in prominent collections internationally including the Gothenburg Museum of Art, Sweden; Moderna Museet, Sweden; Skövde Art Museum, Sweden; National Public Art Council, Sweden; Sundsvall Museum, Sweden; Uppsala Art Museum, Sweden; MUMOK, Vienna; FRAC, Auvergne, France; Centre Pompidou, Paris, France; Nasjonalmuseet, Oslo, Norway.

Collections include the Museum of Modern Art, New York; Coleccion Jumex, Mexico City; Rubell Family Collection, Miami; and FRAC Limousin, France.

In 2017, upcoming solo exhibitions include The Power Plant, Toronto; the Institute of Modern Art, Brisbane; NC Arte Bogotá, as well as group exhibitions at S.M.A.K, Ghent; The Drawing Room, London; Netwerk Center for Contemporary Art, Aalst; FRAC Lorraine, Metz, and more.

Major recent solo exhibitions include the travelling exhibition «Soft Work», which opened at Centre D'Art Contemporain, Geneva, Switzerland (2012) and travelled to FRAC Champagne - Ardenne, Reims, France (2012); «Grid Ripper», Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy (2008); «Supermax 2008», Museum of Contemporary Art, Los Angeles CA (2008); and «Chron», The Drawing Center, New York NY (2008).

Recent solo exhibitions include: The Rose Art Museum, Boston, MA (2014); The Israel Museum, Jerusalem (2013); Magasin 3 Stockholm Konsthall (2013); FRAC Languadoc - Roussillon, Montpellier (2012); Nottingham Contemporary (2012); M - Museum Leuven, Leuven, Belgium (2011); de Appel arts centre, Amsterdam (2011); San Francisco Museum of Modern Art, CA (2010); KW Institute for Contemporary Art, Berlin (2006); P.S. 1.

Selected recent performances, exhibitions, and film screenings include: Weddings and Babies, Pilar Corrias Gallery, London (2017); The Next Step, Two Queens, Leicester (2016); Alice Theobald and Atomik Architecture, BALTIC Ryder Commission, BALTIC Centre for Contemporary Art, Gateshead (2016); You've got my back and I'm on your side, FRAC Champagne - Ardenne, Reims (2016); The boys the girls and the political, Lisson Gallery, London (2015); The Fifth Artist, Wysing Arts Centre, Cambridge (2015); Scene Four: Home, Flat Time House, London (2015); Dear Luxembourg (yours, bucktoothed grl), Nosbaum Reding Projects, Luxembourg (2015); Marmalade Me, South London Gallery, London (2014); I've said yes now, that's it., Outpost, Norwich (2014) and Chisenhale Gallery, London (2014); AFTER / HOURS / DROP / BOX, Modern Art Oxford, Oxford (2013) and Spike Island, Bristol (2014); Young London, V22, London (2013); They Keep Putting Words In My Mouth!

Collections include the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; The Broad, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Museum of Contemporary Art, Chicago; Nasher Sculpture Center, Dallas; Museo Jumex, Mexico City; Tate, London; Museum für Moderne Kunst, Frankfurt; Hamburger Kunsthalle; Stedelijk Museum, Amsterdam; Vanhaerents Art Collection, Brussels; FRAC Aquitaine, Bordeaux; MADRE — Museo D'Arte Contemporanea Donna Regina, Naples; Francois Pinault Foundation, Venice; Museu Coleção Berardo, Lisbon; Museum of Contemporary Art Tokyo; and QAGOMA, Australia.

Museum group shows include We Stared at the Moon from the Centre of the Sun, Towner Art Gallery, Sussex (2018); Strange Days, frac île - de-france, Paris (2017); Klappe eins, Affe tot, Kunstsaele Berlin, Berlin (2016); Concrete, John Hansard Gallery, Southampton (2015); L'Image Papillon, MUDAM, Luxembourg (2013); The Space Between, Tate Britain, London (2012); All of this and Nothing, Hammer Museum, Los Angeles (2011); British Art Show 7, Hayward Gallery, London (2010); and Setting the Scene, Tate Modern, London.