Sentences with phrase «including ikon»
Following studies in Fine Art (Sculpture) & Exhibition Design, he has spent the last 15 years facilitating exhibition making at galleries around the country, including Ikon Gallery, Birmingham, Hayward Gallery, London and Carroll / Fletcher, London as well as overseeing many international projects.
http://www.wysingartscentre.org/ Not exact matches
Employers in attendance included Directions for Our Youth, Children's Corner Childcare, D&J Ambulette, ALL Transit, Ikon, Maggies Paratransit and Centerlight.
As an owner of the «17 / ’18 M.A.X. Pass, I heard many people talking about a new Ikon Pass and guessing what resorts will be included.
Penjweny, who also worked as a news photographer for Reuters, had a solo exhibition that included the «Saddam» series at the Ikon Gallery in Birmingham, England, earlier this year.
Recent solo exhibitions include Whitford Fine Art, an exhibition of his early 80's steel sculptures; other significant exhibitions include Hayward Gallery and Serpentine Gallery, Guggenheim, Venice, Ikon Gallery, Birmingham, Galerie Josine Bockhoven, Amsterdam, Robert Steele Gallery, New York, Bodo Niemann Gallery, Berlin, Waddington & Shiell Gallery, Toronto, Musee Dʼart Moderne, France and The National Gallery, Australia, Flowers Gallery, London, Whitford Fine Art, London, and Henry Moore Institute, Leeds.
Over the course of her career Finn - Kelcey exhibited at numerous galleries in the UK including, in London, the Royal Academy of Art, Whitechapel Gallery, Chisenhale Gallery, Matt's Gallery, the Serpentine Galleries, the Hayward Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Dublin.
Solo exhibitions include Kunsthalle Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Poland (2014); National Portrait Gallery, London, UK (2011); IVAM, Valencia, Spain (2010); MAK, Vienna, Austria (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremberg, Germany (2003); Ikon Gallery, Birmingham, UK (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London, UK (1985).
Other recent solo exhibitions include «FONT», Frith Street Gallery, London (2015); «Scroll down and keep scrolling», Ikon Gallery, Birmingham (2015/6); «Wp Wp Wp» (Yorkshire Sculpture Park to 4 January 2015); and MISTAH KURTZ - HE NOT DEAD (PEER, London, 2014).
During the 1980's my early work was associated with «New Image Painting» and significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.
Araki has exhibited his work in international art institutions including Fondation Cartier pour l'art contemporain, Paris; Ikon Gallery, Birmingham; Kestner Gesellschaft, Hannover; Deichtorhallen, Hamburg; and the Pinakothek der Moderne, Muenchen, among others.
Recent exhibitions dedicated to his work include those held at Fundación Casa Wabi, Mexico (2016), Thomas Dane Gallery, London (2015), Kamel Mennour, Paris (2014) and Ikon Gallery, Birmingham (2014).
She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).
His work has been the subject of numerous solo exhibitions at venues around the world, including simultaneous exhibitions at the Ikon Gallery in Birmingham and Lewis Johnstone Gallery in London, where this interview was recorded.
Her work has been the subject of numerous solo exhibitions including Institut d'art contemporain, Villeurbanne / Rhône - Alpes (2017); Nasher Sculpture Center, Dallas (2016); Wellcome Collection, London (2015); S.M.A.K., Ghent (2015); FRAC Corse, Corte (2013); Beppu Project, Beppu, Japan (2012); WIELS, Brussels (2009); Musée d'Orsay, Paris (2003); CCA Wattis Institute, San Francisco (2003); Kunsthalle, Bern (2003); and Ikon Gallery, Birmingham (2002).
His solo exhibitions have been seen in international galleries and museums, including Pinacoteca do Estado, São Paulo, Brazil; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; the Jack S. Blanton Museum of Art, Austin, Texas; a survey at Ikon Gallery (UK) and Cornerhouse (UK); Koenig & Clinton (NYC); Nara Roesler Gallery (Brazil); Alexander Gray (NYC); Roger Björkholmen (Sweden); and Postmasters Gallery (NYC).
He has exhibited extensively in international solo and group exhibitions and projects including: Tate St Ives; Museo d'Arte Moderna, Bologna; Athens Biennale; Istanbul Biennale; Venice Biennale; Deste Foundation, Athens; PS1, New York; Ikon Gallery, Birmingham; Kunstmuseum Lucerne; Creative Time, New York; Hayward Gallery, London and Tate Britain.
Set in an 18th century listed Georgian house, the show features a wide range of artists editions and products, including new editions by Cornelia Parker, Beatrice Milhazes, Richard Deacon, Richard Wilson and Ding Yi; the proceeds of the new editions (launched jointly with Ikon Gallery, Birmingham) will go towards supporting Ikon's 50th anniversary investment fund.
Founded in 1966, it was one of that great wave of new institutions that included the Scottish National Gallery of Modern Art, the Camden Arts Centre in London and the Ikon Gallery in Birmingham.
Panel members include Whitney Hintz, Independent Advisor and Curator of the Hiscox Collection; Alistair Payne, Head, School of Fine Art, Glasgow School of Art; Olivier Richon, Photography Lecturer, Royal College of Art; Reyahn King, Chief Executive, York Museums Trust; Jonathan Watkins, Director, Ikon Gallery; Susanna Brown, Curator of Photographs, V&A; Rachel Ara, Artist, Aesthetica Art Prize Winner 2016; Eleanor Clayton, Curator, The Hepworth Wakefield; Cherie Federico, Co-founder & Managing Director of Aesthetica.
His work has been the subject of numerous solo exhibitions at venues including Museum Dhondt - Dhaenens, Belgium and Musée d'art Contemporain de Montréal (2016); Aspen Art Museum, Colorado, Contemporary Art Gallery, Vancouver, Australian Centre for Contemporary Art, Melbourne, Singapore Tyler Print Institute, Singapore and Proyectos Monclova, Mexico City (2015); Manchester Art Gallery and Centre for Contemporary Art, Derry (2014); Palais de Tokyo, Paris (2012); Haus Konstruktiv, Zurich (2010); Solomon R Guggenheim Museum, New York (2010); Ikon Gallery, Birmingham (2008); MUMOK, Vienna (2007) and the CCA Wattis Institute for Contemporary Arts, San Francisco (2007).
Paul Ramírez Jonas» selected solo exhibitions include Pinacoteca do Estado, Sao Paulo, Brazil; The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; The Jack S. Blanton Museum of Art, Austin, Texas; a survey at Ikon Gallery (UK) and Cornerhouse (UK); Alexander Gray Gallery (NYC); Roger Björkholmen (Sweden); Nara Roesler Gallery (Brazil); and Postmasters Gallery (NYC).
Recent solo exhibitions and projects include «Down Over Up», Fruitmarket Gallery, Edinburgh (2010); «Ballet Work No. 1020», Traverse Theatre, Edinburgh (2010); «Things», The Common Guild, Glasgow (2010); «Work No. 409», Royal Festival Hall, London (2010); Hiroshima City Museum of Contemporary Art, Hiroshima (2009); Ikon Gallery, Birmingham (2008) and the Duveen Commission, Tate Britain, London (2008).
Solo exhibitions of Lee Bul's work have been organized at museums throughout the world, including Artsonje Center, Seoul (2016); Vancouver Art Gallery (2015); Palais de Tokyo, Paris (2015); Espai d'art contemporani de Castelló, Castellón, Spain (2015); Musée d'art moderne et contemporain de Saint - Etienne Métropole, France (2015); National Museum of Modern and Contemporary Art, Seoul (2014); Ikon Gallery, Birmingham, United Kingdom (2014); Musée d'Art Moderne Grand - Duc Jean, Luxembourg (2013); Mori Art Museum, Tokyo (2012); Fondation Cartier pour l'art contemporain, Paris (2007); Museum of Contemporary Art Australia, Sydney (2004); Henry Art Gallery, Seattle (2003); The Power Plant, Toronto (2002); New Museum, New York (2002); The Fabric Workshop and Museum, Philadelphia (2001); and The Museum of Modern Art, New York (1997).
Solo exhibitions include Tate Gallery, London; Ikon Gallery, Birmingham; Kunsthalle Zurich and the Stedelijk Museum Bureau, Amsterdam.
The Korean artist's first solo show in the UK, including her drawings, sculptural pieces, installations and a new commission made for Ikon.
Recent solo exhibitions of Ryan Gander include Museum Dhondt - Dhaenens, Deurla; Palais de Tokyo, Paris; Museo Tamayo, Mexico City; Haus Konstruktiv, Zurich; Solomon R. Guggenheim Museum, New York; Ikon Gallery, Birmingham; and Stedelijk Museum, Amsterdam.
Hannah has exhibited widely across Canada and internationally, including exhibitions at the Samsung LEEUM Museum, Seoul; Prague Biennial; Museo de Bellas Artes, Santiago; National Museum of Contemporary Art, Bucharest; Whitechapel Gallery, London; Zendai MoMA, Shanghai; National Gallery of Canada, Ottawa; Koffler Centre of the Arts, Toronto; and Ikon Gallery, Birmingham.
His work has been exhibited in group and solo exhibitions in the UK and the US, including at Tate Britain, London, Ikon Gallery, Birmingham, the Studio Museum, Harlem, New York and the Art Gallery of Ontario.
Recent exhibitions include: Daily Love Making, Ikon Gallery, Birmingham, 2015; 9 Artists, Walker Art Center, Minneapolis, 2013; No Fly Zone.
*** Cornelia Parker (b. 1956, Cheshire) has had numerous solo exhibitions including The Metropolitan Museum of Art, New York, The Whitworth, Manchester, The British Library, London, Ikon Gallery, Birmingham, and Baltic, Gateshead.
The exhibition also includes a new video work documenting Untitled (a retrospective view of the pathway), an off - site project produced by Ikon in June 2016.
For the artist the act of publishing is itself performative and Ikon's exhibition includes a wide archive of previously unseen publications and ephemera.
Her previous solo exhibitions include amongst others Eerste huwelijk (First Marriage) in M HKA, Antwerp (2002), Das Fragment an sich (The fragment in itself) in Ikon Gallery, Birmingham (2006 — 2007) and recently In 10 Minuten (In 10 Minutes) in Museum Ludwig, Cologne (2010 — 2011) and Stick Empathy in Mudam, Luxemburg (2011).
Join artist Edmund Clark as he discusses with Jonathan Watkins, Director of Ikon Gallery, his artistic practice, which combines a range of reference and forms including photography, video, found image, text and installation.
Recent solo exhibitions include Articulação, Lumiar Cité & Jardim Botânico, Lisbon; Mehringdamm 72, Berlin; Event, Stream, Object, MMK Museum für Moderne Kunst, Frankfurt; Chisenhale Gallery, London and Ikon, Birmingham.
Funding for this year included Helen Marten: Drunk Brown House at Serpentine Gallery, Flesh at York Art Gallery, and Becky Beasley: OUS at Towner Art Gallery, as well as projects at Whitechapel Art Gallery, The Hepworth Wakefield, The Bluecoat, Whitworth Art Gallery, Ikon Gallery, and The Tetley.
Recent and upcoming solo exhibitions include the Fruitmarket Gallery, Edinburgh; Ikon Gallery, Birmingham; Gallery of Modern Art, Glasgow; BALTIC, Gateshead; among others.
In the decade since winning the Turner Prize he has exhibited extensively throughout the world, including large survey shows at Trussardi Foundation, Milan («I Like Things»), Bard College, New York («Feelings»), and a touring exhibition which started at Ikon Gallery Birmingham and toured to Hiroshima and Seoul.
Previous solo exhibitions include: Ikon Gallery, Birmingham; CCA, Berkeley, California; Institute of Visual Arts, Milwaukee; Kunsthalle Bern; and City Racing, London.
Despite the visionary nature of her work and association with artists of great reputation, including Barnett Newman and Leon Polk Smith, Herrera's paintings were the subject of few exhibitions — until a large - scale survey at Ikon Gallery, Birmingham in 2009 — a story familiar to many women artists of her generation, emerging during the post-war years.
Clients include Schinkel Pavillon (Berlin), Vancouver Art Gallery, The Vinyl Factory UK, Burnaby Art Gallery, Walter Phillips Gallery at the Banff Centre for Arts and Creativity, SFU Galleries, Simon Fraser University, Morris and Helen Belkin Gallery, White Columns (New York), Hauser & Wirth (Zürich), Lisson Gallery (London), The Power Plant (Toronto), University of British Columbia, Art Gallery of Alberta, Illingworth Kerr Gallery, Ikon Gallery (Birmingham), Presentation House Gallery, Charles H. Scott Gallery, Or Gallery, Museu Picasso (Barcelona), Seattle Art Museum, Institute of Contemporary Art (Boston), University of California (Berkeley), and The Museum of Modern Art (New York).
She recently completed an outdoor commission for Jupiter Artland and has exhibited widely, including at the Whitworth, the Ikon and the Gallery of Modern Art (GoMA).
Gander's work has been widely exhibited internationally, including recent solo presentations at Haus Konstruktiv, Zurich (2010); Villa Arson — Centre national d'art contemporain, Nice (2009); Museum Boijmans Van Beuningen, Rotterdam (2009), South London Gallery (2008); Ikon Gallery, Birmingham, United Kingdom (2008); and Stedelijk Museum, Amsterdam (2007).
Other recent solo exhibitions include those organized by the Centro de Arte Contemporáneo de Málaga, Spain; Museo de Arte de Zapopan (MAZ), Zapopan, Mexico; World Chess Hall of Fame and Museum, St. Louis (all 2012); Gemeentemuseum, The Hague; Kunstverein Braunschweig, Germany (both 2011); Pinakothek der Moderne, Munich (2008); Ikon Gallery, Birmingham, England (2006); and Le Magasin — Centre National d'Art Contemporain de Grenoble, France (2005).
Recent exhibitions include Venice Biennale (2007), Toyota Municipal Museum of Art, Toyota, Japan (2008), Ikon Gallery, Birmingham (2009) and MACs, Grand - Hornu, Belgium (2011).
Selected solo exhibitions include Aperture, NOW Gallery, London, 2015; Endless Facade, Ikon Gallery, Birmingham, 2011; Perfect Vacuum, Wilkinson Gallery, London, 2005; Beyond, Monitor Gallery, Rome, 2005; Symmetriad, Galerie Ben Kauffman, Munich, 2004; and News from Nowhere, the Changing Room Gallery, Stirling, 2002.
Sala has exhibited extensively, including the Tate Gallery, London, 2004; ARC, Musée d'Art moderne de la Ville de Paris, Paris, 2004; Kunsthalle Wien, Vienna, 2003; the Dallas Museum of Art, Dallas, 2002; and the Ikon Gallery, Birmingham, 2002.
This event includes an introduction to Ikon and a tour of the current exhibitions.
Ikon Gallery is a registered charity and as such, needs to raise funds each year from a range of sources including trusts and foundations, corporate sponsorship, individual supporters and our trading activities, alongside its core funding as one of the Arts Council England's National Portfolio Organisations.
Solo presentations include: Toronto International Film Festival, Taylor Macklin, Zurich; Halle für Kunst, Lüneburg (DE); Ikon Gallery, Birmingham (GB); Museum of Modern Art, New York, and Portikus, Frankfurt am Main.