Sentences with phrase «including independent curators»

Incubator grants which total USD$ 45,000 have been awarded to small to mid-size nonprofits including Independent Curators International and Triple Canopy.

The selection panel for this year's exhibition will include Independent Curator and Art Consultant, Ceri Hand, Turner Prize nominated artist David Shrigley and Phoenix Gallery Curator, Matt Burrows.

The professional jury who will select the finalists is comprised of peers from the contemporary art world around the country, including independent curator and writer Anthony Huberman, Doryun Chong Associate curator at the Museum of Modern Art in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACMA.

Visual Traditions, past and present Feb. 14 18:30 Providing a context for Peter Clarke's work, a panel including independent curator Christine Eyene, share their knowledge of recent visual arts developments in South Africa.

Teachers and advisors for this program included independent curators Cecilia Alemani, Regine Basha, and Teresa Gleadowe; Kate Fowle, Executive Director, ICI; Sofia Hernandez Chong Cuy, Curator of Contemporary Art, Coleccion Patricia Phelps de Cisneros; Matthew Higgs, Director and Chief Curator, White Columns; and Christian Rattemeyer, Associate Curator, Department of Drawings, MoMA.

Visual Traditions, past and present: 14 February, 6:30 pm Providing a context for Peter Clarke's work, a panel including independent curator Christine Eyene shares their knowledge of recent visual arts developments in South Africa.

Speakers include independent curator and critic Sacha Craddock, writer and curator Maxa Zoller and writer and art historian Kobena Mercer.

Not exact matches

OSV Collectors» Forum speakers will include Colleen Callahan, Independent Historian: Put the Manly Breeches On: Boys» Clothing as Symbols of Manhood in the 19th Century; Laura E. Johnson, PhD., Associate Curator at Historic New England: From Stays to Skeleton Suits: Dressing Children in Early America; Chris Bates, Old Sturbridge Village Costume Coordinator: Making A Portrait Come Alive: Creating Reproduction Clothing at Old Sturbridge Village, presented with Rebecca Beall, Old Sturbridge Village Collections Manager, and Jean Contino, Old Sturbridge Village Coordinator of Households and Women's Crafts.

In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.

Recent awards and grants include two awards from the International Association of Art Critics (2011), the Agnes Gund Curatorial Award from Independent Curators International (2010), Curatorial Research Fellowship from the Warhol Foundation (2008), and Chevalier of the Order of Arts and Letters from the French Government (2006).

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

This committee includes Carol Bove (artist), Yilmaz Dziewior (Director, Museum Ludwig, Cologne, Germany), Reem Fadda (Associate Curator, Middle Eastern Art, Guggenheim Abu Dhabi Project, Solomon R. Guggenheim Museum), Rashid Johnson (artist), Eungie Joo (independent curator), Pablo Leon de la Barra (Director, Casa França - Brasil, Rio de Janeiro, Brazil), Helen Molesworth (Chief Curator, The Museum of Contemporary Art, Los Angeles), Virginia Overton (artist), Franklin Sirmans (Director, Pérez Art Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, BCurator, Middle Eastern Art, Guggenheim Abu Dhabi Project, Solomon R. Guggenheim Museum), Rashid Johnson (artist), Eungie Joo (independent curator), Pablo Leon de la Barra (Director, Casa França - Brasil, Rio de Janeiro, Brazil), Helen Molesworth (Chief Curator, The Museum of Contemporary Art, Los Angeles), Virginia Overton (artist), Franklin Sirmans (Director, Pérez Art Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, Bcurator), Pablo Leon de la Barra (Director, Casa França - Brasil, Rio de Janeiro, Brazil), Helen Molesworth (Chief Curator, The Museum of Contemporary Art, Los Angeles), Virginia Overton (artist), Franklin Sirmans (Director, Pérez Art Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, BCurator, The Museum of Contemporary Art, Los Angeles), Virginia Overton (artist), Franklin Sirmans (Director, Pérez Art Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, BCurator, 32nd São Paulo Biennial, São Paulo, Brazil).

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

He has mounted exhibitions as an independent curator at museums in Europe, Asia and the U.S., including the Bronx Museum of the Arts, Comune di Milano in Italy and the Museum Villa Stuck in Munich.

Independent curator Marie - Salomé Peyronnel chose seven artists, including the Strokes» Fabrizio Moretti, to transform the idyllic garden into -LSB-...]

Brought together by artist Dan Graham and independent curator Sylvia Chivaratanond, the works in Deep Comedy transform elements of the commonplace into playgrounds for amusement through a wide range of media including sculpture, video, installation, photography, and performance.

Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior curatorial assistant, Whitney Museum of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.

As an independent curator, Cameron has organized several influential exhibitions, including Art and Its Double (1987) and El Jardn Salvage (1991) at Fundacio la Caixa in Barcelona; Cocido y Crudo (1995) at the Centro de Arte Reina Sofia in Madrid; and retrospectives of Peter Saul and Kenny Scharf.

The four - color illustrated catalogue includes an essay by Natasha Boas, an art historian and independent curator based in Paris and San Francisco, and features a -LSB-...]

A Los Angeles - based independent curator and film programmer, she is co-curator of Black Radical Imagination, a series of film shorts, screened at venues including MCA Chicago, ICA Boston, and the Brooklyn Museum, that focuses on «the aesthetics of Afro - futurism, Afro - surrealism, and the magnificent through the context of cinema.»

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

The panel — organized and moderated by Jenni Sorkin, assistant professor, UC Santa Barbara — includes Wendy Kaplan, head of decorative arts, Los Angeles County Museum of Art; Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles; Jenelle Porter, independent curator; and Andrew Perchuk, deputy director, Getty Research Institute.

Her other projects include Roma - Sinti - Kale - Manush (May - July 2012) at Rivington Place, London, as co-curator with Mark Sealy, Director of Autograph ABP and Gabi Scardi, Independent Curator; Reflections on the Self — Five African Women Photographers London and touring the UK (2011 - 2014), as part of Hayward Touring; and [Kaddu Jigeen]-- Women Speak Out (2011 - 2013), Galerie Le Manège, Dakar and touring Africa.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

, in partnership with the Lower Eastside Girls Club (see VIDEO), benefitting local female - driven arts organizations, the fair will present a full roster of 1,200 works of art by 78 global exhibitors including progressive galleries, curators, and independent artists.

Showcasing the work of 21 artists, including nine new productions commissioned and selected in close collaboration with independent curator Julie Boukobza, the show has been produced by Balkan Projects — a new initiative led by LA - based Serbian actress Marija Karan, which aims to bring the Balkan art scene to an international stage.

An independent curator, she has been involved in several biennials including Brighton Photo Fringe at the Brighton Photo Biennial (2010); 3rd Photoquai Biennial, Paris (2011); Dak» Art Biennial (2012) and the recent experimental project Mobile Emergency Room with Thierry Geoffroy presented in the Zimbabwe Pavilion at the 55th Venice Biennale (2013).

17:30 — 19:00 Artist talk: Pascale Marthine Tayou Nadine Bilong (independent curator) will lead a conversation with Pascale Marthine Tayou around the artist's current projects, including his site - specific artwork Summer Surprise (2017), installed at the fair in The Edmond J. Safra Fountain Court.

They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East and its diasporas; Gean Moreno, curator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clcurator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clcurator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clCurator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothing.

Group exhibitions include Out of Line, The High Line, NYC; The World is a Mirror of My Freedom, McColl Center, Charlotte, NC (2017); Wound: Mending Time & Attention, The Cooper Union, NYC; A Dark Matter..., Tarble Arts Center, Eastern Illinois University, Charleston, IL, March Madness, Fort Gansevoort, NYC (2016); superHUMAN, Central Utah Art Center, Ephraim, UT; Greater New York: Five - Year Review, MoMA PS1, Long Island City, NY; Mixed Signals: Artists Consider Masculinity in Sports, Independent Curators International, traveling exhibition; Hard Targets: Masculinity and American Sports, Los Angeles County Museum of Art, Los Angeles, CA; The S - Files, Museo del Barrio, NYC; and Emergency Room, P.S. 1 Contemporary Art Center, Long Island City, NY.

She works as independent curator based in New York and her recent projects include «Threshing Floors» at Cuchifritos Gallery on the Lower East Side and «Frames of War» at Momenta Art in Brooklyn.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthal.

Katrib joins numerous leading curators collaborating with Frieze, including Raphael Gygax (Migros Museum für Gegenwartskunst, Zurich) on Frieze Projects, Toby Kamps (The Menil Collection, Houston) and Sir Norman Rosenthal (independent curator) on Frieze Masters and Clare Lilley (Yorkshire Sculpture Park) on the Sculpture Park.

The quality and diversity of the 2016 fair was further strengthened through Frieze Masters's collaborations with leading international curators, including Toby Kamps (The Menil Collection, Houston), Clare Lilley (Yorkshire Sculp - ture Park), Tim Marlow (Royal Academy of Arts, London) and Sir Norman Rosenthal (independent curator), who created sections and programmes dedicated to artistic discovery and connoisseurship.

As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014).

CREDENTIALS: Independent curator; writer of essays and books including Painting Abstraction: New Elements in Abstract Painting and Stephen Shore: American Surfaces.

As an independent curator, Kirszenbaum has organized exhibitions in New York City, including The Seen and The Hidden: (Dis) covering the Veil (2009), NineteenEightyFour (2010) at the Austrian Cultural Forum, the video program Janitors of Lunacy (2011) for the College Arts Association, the group exhibition Grey Peak of the Wave at Harris Lieberman Gallery (2012).

The Clemente's Visual Arts Review Panel which includes independent museum professionals, curators, gallerists and arts educators will select exhibitions for the Abrazo and LES Gallery based on the strength of the art and curatorial concept.

Although the couple have collected art for more than two decades and are involved in every aspect of the foundation, they have put together a team of experts including Germano Celant, an independent curator, and Astrid Welter, who heads the foundation's curatorial team.

«Women art dealers» includes: gallerists, art advisers & consultants, independent curators and primary / secondary market art dealers.

Working as an independent curator has allowed me to expand even further beyond the object to include other media, which I included in Back to Eden with Zurkow's animation and Capone's video installation.

Cayetano Ferrer's winning proposal engages with the concept of time and duration and was selected by an international jury that included Sonia Becce (Independent Curator, Argentina); Caroline Bourgeois (Curator, Pinault Foundation); Rita Gonzalez (Curator, LACMA), and Katie Sonnenborn (co-Director, Skowhegan School of Painting and Sculpture).

The catalogue will include an essay by Kate Fowle, Chief Curator for Garage Center for Contemporary Culture, Moscow and Director - at - Large at Independent Curators International (ICI), New York.

The exhibition then shifts focus to New York; it includes their documentation of Yayoi Kusama's astonishing Happenings of the late 1960s and selections from Pier 18, a project conceived and organized by independent curator Willoughby Sharp, for which Shunk - Kender photographed works by 27 artists.

Other speakers will include Phyllis Tuchman, independent curator, scholar, and art critic: Helen Frankenthaler: From the Heart, July 14, 2 pm; and Avis Berman, writer, curator, and historian of American art, architecture, and culture: Helen Frankenthaler: Voices from the Archives, August 11, 2 pm.

Artists on the panel include Joe Fig, Richard Haas, and Lor Nix, moderated by Christian Viveros - Faune, art critic and independent curator.

The book includes colour reproductions of the exhibited works, as well as an insightful text by independent art critic and curator, Sacha Craddock.

Looking to the local art scene in South Florida, subjects include Dina Mitrani of the Dina Mitrani Gallery, independent curator Tami Katz - Freiman, and artists Lisa Rockford and Jillian Mayer.