Sentences with phrase «including architectural installation»

The artist spent time studying film - industry special effects techniques to prepare this project, which includes an architectural installation of petrified wood from Turin, columns from Sharjah, and silicone molds from Istanbul.

Not exact matches

(iv) a failure to remove architectural barriers, and communication barriers that are structural in nature, in existing facilities, and transportation barriers in existing vehicles and rail passenger cars used by an establishment for transporting individuals (not including barriers that can only be removed through the retrofitting of vehicles or rail passenger cars by the installation of a hydraulic or other lift), where such removal is readily achievable; and
His extensive industry experience draws on Pacific Store Designs» full suite of services, including design, fixtures sales, custom cabinetry, vented animal enclosures, general contracting, architectural services, professional installations, merchandising assistance and training.
One of Grasso's major architectural installations includes Nomiya (2009 - 2011), the temporary project he designed which was situated on the rooftop of the Palais de Tokyo in Paris, France.
The second part of the exhibition is an installation of components of the house, including a portion of the interior framing that re-creates the volume of the house inside the Pulitzer, along with salvaged wood, bricks, furniture and other architectural elements.
Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.
The show paid homage to Ward's exploration of identity (including his Jamaican roots and his life as an artist in New York) and environment through immersive architectural installations, as well as sculptures and photographs, forged largely from found objects.
Contemporary sculpture is a broad and diverse field that includes object making, large - scale architectural installation, performance - based work, time - based work, and time - based media.
Represented by Greene Naftali, New York, Harrison combines a wide range of mediums including photography, painting, sculpture, video, installation and architectural interventions.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.
Bruce Nauman: Theaters of Experience is a focused selection of works in a range of media, including sculpture, video, holograms, neon and architectural installations, which examine the artist's use of performance devices as a conduit for heightened self - awareness for both artist and audience.
Some recent examples include: Milwaukee Art Museum 2010 where Gates invited a gospel choir into the galleries to sing songs adapted from inscriptions on pots by the famous 19th century slave and potter «Dave Drake»; the Whitney Biennial, 2010 when the Sculpture Court was transformed with an architectural installation functioning as communal gathering space for performances, social engagement, and contemplation.
These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and, by the time of his 1969 retrospective at the National Gallery of Canada, developing special installations, or «situations,» consisting of specially constructed architectural spaces containing room - filling light.
Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).
For Judd Foundation, he oversees art installations, architectural issues, and design efforts (including the recent restoration of 101 Spring Street in New York).
It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
On Thursday, October 13 at 7 pm at Atlanta Contemporary, Rubinstein will speak about recent projects based around his book The Miraculous (Paper Monument, 2014), including a 2016 installation in Edinburgh in which extracts from his book were transposed into a site - specific architectural setting.
Cave opened an extensive survey of his practice at the Frist Center for the Visual Arts in Nashville, Tennessee including a massive projection of Cave's Soundsuit - centric art film, Blot (2012), several psychedelic textile installations including Architectural Forest (2011) and Button Walls (2013) and a crowd - pleasing selection of ten marvelous Soundsuits made between 2011 and 2017.
Kurt Schwitters: Color and Collage spans the artist's output between 1918 and 1947, and includes collages, assemblages, sculpture, and the reconstruction of the architectural / sculptural installation Merzbau, which was destroyed when the Allies bombed Hannover in 1943.
He is also planning donations of oversize works to several museums, including «Other Voices for a Second Slight,» Vito Acconci's 1974 three - room installation combining speech with lighting effects, architectural elements and photographic collage.
Spanning exhibitions, publications, films, new media, and site - specific installations, funded projects include «Incense Sweaters & Ice,» an immersive installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first book - length study of the architect J. Max Bond Jr. (at right, on far left); «Sacred Stoops: Typological Studies of Black Congregational Spaces,» an investigation of the porch and its role in the African American community; and research exploring «emerging paradigms» in architectural education across sub-Saharan Africa.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.
Her large - scale installations have included advertising billboards, projections on buildings and other architectural structures, and illuminated electronic displays.
From her investigation into the notion of artificial beauty to references of futuristic architectural ideas from the early 20th century, Korean artist Lee Bul has, over the past two decades, garnered international renown with a diverse and intellectually challenging body of work that includes sculptures, performances and installations, while always maintaining an intriguing relationship with modernist ideals.
With architectural drawings and diagrams as well as objects and installations, the exhibition examines a range of museum practices, including classifying, archiving, and marketing.
His artistic practice includes performance, publications, videos, sound and architectural installations.
His work consists of «peculiar» architectural installations, including an automatic door and an industrial paint mixer, that combine the familiar with the fantastical while still leaving room for the blurriness that exists when you refuse to settle into just one box.
Since the mid-1960s, Graham's practice has included essays, performances, videos, installations, and architectural / sculptural designs — most famously his glass pavilions — that are variously presented and constructed in relation to a particular site as well as for the gallery.
Her work engages sculpture, performance, drawing and painting including large - scale architectural installations.
Located in SoHo, NY's historic photo building at 100 Crosby Street, the gallery represents a wide range of emerging and established photographers whose practices include landscape and architectural installation, abstract and concrete photography, experimental mixed media works, and social documentary.
The installation will be based on MacCallum's own architectural photographs of the plant taken in 1986, and will also include archival photographs, aerial survey photos, images from the company's promotional material and film -LSB-...]
Highlights of his multifaceted oeuvre include Basilica di Siponto (2016), a permanent installation that merges contemporary art and archaeology by restoring a Paleo - Christian basilica in Puglia, Italy, Aura, a site - specific, two - part, floating installation that took over the halls of Le Bon Marché, the prestigious Parisian department store in the autumn of 2017, and Archetipo (2017), a sprawling, indoor «piazza» in Abu Dhabi synthesized from domes, arches, colonnades, and other architectural fragments of Italian classicism.
The installation will be based on MacCallum's own architectural photographs of the plant taken in 1986, and will also include archival photographs, aerial survey photos, images from the company's promotional material and film newsreel footage.
One of Grasso's major architectural installations includes Nomiya (2009 - 2011), the temporary project he designed which was situated on the rooftop of the Palais de Tokyo in Paris.
The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.
She uses both traditional and unconventional materials — including plastic chairs upholstered with beach towels or pineapple upside - down cake — to create sculptures, installations and architectural interventions that foster accessibility and encourage public participation.
Hauft has exhibited her large - scale architectural installations in museums and galleries world - wide including the Brooklyn Museum, the New Museum, the International Artists Museum (Poland), The American Academy in Rome, PS1 Museum, Wesleyan University Gallery, USC Atelier Gallery, School of the Art Institute of Chicago Galleryaaa, Sculpture Center, etc..
Underlining and highlighting the transition from the past to the present, the complex identity of which it is important to conserve, it has been decided to graft the exhibition in its totality — walls, floors, installations and art objects, including their relative positions — onto the historical architectural and environmental structure of Ca» Corner della Regina, thereby inserting — on a full - size scale — the modern rooms of the Kunsthalle, delimited by white wall surfaces, into the ancient frescoed and decorated halls of the Venetian palazzo.
Irwin's oeuvre has spanned more than 60 years and includes painting, sculpture, installation and large - scale architectural projects.
The exhibition debuts his latest work including two ambitious installations that intensify the artist's use of peculiar architectural interventions.
Participating artists and architects include the forensic photographer Lars Wallsten, the disaster relief architectural team of Gans & Jelacic, and installation artist Katrin Sigurdardottir.
For The Contemporary Austin, the artist renders a multipart installation for the Jones Center and Laguna Gloria exploring these themes, combining existing work with newly commissioned aspects and including architectural structures, documentary films, and drawings and related models.
Our highlights also included the Architecture Foundation's gorgeous «Bureau Spectacular: Three Little Words», featuring an installation inspired by practice founder Jimenez Lai's architectural comic strips (on display until the end of August).
Other projects include a large - scale outdoor installation for Aires Libres Festival, Montreal (2014) and his first monumental drywall - based architectural installation for his solo exhibition at ISE Cultural Foundation, New York (2014).
The university now has almost two dozen works in its collection — including an architectural piece by renowned installation artist Robert Irwin.
His oeuvre includes paintings, prints, sculptures, environments, architectural integrations, public interventions and monumental public installations.
«Out of Site: Fictional Architectural Spaces,» site - specific installation blending digital technology, virtual reality, urban and suburban growth and global expansion by artists including Ricci Albenda, Nina Bovasso, Victoria Haven, Stephen Hendee, Julie Mehretu, Adam Ross and Shirley Tse.
In Ingram's work, which includes a large - scale architectural installation, photographs, prints and paintings, construction materials themselves are used as tools for humorous investigations of modernist art and architecture.
Installations involving architectural and interior design elements including walls, mirrors and windows further complicate West's figurative sculptures, which previously appeared alongside work by Howard in ATLBNL, the 2016 Atlanta Biennial at Atlanta Contemporary.
Highlights include Gareth James» offbeat photo of a museum installation in progress, Assaf Evron's massive photographic mural of mountain peaks overlaid with framed pictures of architectural friezes, and Ilit Azoulay's «Howling for Beuys,» a large - scale photomontage of different forms of aluminum scrap.
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