Sentences with phrase «including black masculinity»

Not exact matches

Eshun is the curator of exhibitions including Made You Look: dandyism and black masculinity at The Photographer's Gallery; Power & Architecture: public space and the post-Soviet world and Post-Soviet Visions: image and identity in the new Eastern Europe at Calvert 22, and Just Kids: Magnum photographers on youth culture, in association with Magnum.

Black Male Representations of Masculinity in Contemporary American Art, An Introduction for Students Exhibition catalogue, Whitney Museum of American Art, 945 Madison Avenue, New York, New York 10021, 10 November 1994 — 5 March 1995 SAHLI Abderrazak Sahli Exhibition catalogue Bakou, including price list, with foreword by Rose Issa.

Installation view of Fred Wilson's Guarded View (1991) included in Thelma Golden's «The Black Male: Representations of Masculinity in Contemporary American Art» (1994 - 95) at the Whitney

Over a decade at the Whitney, she organized numerous groundbreaking exhibitions, including Black Male: Representations of Masculinity in American Art, in 1994.

Current projects include In the Shadow of the Negress: A Brief History of Modern Artistic Practice, which explores the constitutive role played by fictions of black womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother: Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical esblack womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother: Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical esBlack Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical essays.

She served on the curatorial team of the Whitney Museum from 1988 - 2000, where her groundbreaking exhibitions included «Black Male: Representations of Masculinity in American Art,» and where she served as Director of the Whitney Museum at Phillip Morris.

Harris, who grew up in New York City and Dar es Salaam, Tanzania, came to prominence in 1994 when Whitney Museum of American Art curator Thelma Golden included his large - format Polaroid pictures of friends, family members and himself in poses and guises challenging racial and gender identity in her seminal exhibition «Black Male: Representations of Masculinity in Contemporary American Art.»

His work has been exhibited internationally, including the influential exhibit, Black Male: Representations of Masculinity in Contemporary American Art and a survey show at the Institute for Contemporary Art, Philadelphia in 1998.

In a decade at the Whitney, she was a member of the curatorial team for the 1993 Biennial, organized numerous groundbreaking exhibitions including 1994's Black Male: Representations of Masculinity in American Art, and served as Director of the Whitney Museum at Phillip Morris.

He was represented in many group exhibitions and was one of the few white artists included in Black Male: Representations of Masculinity in Contemporary American Art at the Whitney Museum of American Art in 1994.

At the Whitney Museum, Golden organized many exhibitions including the 1993 Biennial Exhibition (directed by Elisabeth Sussman); «Black Male: Representations of Masculinity in Contemporary Art» (1994 - 1995) and «Bob Thompson: A Retrospective» (1998) among others.

[3] She organized many notable exhibitions, including the controversial 1993 Biennial, [4] directed by Elisabeth Sussman; Black Male: Representations of Masculinity in Contemporary Art (1994 — 95); Bob Thompson: A Retrospective (1998); Heart, Mind, Body, Soul: New Work from the Collection (1998); and Hindsight: Recent Work from the Permanent Collection (1999).

Blake has had solo museum exhibition at the Tang Museum and was included in the 1991 Whitney Biennial and that museum's infamous Black Male: Representations of Masculinity in Contemporary American Art exhibition in 1994.

Ligon is one of the most important American artists working today, with work spanning painting, sculpture, photography, and film, and exhibitions throughout the United States and Europe, including the 1991 and 1993 Whitney Biennials; Black Male: Representations of Masculinity in Contemporary Art and The American Century: Art and Culture 1900 — 2000, both at the Whitney; solo exhibitions at the Studio Museum in Harlem; the Kunstverein München, Germany; the Walker Art Center, Minneapolis; St. Louis Art Museum, Missouri; ICA in Philadelphia; and SFMOMA; as well as the 1997 Venice Biennale and Documenta II.

Swann: Tuff Tony is an excellent example of Barkley Hendrick's striking portraits, and one of his most widely exhibited paintings, including «Barkley L. Hendricks» at The Studio Museum in Harlem, New York, N.Y. (Jan. 20 - March 30, 1980); «Black Male: Representations of Masculinity in Contemporary American Art» at the Whitney Museum of American Art, New York, N.Y. (Nov. 10, 1994 - March 5, 1995); and «Barkley L. Hendricks: Birth of the Cool» at Nasher Museum of Art at Duke University, Durham, N.C. (Feb. 7 - July 13, 2008).

From 1988 to 1998 she was a curator at the Whitney Museum of American Art, where she organized many exhibitions, including the seminal Black Male: Representations of Masculinity in Contemporary Art (1994 — 95).

Her curatorial experience includes a decade at the Whitney Museum of American Art, during which time she organised numerous groundbreaking exhibitions, including «Black Male: Representations of Masculinity in American Art, in 1994».

Known for his life - size portraits of well - dressed black subjects, portraying aspects of black music, fashion and culture from the late»60s onwards, Hendricks's work was included in the influential show «Black Male: Representations of Masculinity in Contemporary American Art» at the Whitney Museum of American Art in black subjects, portraying aspects of black music, fashion and culture from the late»60s onwards, Hendricks's work was included in the influential show «Black Male: Representations of Masculinity in Contemporary American Art» at the Whitney Museum of American Art in black music, fashion and culture from the late»60s onwards, Hendricks's work was included in the influential show «Black Male: Representations of Masculinity in Contemporary American Art» at the Whitney Museum of American Art in Black Male: Representations of Masculinity in Contemporary American Art» at the Whitney Museum of American Art in 1994.