Sentences with phrase «including conceptual photography»

Given the range of «new media» included in North by New York, including conceptual photography by Icelandic artist Ragnar Kjartansson, film stills by Finnish artist Marja Viitahuhta, and the video works of Danish artist Henrik Lund Jørgensen, the fact that actual paintings are included among the hydridities present in the show is already ahead of the game.

Not exact matches

Drone 55's aerial services include, view study photography, photo and video backplates for 3D architectural conceptual visualization and animations; aerial photography for marketing, aerial cinematography for film, television and commercials; and video marketing for real estate.
AMERIKA David Castillo Gallery, Miami More than 25 national and international artists — including Shinique Smith, Bjarne Melgaard and Paul DeMuro — brought a diverse array of conceptual sculptures, textiles, paintings, photography, installation and performance to the Miami gallery last September.
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
And given UCLA's rank as the No. 2 graduate fine art program in the country, it's a compelling list, which includes Woman's Building pioneer Judy Chicago, conceptual artist Barbara Kruger, painters Lari Pittman and Toba Khedoori (the latter of whom recently had a one - woman show at LACMA), installationist Rodney McMillian, photographer James Welling and groundbreaking photo collagist Robert Heinecken (who established the photography program at UCLA in the 1960s and was the subject of a retrospective at the Hammer Museum in 2014).
Vancouver - born artist Ken Lum, is known worldwide for his conceptual and representational art in a number of media, including painting, sculpture and photography.
Discreet installations include sculpture, photography, video projections, interactive stations and conceptual artwork, some of which will change during the residency.
Works on view are varied, including pioneering x-rays and aerial views, artifacts of early photojournalism, and recent examples of conceptual art all grouped in arrangements to emphasize the range of possibilities offered by photography as a medium.
Bringing together approximately 150 highlights from the Museum's permanent collection and many recent acquisitions, Art and Resolution includes works across media, with a focus on print and photography portfolios, which visualize resolution and its conceptual underpinnings and seek to act as agents of reconciliation through visual culture.
It includes essays on working methods and collaboration by photography curator Rebecca Senf, Norton Family Curator of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of photography curator Rebecca Senf, Norton Family Curator of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of the canyon.
Alejandro Figueredo Díaz - Perera is a conceptual artist from Havana, Cuba who works in a variety of media including: video, photography, painting, installation, and text.
In the early days of photography, questions of technical feasibility were pressing and creative possibilities beckoned; beginning in the 1960s, artists expanded the scope of their engagement with «space» to include social and conceptual issues.
The wide panorama established by the collection, which alongside painting and sculpture also includes to a substantial degree photography and video works, finds its conceptual orientation through the search for comparable visual concepts in works employing various media.
Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.
Featuring a wide array of art, including conceptual, performance, film, video art, photography, painting, sculpture and printmaking, the exhibition includes artists such as Faith Ringgold, Lorna Simpson, Carrie Mae Weems, Ana Mendieta, Emma Amos and more.
Nicholas Marshall is a Rochester, NY - based conceptual artist whose works drift in and out of multiple mediums including photography, painting, and scu
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.
Highlights include a 1927 portrait of the writer and photography critic Pierre MacOrlan by modernist André Kertész; Vito Acconci's conceptual works Step Piece and Waterways: 4 Saliva Studies (both 1971); and examples of American street photography.
Nicholas Marshall is a Rochester, NY - based conceptual artist whose works drift in and out of multiple mediums including photography, painting, and sculpture.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
During that seminal period, Rauschenberg established an ongoing interest in grasping the full range of art - making mediums, including printmaking, painting, photography, drawing, sculpture, and conceptual modes, often blurring categorical distinctions by using multiple techniques and materials in combination.
Depictions of objects including interiors, children, and cameras parts, encode quotidian systems of representation with sophistication and rigour, raising the bar for the complex dynamics conceptual photography can achieve.
Her conceptual work, which includes sculpture, textiles and photography, has been exhibited all over the US and is included in private collections in Philadelphia and Chicago.
Lorna Simpson has pursued a number of innovations in her conceptual photography practice, including printing on felt, which she did with the above work.
however, at the turn of the new millennium, works by günter förg, including photographies and sculptures, gradually put the emphasis on embracing conceptual arts — now focal point of the haubrok collection.
The exhibition is organized around four thematic sections, each of which mixes a variety of styles and media, including Pop and Conceptual art, documentary photography, Surrealism and abstraction.
The Palace of Tokyo organizes a wide variety of avant - garde art, embracing contemporary forms including photography, installation, video, electronic, performance and conceptual art.
His art crosses mediums, including painting, photography, collage, and conceptual art.
In addition, LSG is dedicated to a contemporary program that incorporates paintings, photography and sculpture, as well as conceptual and multimedia art by a growing roster of regional, national and international artists, including Gino Miles, Thalen & Thalen, Chris Bracey, David Spiller, Jason Myers, Russell Young, David Kramer, Wayne Warren, Dale Enochs, Constance Edwards Scopelitis and William John Kennedy.
The gallery brings to Fog Fair newcomers including conceptual artist Ian Wallace, who plays with the boundaries between photography and painting; and Turner - Prize nominee Nicole Wermers, whose mixed - media works and installations explore themes of lifestyle, consumption, and class.
Dennis Adams (b. 1948) is an American conceptual artist whose work includes photography, text, and installation.
Also at Tate Britain, Art and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artists.
Lorraine O'Grady Crossing disciplines including performance, criticism, photography and video, Lorraine O'Grady's meditations on Black identity and women's representation have positioned her as a fore - bearer of conceptual and activist practice.
At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photography.
Selected group exhibitions include Radical Conceptual, Museum für Moderne Kunst, Frankfurt; Production Site: The Artist's Studio Inside - Out, Museum of Contemporary Art, Chicago; The Original Copy: Photography of Sculpture, 1839 to Today, The Museum of Modern Art, New York; Analysis of Flight Data: Art of the 1980s: A Düsseldorf Perspective, K21 Kunstsammlung Nordrhein - Westfalen, Düsseldorf (all 2010); Waiting for Video: Works from the 1960s to Today, The National Museum of Modern Art, Tokyo; and Artist's Choice: Vik Muniz, Rebus, The Museum of Modern Art, New York (both 2009).
American conceptual artist Sol LeWitt created over 1,200 colorful geometric wall drawings in addition to producing works in a variety of mediums, including sculpture, photography, and printmaking.
Collection and exhibitions The permanent collection of the MACBA ranges from abstract art of the 1950s to pop art and conceptual art; it also includes a section specifically dedicated to photography and art from Spain and Latin America.
Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world - wide, whose diverse practices include painting, works on paper, sculpture, video, photography, performance, conceptual future media and public space installations.
Charrière «s work is definitively conceptual, with interests in archaeology and geology, and encompasses most forms of media including; installation, film, performance and photography.
Neuenschwander's work, which includes painting, photography, film, sculpture, immersive installations and participatory actions, combines conceptual rigor, sensory appeal, poetic evocation and viewer interaction.
A conceptual artist and philosopher, Adrian Piper works in a variety of mediums, including photography, video, and performance.
Skye Gilkerson creates poignant conceptual projects across a range of media, including sculpture, installation, photography, film and collage.
Adrift is a solo exhibition featuring new works by conceptual artist Ryan McIntoch that investigate the artist's recent fascination with dark and ominous nautical themes through various mediums including photography, printmaking, painting, and temporal site - specific installation.
The winner in 2008 was Ernesto Oroza, who works in a variety of media including photography and video, and who has produced a wide - ranging series of conceptual art projects.
Allen Ruppersberg (b. 1944) is one of the first generation of American conceptual artists with an oeuvre that includes paintings, prints, photography, sculpture, installations and literature.
Ernesto Oroza (b. 1968, Havana): Since his graduation from the Higher Institute of Design in Havana with a degree in industrial design, Oroza has worked as an artist in a variety of media, including photography and video, and has produced a wide - ranging series of conceptual art projects.
Presenting a diverse group of artists and activists who lived and worked at the intersections of avant - garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking.
Alexander Squier is a conceptual artist who works across media including printmaking, drawing, photography, video and installation.
Using an array of media including video installation, performance, sculpture, and photography, Bruce Nauman is known for conceptual works that explore space, language, and the body.
Adel Abdessemedis a conceptual artist who works in a broad range of media including drawing, video, photography, performance, and sculpture.
a b c d e f g h i j k l m n o p q r s t u v w x y z