Sentences with phrase «including exhibitions texts»

Not exact matches

As the exhibition will display on panels and videos, imaging experts were able to map much of the hidden text using high - tech tools — including x-rays from a particle accelerator — and to make it available to scholars.

Izard notes that the learning team «included the Turning the Pages volumes within a set of structured learning tools» to complement a recent exhibition of sacred texts from the library's collection.

To accompany the exhibition, a fully illustrated catalogue was published, including texts by writers John Banville and Richard Bradford, as well as Larkin poetry (Other Criteria / Gagosian Gallery, 2007).

The artist's thirty - fifth exhibition with Pace, New York City, No - Name, Re-do, Seductions will be on view from September 15 to October 21, 2017, at 510 West 25th Street, and an opening reception will be held on Thursday, September 14 from 6 to 8 p.m. Pace will publish a catalogue that includes a new text by Samaras to accompany the exhibition.

The exhibition publication includes images of the works, installation views, and a text by Susanne Cotter.

The exhibition included ephemera such as invitations, texts, publications, and posters pertaining to Williams's work.

This fully illustrated catalogue, designed by Philipp Hubert and co-published by ArtAsiaPacific and Samuel Dorksy Museum of Art, State University of New York at New Paltz, includes texts by exhibition curator Rachel Perera Weingeist, curator and writer David Elliott and Tibetan cultural activist Jamyang Norbu.

Tillmans also designed the accompanying exhibition catalogue, which included a text by Yuka Uematsu.

An illustrated book will be published by Black Dog Publishing to coincide with the opening of the exhibition in Venice including texts by Phyllida Barlow and Emma Dexter.

An exhibition catalogue will be published, including a text by the British physicist and cosmologist Roger Penrose and a text by Maaretta Jaukkuri, Chief Curator at KIASMA Museum of Contemporary Art, Helsinki.

Created in close collaboration with the artist, this fully illustrated publication includes texts by Christopher Bedford, who curated the exhibition during his directorship at The Rose Art Museum, Suzanne Hudson, Catherine Lord, and Siddhartha Mukherjee, and features an interview with the artist by Katy Siegel.

The first, entitled The Production Line of Happiness, is equal parts artist's book and exhibition publication, and includes texts by the curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky.

The result of a close collaboration between Wolfson and the book designer Joseph Logan, the publication is part exhibition catalogue and part artist's book, and includes a text by Wolfson that provides context for the visual material.

Recent solo exhibitions include Song of the Earth at Freight + Volume (NYC) and Image, Music, Text at the Untitled art fair in Miami Beach (2012).

Spanning both galleries and encompassing works in a wide range of media — including paintings, new bronze sculptures, works on paper, neon texts and a video — the exhibition reveals the most recent developments in Emin's intensely personal yet profoundly universal oeuvre.

This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.

Spanning numerous areas of SALT, the exhibition brings together photographic works, wall texts, films and installations, including the newly commissioned film There are no Syrian refugees in Turkey (2016), shot in Istanbul in the summer of 2016.

Accompanying the exhibition, is a new publication, a supplemental book that presents scholarly texts by curator and art historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and future.

This expanded edition of Panorama includes a new text by Mark Godfrey that covers works made since the 2011 exhibition, including the Strip, Flow and Birkenau paintings, as well as an updated chronology.

Each image included in the exhibition will be accompanied by a text that explains why the participant who selected it found it to be meaningful.

Texts include critical responses from his very first solo exhibition to present.

The exhibition includes paintings, drawings, book illustrations, objects, text, film and costume sketches for the theatre and opera.

The catalogue will include an introduction by Klaus Biesenbach as well as texts on each artist in the exhibition written by P.S. 1 and MoMA curators.

Weiner has presented a number of projects and exhibitions across the UK since the early 1970s: at ICA, London; Pier Arts Centre, Orkney; The Fruitmarket Gallery, Edinburgh; The Henry Moore Sculpture Trust, Halifax; Art Transpennine, Hull; Inverleith House in Edinburgh; several engagements with Bury Art Gallery, including their Text Festivals; a solo show at the National Maritime Museum, London; and occasional shows in commercial galleries, the most recent at Lisson Gallery in 2013.

The exhibition included both freestanding sculptures and wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of photographic documentation, or made accessible by computer.

Past solo exhibitions include The Wood Way (2002) at Whitechapel Gallery, London; A Short text on the possibility of creating an economy of equivalence (2005) at the Palais de Tokyo, Paris; and the retrospective project, Three Perspectives and a short scenario, at Witte de With, Rotterdam, Kunsthalle Zurich, Kuntsverein, Munich, and the Museum of Contemporary Art, Chicago (2008 - 2010).

Lynne's text is included in the free exhibition catalogue, which is available at CUE and online here.

The exhibition will be accompanied by a publication that will set Torop's images to Meriwether Lewis's 2600 - word text, and will include an essay by Nicholas Frank that continues the dialogue with Lynden's landscape and history.

A comprehensive selection of over 60 essays and exhibition reviews has been collated into one volume, including texts by some of the most influential art historians and critics.

This small exhibition will also include a limited - edition Ivory Press book, Isamu Noguchi, 18 Drawings and 18 Photographs, as well as a text by Pico Iyer.

Accompanying the exhibition is a launch of a book which reproduces the drawings and includes a text by Rosalind Morris, Professor of Anthropology at Columbia University.

The presentation will be accompanied by a digitized version of the original Robert Irwin catalogue, published by the Whitney at the time of his 1977 exhibition, which includes an ambitious combination of images, project plans, and theoretical texts written by Irwin himself as well as biographical and exhibition information compiled by the exhibition's curator, Richard Marshall.

In this sense, Kippenberger can be seen as an artist who was ahead of his time, taking upon himself all the tasks that artists today take for granted, including curating exhibitions, writing texts, self - promotion, and working globally, collaboratively, and interdisciplinarily.

Opportunities to realize independent creative projects including curating exhibitions, writing texts for publication, and organizing events

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

Each of the case studies, which also include Freeze, London (1988) and New York's Whitney Biennial of 1993, consists of a one - page introduction, followed by archival photographs and text excerpts from their respective exhibition catalogues and contemporaneous press reviews.

Documenting four unique exhibitions at the Whitechapel Gallery over the course of a year, this publication includes newly commissioned texts exploring the complexity of collecting, exhibiting and curating in England today.

Published on the occasion of this exhibition, Richard Serra: Drawings 2015 — 2017 includes texts by Neil Cox and Francesco Stocchi as well as a chronology of the drawings and a historical text by Albert Camus that was selected by Serra.

Coinciding with the exhibition, a monograph will be published by Phaidon, including a series of specially commissioned photographs by Toby Glanville, essays by Michael Fried and Clement Greenberg, and texts by Anish Kapoor, Richard Deacon and Anthony Gormley amongst others.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media including drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media, including collages, drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

This text is included in the free exhibition catalogue, which is available at CUE and online here.

The exhibition will include over 70 text - based works.

This exhibition marks Wynne's most ambitious gallery show featuring his now iconic glass wall sculptures in the shape of waves, vortexes, and underwater exhale bubbles and text works including a new series using black glass.

Lead curatorial team to produce interpretive text for each exhibition / project, including brochure copy, catalogues and wall - text.

The exhibition looks at the themes of women, maternity and power in art and visual culture, 1900 - 2015 and is accompanied by a major catalogue with texts by multiple authors including Calvin Tomkins, Whitney Chadwick and Gioni himself.

An exhibition, organized by Aaron Krach, featuring artists whose use text «to say nice things» includes gallery artists, Anthony Campuzano, Alex Da Corte and Mark Mahosky.

It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.

Other exhibition highlights include a group of small text - based portraits of artists and writers, made between 1966 and 1968.