Not exact matches
If there's a problem, it's that the ebook platform market is
fragmented — Bloomsbury's library
includes only Bloomsbury's titles while Exact Editions rival Overdrive carries Penguin, Random House, Hachette Livre and HarperCollins — and, though
text can be printed, the experience
of reading a book in a web browser is pretty unsatisfying if it's a novel you're reading.
Exhibiting internationally since the early 1990s, Suzanne McClelland's practice
includes both large - scale paintings and works on paper, often extracting
fragments of speech or
text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.
Her practice
includes both large - scale paintings and works on paper, often extracting
fragments of speech or
text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.
Lexicon juxtaposes quotidian manifestations
of language —
including fragments of vintage signage, scrolling LED
texts, neon signs, printed posters, cartoon and diary - like narratives — to create a kind
of visual «chorus,» a polyphony
of voices, in which language becomes more elastic and open to multiple readings and interpretations.
Hence there's May Hands `, «Endless Euphoria (Calvin Klein)» (2014)-- a minimal white netted canvas dotted with the fashion house's perfume cards — next to «Guilty, (Gucci)» (2014) and Deanna Havas «s «Regrind (4)», a papier mâché plaque on foam crudely painted with brands, a browser window and
fragments of text including, «Brand Name: Famous».
Some
of the works
included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the
text from Petronius that is The Waste Land's epigraph with the opening lines
of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists
of 36 collages in which the artist has cut out each
of the words
of the poem, and re-organised them alphabetically and in groups, at once
fragmenting Eliot's poem
of «broken images» even further and bringing its underlying verbal structure to light.
For Come and Go, Steiner has provided a 20 plus year photo archive on a variety
of sensitive topics that range from state - sanctioned exploitation and violence to planetary implosion; for
Fragments from Expeditions: Destitution, Deterioration, and Devastation, Burdin has
included his new satirical,
text - based paintings along with video documentation
of live performances.
Ms. Laskey's handwoven panels resemble Ellsworth Kelly's work or Sol LeWitt's
fragmented abstractions, and Mr. Faught's virtuosic weavings
include funny
texts that reference new technology and social media — retorts, essentially, to contemporary criticism
of fiber art.
For this project, Finley gathered selections from her art and writing on the subject
of HIV / AIDS,
including performance
texts, poetry, letters, and other
fragments.
Exhibiting internationally since the early 1990s, Suzanne McClelland's practice
includes both large - scale paintings and works on paper, often extracting
fragments of speech or
text from various political and cultural sources, exploring the symbolic and material possibilities that reside within language.
Oscar Murillo (Colombian, b. 1986) is a painter and installation artist whose work incorporates a variety
of different media and techniques,
including text, recycled materials, and
fragments collected...
For this work, Respectable Thief, Mosquito begins with a set
of text fragments that recur and recombine across the Project's three elements: a single performance staged in various locations throughout the Museum; a video installation; and several visual and sonic interventions across MoMA's existing media platforms,
including the display screens in the lobby, Kids audio tour, and select social media channels.
These
include e-mail filtering; automatic parsing
of text segments in large data blocks, such as those recovered through an «undelete» process, from unallocated computer space, or from partially recovered file
fragments; language recognition algorithms for detecting
text in a variety
of languages; a filtering algorithm for scanning recovered data blocks using multiple
text encoding detection methods; and automatic recovery
of text from corrupt forensically - recovered documents.