Sentences with phrase «including glazed ceramic»

Produced using a variety of techniques, including slip - casting and hand - molding, in traditional and non-traditional materials, including glazed ceramic, Sculp - metal, polyurethane, and epoxy, Nagle's works are displayed here in specially made niches and plate - glass vitrines designed in close collaboration with the artist.
In addition, locally sourced products and furniture were used throughout, including glazed ceramic tile feature walls created by local artisans.
The figures are constructed as three - dimensional collages, and the artist makes use of her entire repertoire of materials, including glazed ceramics, steel, papier - mâché, wicker, and bronze, as well as found elements like synthetic hair and clothing.
Each room features a distinct body of work, showcasing the artist's multifarious range — including glazed ceramics; examples from her bronze fountain series; large - scale biomorphic aluminum sculptures; a constellation of recent paper wall works; and the eleven - foot phosphorescent cast polyurethane HILLS AND CLOUDS (2014).

Not exact matches

Material: Common materials for pizza stones include stone, ceramic, and glazed ceramic, each with different features.
Techniques include tree rings in timbers, radiocarbon dating of wood or bones, and trapped - charge dating methods such as thermoluminescence dating of glazed ceramics.
Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.
Although the artists work in time - honored ceramic tradition, they are continually expanding the focus of their work to include new technologies, such as digital transfer processes, glow - in - the - dark glazes and other new materials.
Exhibition highlights include: a rare 1943 Jared French egg tempera on board of four ghostly figures entwined; a newly discovered Henry Koerner masterpiece, The Arcades (1950), depicting the bizarre on display at Coney Island's boardwalk; a haunting 1950 black ink drawing of two children by Charles White; and Robert Arneson's Black and White Mask (1983), an unforgiving self - portrait in glazed ceramic.
The Biennial also includes ceramic works by Sterling Ruby, John Mason, Shio Kusaka, and Pam Lins (in collaboration with Amy Sillman), and while the examples here are colorful and lustrously glazed, they serve the same conceptual purpose as the works mentioned above within the larger conversation the of Biennale — that is, they highlight the action of the artist's hand as works requiring dexterous skill in a world where such displays of manual proficiency are fewer and farther between than ever before.
At the booth of the 303 Gallery, a solo exhibition of new and older works by Mary Heilmann includes paintings, glazed ceramics and an arrangement of furniture.
Her exhibition includes jug - like portrait sculptures inspired by the maiolica tradition of colourful glazed ceramics that started in the Italian Renaissance and is still going strong.
The show included Oasis (similar to his Untitled, in the collection of the Museum of Modern Art in New York), 1996 — 2003, a large glass case containing six glass shelves supporting no less than 2,000 tiny, glazed ceramic vessels that LeDray had made one by one.
Sculptural works (many of which came out of work made in Wysing's ceramics studio) include Emma Hart's visceral forms that «spit out» photographs and regurgitate ideas, and two biomorphic bronze - glazed ceramics by Salvatore Arancio.
Sterling Ruby (born 1972) is an American artist who works in a wide range of aesthetic and material strategies, from sculptures made of saturated, glossy, poured polyurethane, bronze and steel, to drawings, collages, richly glazed ceramics, spray - paint paintings, photography and video, as well as textile works that include quilts, tapestries, garments and soft sculptures.
His varied output includes 18 - foot - tall phallic «stalagmites» dripping with seemingly viscous urethane; rough - hewn ceramics with primordial glazes; paintings done with Robitussin - red nail polish or graffiti - like spray - paint; sculptures of smudged and scratched white minimalist forms; bus - sized cages on wheels; and videos of frustrated male pornstars masturbating to no end.
Additional fine art highlights include: Ruth Asawa's Untitled, S. 750 (Hanging Open Form with Four Fluted Edges)(c. 1960s) sculpture which realized $ 93,750; Pablo Picasso's glazed ceramic, Face in Profile (1953), reached $ 93,750; a relief by Robert Graham from 1989 fetched $ 68,750; John Baldessari's photographic suite National City Portfolio (1996) brought $ 62,500; and a diptych by Roger Brown, Just Around the Corner (Part I & Part II)(1975), realized $ 56,250.
«Teresita Fernández: Fire (America)» presents new works by the artist, including a 16 - foot glazed ceramic wall panel depicting a landscape on fire set in the dark of night.
We provide over 20 hours per week of open studio time in both our main Ceramics Studio and our Mezzanine Glazing Studio, included with the purchase of most ceramics classes.
His most recent sculpture often takes as a point of departure household objects that he models in simple materials, including cardboard, then casts in bronze and patinates with surfaces that recall ceramic glazes.
Our products include polished and unpolished full body porcelain tiles, glazed porcelain / ceramic tiles, glass mosaics and much, much more.
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