Sentences with phrase «including modern image»

MPE09: Achieving quality in diagnostic and screening mammography A practical challenge to be solved: How to perform technical quality control in breast cancer screening, including modern image analysis, image processing and image acquisition techniques?

Not exact matches

The Xpressnap Image line includes two distinct styles — sleek aluminum and genuine walnut — each designed to fit seamlessly into a variety of modern foodservice venues.

The site is a potpourri of useful material: audio files telling the story of Snow's investigations; an exhaustive collection of Snow's original writing; a vast library of articles written about Snow's legacy; annotated maps of London, including Snow's famous map of the Soho outbreak; short biographies of the major figures in Snow's life; excerpts from books that mention him; dozens of photographs, including images of Snow and landmarks in London related to his life; modern - day scientific explanations of the cholera bacteria; and much more.

Decades later, The Modern Matchmaker has expanded to provide boutique services, including image consulting and couples counseling, to get clients where they want to be in life.

Our shop includes resources in these categories: Careers education for young adults: with modern magazine style images.

Because chronologically the images become real visual quotes, explaining a lot; they illustrate very clearly the start, developments and ending - including all moves and changes of this American modern artist.

Grades: Pre-K-2 This is the Web site for the exhibit (January 28 - May 7, 2006) at the National Gallery of Art and includes images of more than thirty paintings and drawings by Paul Cezanne, often seen as the father of modern art.

We included text, lots of nice visual images, animations and sound — in fact, all the usual elements that you might find in a modern eLearning course.

Though it never became a giant like Toyota, Mitsubishi carved out middle - of the - pack market shares in Japan and Southeast Asia along with a niche presence in many other markets, building up a sporty and rugged image in the modern era with offerings including the Montero, Eclipse, and Lancer Evolution.

The image that I included with this post gives a subtle visual clue (though it will be set in modern times).

This space is stylish with modern furnishings, chic wallpaper (including an image of a pink dog) and funky light fixtures.

Villa Origami in Seminyak provides intimate and relaxing private villa, this modern look also displays definite elements of the traditional ideas and styles including locally made furniture that although is tailor made to suit this modern image, it is also not with out a traditional Balinese charm.

Then, on April 27, a post on Reddit showed an image of a reservation card from retailer Target, showing a November 4 release date, box art for Infinite Warfare, and a small banner saying that the Legacy Edition also includes Call of Duty: Modern Warfare Remastered.

Adelman's images were exhibited worldwide during his lifetime, in institutions including: Museum of Modern Art, the Smithsonian, Getty Museum, High Museum, The Nelson - Atkins Museum, Boca Raton Museum of Art, Tate Modern, and many others.

Additionally, his work has been included in several group exhibitions including Ocean of Images: New Photography 2015 at The Museum of Modern Art, America Is Hard to See at the Whitney Museum of American Art, and Shine a light / Surgir de l'ombre: Canadian Biennial at the National Gallery of Canada.

She catapulted to international art stardom in the mid 1960s when New York's Museum of Modern Art included her alongside such talents as Josef Albers and Ellsworth Kelly in its 1965 exhibition «The Responsive Eye» and the fashion designer (and museum founder) Larry Aldrich printed knockoffs of her images on fabric for a popular dress collection.

Her work was included in the 1985, 1989, and 1993 Whitney Biennials and is included in the permanent collections of the Australian Center for the Moving Image, the Museum of Modern Art (New York), the Centre Georges Pompidou, and elsewhere.

The latest acquisition includes images by 69 photographers, spanning more than 150 years — including a 1843 Paris scene by William Henry Fox Talbot and a 2002 staged portrait by Carrie Mae Weems — with a focus on the modern period.

Joe Goode's deadpan images of milk bottles, suburban homes, open skies, forest fires, water, and smog are included in the collections of the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles; the Menil Collection in Houston; the Smithsonian American Art Museum in Washington, DC; the Whitney Museum of American Art; and the Museum of Modern Art in New York.

Julius Shulman's iconic photograph Case Study House # 22, 1960 was included in the Museum of Modern Art Spring 2009 exhibition Into the Sunset: Photography's Image of the American West.

Consisting of 105 printed images, including woodcuts, etchings, and engravings, the exhibition studies the prolific printmakers of the early - modern Low Countries and how their works exemplify the role and purpose of religious allegory.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Prominent group exhibitions include: Accrochage at Punta della Dogana, Pinault Foundation, Venice and Cher (e) s Ami (e) s at Centre Pompidou, Paris (2016); Walter Benjamin: Exilic Archive, Tel Aviv Museum, Tel Aviv (2015); Take It or Leave It: Institution, Image, Ideology, Hammer Museum, Los Angeles (2014); Ileana Sonnabend: Ambassador for the New, The Museum of Modern Art, New York (2013 - 2014); Surrealism and the Object, Centre Georges Pompidou, Paris (2013 - 2014); This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago (2012); Venice Biennale (1997) and documenta IX, Kassel Germany (1992).

Recent publications include a limited edition book by The Museum of Modern Art in New York of his Cliché Verre images with a text by Oliver Sacks.

Chiura Obata: An American Modern, a major retrospective of his work, features more than 150 watercolors, paintings, prints, and screens, including images he produced during internment at the Topaz War Relocation Center, located sixteen miles from Delta, Utah.

Among them were exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions including Made in U.S.A.: An Americanization in Modern Art, the»50s &»60s; State of Mind: New California Art Circa 1970; In a Different Light; Human / Nature: Artists Respond to a Changing Planet; Masterworks of Chinese Painting: In Pursuit of Mists and Clouds; Beauty Revealed: Images of Women in Qing Dynasty Painting; and Andrea Fraser: Aren't They Lovely?.

With thanks to Jeremy Deller, The Modern Institute and 14 - 18 NOW for the images included in this video.

The first features a set of the Magnum trailblazer's images made along the River Danube over three decades, including «Cerca de Viena, 1958» with its modern intrusions.

Selected solo and group exhibitions include: Thames Water, Stuart Shave / Modern Art, London (2016); Battaglia Foundry Sculpture Prize Exhibition, Fonderia Artistica Battaglia, Milan (2016); Darling, Gutter., Glasgow Sculpture Studios, Glasgow (2015); Images Moving Out Onto Space, Tate St Ives, UK (2015); Production Show, Eastside Projects, Birmingham (2016 - 2018); Neither, Mendes Wood DM, Brussels, (2017) and Inhuman, Fridericianum, Kassel (2015).

Johnson's work has featured in numerous gallery exhibitions and has been included in many institutional thematic exhibitions including at the Museum of Contemporary Art, Los Angeles, the Museum of Modern Art, New York, the Whitney Museum of America Art, and the Hammer's Mirror Image exhibition in 2002.

Drawn from the Louisville, Ky. museum's holdings and supplemented with eight prints owned by the Amon Carter, this show represents the full range of Whistler's lithographic career and includes his ethereal images of London's Thames River at night, as well as his daringly modern depictions of family and friends.

Art fairs on the «A List» could include The Armory Show (Modern and Contemporary Sections), ADAA's The Art Show, Moving Image and Spring / Break.

Recent exhibitions have included The Portrait as an Image of the World at the Museu de Arte Moderna de São Paulo, Brazil and Present Tense at the San Francisco Museum of Modern Art.

Kyle Chayka is the curator of Dying on Stage: New Painting in New York at Garis and Hahn Gallery in New York City, co-curator of Shortest Video Art Ever Sold at Moving Image Art Fair New York 2012, and a freelance writer for publications including the New York Observer, Pacific Standard, and Modern Painters.

His work translates the gestures and key words of this world of the periphery into images, and results from a mise - en - scène that includes quotations from past, modern and contemporary artists.

Recent and upcoming museum exhibitions include America in View: Landscape Photography 1865 to Now at the RISD Museum in Providence, RI; Into the Sunset: Photography's Image of the American West at the Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington, D.C..

Featured images: Nathan Coley - Tate Modern on Fire, full view and details, including the installation view; Installation views of Nathan Coley's text and sculptural works.

Shirley's work was also featured in group exhibitions including: Chance Ecologies, Queens Museum (2016); The Luminous Surface, Salisbury University, Maryland, USA (2015); Magnetic North: Artists of The Arctic Circle, UBS Art Gallery, New York, NY (2014); Sandnes 2160, Museum of Moving Image, New York (2013); Free City, Public At installation for The Flint Public Art Project, Flint, Michigan (2013); [PAM] Cyland Festival, Hermitage Museum, St. Petersburg, Russia (2009); Drift, National Center for Contemporary Art, Moscow, Russia (2008); Video Art in The Age of the Internet, Chelsea Art Museum, New York, NY (2007); Video As Urban Condition, Museum of Modern Art Linz, Linz, Austria (2007).

His recent projects include RED - Splice, Fridman Gallery, NYC; SOUND ONE, Cindy Rucker, NYC; Periscope, Zipper Gallery, Sao Paulo, Brazil; Screen Memory, Galerie Burster, Berlin; Midnight Moment; Alusiones, Carmen Araujo Arte, Hacienda de la Trinidad, Caracas, Venezuela; Meta - residue: Input Material, Space, Studio 10, NY; Theorem: You Simply Destroy the Image I Always Had of Myself, Maná Contemporary, NJ; International Biennial of Contemporary Art of Cartagena de Indias, Cartagena, Colombia; Bioderivas; Queens International, Queens Museum of Art, Queens, New York; Soundings: a Contemporary Score, Museum of Modern Art, New York; Extraneous to the Message, Julian Navarro Projects, NY; The Spacious Now and the Scale of the Instantaneous, Studio 10, NY; Fine Arts Museum of Montreal; San Francisco Museum of Modern Art; Museum of Contemporary Art of Barcelona (MACBA), Barcelona, Spain.

Fogel's film and video work has screened widely at venues including The Toronto International Film Festival, The London International Film Festival, The Museum of Modern Art, New York, Images Festival, Toronto, Chicago Filmmakers, and Anthology Film Archives, New York.

Recent shows include joint solo exhibitions at Campoli Presti Galleries in London and Paris, and group exhibitions Image Support at Bergen Kunsthall, Norway; Transmission, Recreation and Repetition at the Palais des Beaux - Arts in Paris, Lens Work at LACMA in Los Angeles, and New Photography at the Museum of Modern Artand What Is a Photograph at the International Center for Photography, both in New York.

Edward Steichen included twenty - three of Leiter's black and white photographs in the seminal 1953 exhibition «Always the Young Stranger» at the Museum of Modern Art; he also included twenty of Leiter's color images in the 1957 MoMA conference «Experimental Photography in Color.»

Brambilla has had exhibitions at institutions including the Santa Monica Museum of Art, the Nevada Art Museum, the New Museum of Contemporary Art, the Museum of the Moving Image, and the San Francisco Museum of Modern Art, among many others.

Selected group exhibitions include Between Picture and Viewer: The Image in Contemporary Painting (2010) at Visual Arts Gallery at the School of Visual Arts in New York, Recent Acquisitions: Works on Paper (2003) at The Metropolitan Museum of Art, Black & White Drawings (1993) at The Museum of Modern Art in New York, and Slow Art: Painting in New York Now (1992) at PS1 in Queens, NY.

Recent exhibitions and projects include Exchange at Flat Time House, London, works at Oberhausen Film Festival, Curated by, Vienna, Image Games at Tate Modern and a solo show Bedroom Tour in collaboration with Am Nuden Da.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Gehr has exhibited extensively and to great acclaim since the late 1960s at institutions including the Museum of Modern Art, New York; the Tate Modern, London; the Whitney Museum of American Art, New York; Centre Georges Pompidou, Paris; the Museum of the Moving Image, New York; Anthology Film Archive, New York; the Toronto International Film Festival and many more.

Alongside his celebrated abstractions, early black - and - white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota.

He created iconic images of some of the most celebrated works of Mid-Century Modern architecture including buildings by Modernist masters Rudolph Schindler, Craig Ellwood, Louis Kahn, A. Quincy Jones and Frank Lloyd Wright.

Recent group exhibitions include You are Looking At Something That Never Occurred, Zabludovicz Collection, London, Ordinary Pictures, Walker Art Center, Minneapolis, MN, For the Love of Things: Still Life, Albright Knox Art Gallery, Buffalo, NY, and An Ocean of Images: New Photography 2015, Museum of Modern Art, New York.