Sentences with phrase «including numerous catalogue»

Martínez lectures and writes regularly including numerous catalogue texts and critical essays, and is a regular contributor to Artforum among other international journals.

Not exact matches

He also led an expansion of the brand's merchandising, licensing partnerships and product offerings to include numerous products co-branded with the Tabasco brand name, as well as a thriving catalogue business in licensed merchandise, including, for example, the popular Tabasco neckties.

Michael Jackson The Experience features numerous songs from Jacko's back catalogue, including Beat It and Billie Jean, and will be compatible with PlayStation Move and Kinect.

Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

His writing has appeared in numerous catalogues and periodicals including Mousse, PIN UP, Artforum, Flash Art and Kaleidoscope.

Rothko is the subject of numerous publications, including the catalogue raisonné, Mark Rothko: The Works on Canvas by David Anfam, Yale University Press, 1998.

She is also the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.

Having curated more than fifty exhibitions, he has been the primary or sole author of numerous exhibition catalogues, including Artists at Continent's End: The Monterey Peninsula Art Colony, 1875 - 1907; Edgar Payne: The Scenic Journey (Pomegranate); A Touch of Blue: Landscapes by Gregory Kondos; Armin Hansen: The Artful Voyage (Pomegranate); David Ligare: California Classicist; and E. Charlton Fortune: The Colorful Spirit (forthcoming from Pomegranate).

Laughlin's paintings are in numerous private and public collections, and her paintings have been shown in over 43 competitive exhibitions including 10 solo exhibitions or installations, 11 museum exhibitions, and 6 published color exhibition catalogues.

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com, Parkett, and Spike Art Quarterly.

She is the author of a wide range of books, which include The Omega Workshops (Secker & Warburg, 1983), The Origins of the Romanesque (Lund Humphries, 1983), Eric Gill: The Sculpture (Herbert Press, 1993) and Andy Goldsworthy: Midsummer Snowballs (Thames & Hudson, 2001), and has written exhibition catalogues on numerous artists including Eduardo Paolozzi, Henry Moore, Barbara Hepworth, Lynn Chadwick, Elisabeth Frink, Magdalena Abakanowicz, David Nash and Carl Plackman.

A former editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.

The catalogue will also include an extensive illustrated chronology of Chin's career by Lisa Crossman, PhD, numerous entries on specific artworks, and a comprehensive bibliography.

Molon has contributed to numerous publications, including: Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate Etc., as well as exhibition catalogues for Karen Kilimnik, Elmgreen & Dragset, and Muntean & Rosenblum.

The co-author, with Ken Okiishi and Alise Upitis, of The Very Quick of the Word (Sternberg Press, 2014), she has penned features and catalogue essays on the work of numerous artists, including Okiishi, Korakrit Arunanondchai, Alex Da Corte, Loretta Fahrenholz, Marianna Simnett, and Cally Spooner.

She has contributed to numerous catalogues and curated several exhibitions, including «Only Make - Believe: Ways of Playing» at Compton Verney in Warwickshire, UK (2005).

His extensive writing credits include a wide range of contributions to exhibition catalogues as well as numerous contributions to Artforum, Frieze, Flash Art, and Parkett.

He has written for numerous catalogues and magazines including: The Netherlands, for example (ed.)

«Invisible Man» traces the artistic collaborations between photographer Gordon Parks and novelist Ralph Ellison (an avid recreational photographer who utilized photographic metaphors in his writing) via forty - five photographs; numerous related objects, including archival manuscripts; and an insightful catalogue.

She has participated in numerous national and international exhibitions, including the solo exhibition This, and other things at The Irish Museum of Modern Art, Dublin, 2010 accompanied by a catalogue with writing by Charles Esche, Hans Ulrich Obrist, Vaari Claffey and Rachel Thomas.

In 1972 at the age of 27, he was the youngest artist ever to be offered a retrospective at The Tate, to which he responded with King for a Day a one - day exhibition which consisted of a catalogue listing 1000 proposals for sculpture, he has gone on to have numerous one man exhibitions at major museums including The ICA, Whitechapel and MOMA Oxford.

In this capacity, she prepared numerous exhibitions and catalogues on the artist, including Rauschenberg: On and Off the Wall (Musée d'Art Moderne et d'Art Contemporain, Nice, France, 2005), Robert Rauschenberg: Gluts (IVAM, Valencia, Spain, 2005), and Rauschenberg (Palazzo dei Diamanti, Ferrara, Italy, 2004).

She has been recognized in numerous publications including magazines, books and exhibition catalogues.

Previously, he worked as Curator at MASS MoCA, where he completed numerous large - scale exhibitions, including The Interventionists: Art in the Social Sphere (2004), with a catalogue distributed by MIT Press.

Edwards is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Parkett, and Spike Art Quarterly.

In addition, his work has been in numerous group exhibition catalogues, including Solomon R. Guggenheim Museum, One Hundred Paintings from the G. David Thompson Collection and the Museum of Modern Art, Tamarind: Homage to Lithography.

This exhibition of nearly 140 works — including the notorious rock paintings; the «Bloody Head» series, 1973 — 2011; and numerous rarely seen early drawings — and its accompanying catalogue will explore that beautiful paradox.

The fully illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhercatalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World ElsewherCatalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).

Since joining the museum in 2009, she has curated numerous exhibitions, including the retrospective Bertrand Goldberg: Architecture of Invention (2011 — 12), which was accompanied by a scholarly catalogue.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

In addition to curating numerous exhibitions on contemporary art, she has contributed critical writings to Art in America, Bomb, Trans, and Parkett and has edited a number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art of Friendship: Xul Solar and Jorge Luis Borges, among many others.

During this time she wrote numerous catalogue essays and curated exhibitions for a range of institutions, including «post naturam» (1998, co-curated by Magdalena Broska) and «Gebaute Horizonte» (Built horizons, 1999).

Roelstraete is an editor of Afterall and a contributing editor to A Prior Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and journals including Artforum, Frieze, and Mousse Magazine.

She has written for and edited numerous catalogues and artist monographs, including a forthcoming book on the choreographer Michael Clark, in addition to contributing to art publications including Artforum, Frieze, and Parkett.

Molon has contributed to numerous publications including Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate: the Art Magazine, as well as exhibition catalogues for Karen Kilimnik, Elmgreen / Dragset, and Muntean / Rosenblum.

At Chicago's Museum of Contemporary Art, Rooks curated numerous solo shows and survey exhibitions including Roy Lichtenstein: Interiors and H. C. Westermann for which he co-authored Westermann's catalogue raisonné.

She has been the author of numerous exhibition catalogues and brochures on contemporary art, including publications for the Albright - Knox Art Gallery, Buffalo, NY; the Neuberger Museum of Art, Purchase, NY; the Metropolitan Museum of Art, Knoedler, Marlborough and Pace Galleries, New York, NY.

Tom has contributed critical writing to magazines including Frieze, Parkett, Metropolis M, and Bidoun, as well as numerous exhibition catalogues and edited volumes.

He has curated exhibitions for the past twenty - five years, including the 2015 Lyon Biennale, and has contributed essays to numerous exhibition catalogues and books on artists such as David Hammons, Paul McCarthy, Raymond Pettibon, Luc Tuymans, Mike Kelley, and Anthony Hernandez (Anthony Hernandez: Pictures for Rome, 2000).

Her publications are wide - ranging and numerous, including more than 30 exhibition catalogues published by the MCA and contributions to numerous other catalogues and art historical books.

Stoops has authored numerous exhibition catalogues including essays on Tony Feher, Martha Rosler, Kiki Smith, and David Thorpe.

Prior to becoming the Met's publisher in 2010, Polizzotti worked as a translator and editor of numerous exhibition catalogues, including several dedicated to the work of French artists, such as The Private Collection of Edgar Degas (1997), Cézanne to Van Gogh: The Collection of Doctor Gachet (1999), and Pierre Bonnard: The Late Still Lifes and Interiors (2009).

Jack Flam: President of the Dedalus Foundation, and Distinguished Professor Emeritus of Art and Art History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and Friendship.

Numerous exhibitions and catalogue essays include Reordering Reality: Precisionism in America 1915 - 1941 (1994), Waxing Poetic: Encaustic Art in America (1999), Will Barnet: A Timeless World (2000), Cézanne and American Modernism (2009), Warhol and Cars: American Icons (2011), and The New Spirit: American Art in the Armory Show, 1913 (2013).

Michael Archer (Critic and Professor of Art, Goldsmiths) Michael Archer has been a critic and writer on modern and contemporary art since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous catalogues.

Dziedzic is the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.

His numerous publications include the catalogue accompanying In & Out of Amsterdam: Travels in Conceptual Art, 1960 — 1976, and the catalogues raisonnés of prints by Henri Michaux (coauthored with Rainer Michael Mason) and Robert Morris.

Cameron has written extensively on contemporary art in various publications, including Artforum, Arts Magazine and Parkett and has contributed to numerous museum catalogues.