Sentences with phrase «including photographic prints»
The conflation of these approaches takes place in an exhibition environment: one that includes photographic prints and readymade objects taken from the actual location of Amboy, a ghost town in the Mojave desert that serves as the central location of the film.
https://www.cca.edu/ Not exact matches
The movie is not without its imaginative pleasures, including Snappy Bug, a ladybug whose underside doubles as a camera, and whose legs stamp out photographic prints, like a dot - matrix printer.
Final Pieces may include: • Canvas studies • Sketchbook work • Prints • Photographs • Photoshop outcomes You will develop an understanding through exploration, of a variety of traditional studio media and materials, computer aided media, photographic materials focusing on both 2D AND 3D.
Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos
Reproductions of the centre's material can be made for research purposes, and this includes photocopies and photographic services such as scanning and digital prints.
The shops are mostly lined along the main street and include a blacksmith's, photographic rooms, a printing shop, a grocery store, a pharmacy, a clothing store, an undertaker, a foundry, a bowling saloon, a gold museum, a wheelwright and candleworks.
Handmade gifts, crafts, and art include sculptures, soaps, candles, woodworks, jewelry, antiques, pottery, photographic prints, stained glass, and so much more.
-- into their checklists, including Reality Check: Representational Paintings from the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteria.
Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.
Along with original photographic prints, the exhibition features hundreds of tear sheets and magazine covers from both mainstream and independent publications by a range of photographers including Steven Meisel, Cindy Sherman, Mario Sorrenti, Nick Knight, Steven Klein, Miles Aldridge, Paolo Roversi, and Sølve Sundsbø.
Assembled negatively - like a print or photographic film - Otero's recent text - based invocations of twentieth - century philosophy (which include quotes from Sartre, among other totemic figures) also serve as visual essays in metaphysical instability for our own stunningly unreflective, culturally dumbfounded time.
1,188 found objects, including wood, metal, glass, paper, plastic, Styrofoam, rock, rope, rubber, and other materials, and 13 photographic grids, framed, each comprising 99 chromogenic prints.
Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.
Exhibited alongside them are photographic prints from pioneers including Paul Strand, László Moholy - Nagy and Man Ray.
The show included two mixed - media works from Hirst's series «When Logics Die» («When Logics Die (figs. 134/135)» (1991)-RRB-, shown alongside an important early work, a photographic print sealed on aluminium, «With Dead Head» (1991).
The collection also includes all applications of the medium, from artistic pursuit to commercial enterprise and from amateur pastime to documentary record, as well as all types of photographic processes, from daguerreotypes to digital prints...
The archival collection consists of photographic material and documentation of Draper's career as a fine arts photographer, teacher and photojournalist and comprises approximately 20 linear feet of material and includes 1,791 prints, 36,216 negatives, 557 proof sheets, about 2,477 color slides, 16 transparencies and computer art.
Principally drawn from materials gathered in Japan in the 1890s by Edmund Buckley, a professor of Comparative Religion at the University of Chicago, this exhibition included prints and photographic views of temples and cities, as well as images of religious objects, ceremonies, and deities.
It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.
Weil continued to expand on this cyanotype photographic printing process in her later work, including in her collaborations with photographer José Betancourt.
In the lower space, we will highlight artists who rather than practice photography, use photographic techniques or references, including new digital collage prints by visiting artist
The widely varied work included in the exhibition represents the diversity of our faculty in terms of subject and medium, including analog and digital color prints, silver gelatin and platinum / palladium prints, video, and photographic sculpture.
Collier's exhibition includes recent works from her ongoing series «Women Crying»; two text - based photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women With Cameras (Self Portrait)».
Our eclectic collection of vintage and later prints emphasizes Photographic Modernism, but also includes earlier and later photographs.
DAN ESTABROOK has been making contemporary art for over twenty years using a variety of 19th - century photographic techniques, including calotype negatives, salt prints, gum bichromate and carbon.
The large - scale photographic prints included in this collection exhibit Marilyn in overwhelming detail, encapsulating the glamour, charisma and unique charm that contributed to her stratospheric success and enduring legacy.
An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.
Baumgarten's body of work has included ephemeral sculptures, photographic work, slide projection pieces, 16 mm film works, recordings, drawings, prints, books, short stories, as well as site - specific works and wall drawings and architecture related interventions.
Interestingly, the photographers in this group show chose to express their artistry in a variety of photographic processes, ranging from traditional anthotypes to digital inkjet prints, including a hybrid of both old and new techniques.
Taking a comprehensive view of Arcangel's diverse practice, the exhibition includes videos, video game consoles, film, photographic prints, sculpture, drawings, web - based work, sound, and performance.
He is most well known for his body of work taken in the 1980s that experimented with a wide variety of photographic formats including gelatin silver prints, large size polaroids, and photogravures (such as Irises, 1987).
It contains all original work, including color and black - and - white photographic prints, alternative processes, as well as computer generated imagery, collages, artist books, and installation pieces.
It includes over 50 vintage photographic prints collected and published by the late Walther H. Schünemann and rediscovered by his son after five decades in storage.
The survey includes recent large multi-panel and single - panel color photographic works, early black - and - white gelatin silver prints, dye destruction prints, waterless lithographs, and Polaroid prints.
As a participant in the Andy Warhol Photographic Legacy Program since 2008, Hofstra's museum has received donations of 153 photographs, including Polaroids and gelatin silver prints, and nine screenprints from the Andy Warhol Foundation for the Visual Arts, Inc..
Her body of work includes pencil drawings, photographic prints, experiments in sound and animation, installations and porcelain works.
We produce both Lambda photographic prints and Archival Pigment prints, on an extensive range of papers, including speciality papers made especially for us by the leading German mill.
Minter has also included a photographic portrait of Miley Cyrus portrayed in a similar style, printed in an edition of fifty, the profits from which will be donate entirely to Planned Parenthood.
On view at Kunstsammlung Nordrhein - Westfalen's K20 gallery in Düsseldorf, the show presents a collection new images alongside earlier works exploring photographic abstracting, including a print of Rhein II, (1999), the most expensive photograph ever sold.
Swedish artist Maria Hedlund's exhibition «Upplöst (Dissolved) included several series of striking gelatin silver photographic prints.
The exhibition will include a site - specific photographic installation and series of complementary photographs by Potsic as well as prints, paintings, and mixed media works by all the featured artists.
«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.
Maintaining diverse and extensive holdings of photographic prints, the gallery includes such masters as Eugène Atget, Henri Cartier - Bresson, Bruce Davidson, André Kertész, William Klein, Gordon Parks, Edward Steichen, Paul Strand, Josef Sudek, and Edward Weston on its roster of artists.
Welling has experimented with a range of photographic techniques, including gelatin silver prints, photograms, Polaroids, and digital prints.
Including works by Aaron Siskind, André Kertész, Frederick Evans, Robert Doisneau, Diane Arbus, Keith Smith, Constantin Brancusi, Francesca Woodman, Alfred Stieglitz, Erwin Blumenfeld and John Wood, this exclusive collection reveals the artist's transformation of a photographic print into a singular, unique artwork through his / her annotation or inscription.
At Kunsthalle Basel, Leckey presents an «Ersatz» of that show, comprised mostly of copies, including various 3D printed objects, 2D cardboard cutouts, photographic reproductions, and other replicas of the original objects, and calls it UniAddDumThs.
Curated by Candice Allison, the exhibition includes recent and previously unseen work: photographic prints, drawings, oil paintings, video, and installation; alongside paintings from the National Gallery of Zimbabwe's permanent collection, material from the National Archives, and Chiurai's own personal archive of propaganda posters and vinyl records.
During his career, Welling has experimented with different photographic mediums, including Polaroids, silver gelatin prints, photograms, and digital prints, exploring the tensions of and between representation and abstraction.
Her multidisciplinary practice includes photographic and sculptural - based works, video, installation, performative and participatory works, text / audioworks, and printed projects, and is presented in diverse contexts such as public sites, social network platforms, and traditional galleries and institutions.
The collection contains all original work, including color and black - and - white photographic prints, alternative processes, as well as computer generated imagery, collages, artist books, and installation pieces.