Sentences with phrase «including shots of them filming»

So much that these set photos, and there have been so many of them, including shots of them filming the murder scene, are making me uncomfortable.

Not exact matches

But that wouldn't mean much if we didn't take the opportunity to involve and include our employees in the brand activities -; going to some of the events that we sponsor, getting to go on film shoots, interacting with pro athletes.

It's a path that includes the relatively low overhead of shooting a film entirely via a mobile device and an app (the studio said Sickhouse «s budget was similar to that of a typical indie film) while potentially tapping into various social networking platforms» massive built - in audiences of users.

It was filmed using a custom - built drone equipped with seven GoPro cameras and operated by a licensed drone pilot due to the complicated nature of the shoot, which included dropping 30 feet into a field of sharp agave; long, continuous shots; and stabilization against the wind.

Spokespeople for the Clintons denied the various parts of the Times report, but the impasse is nevertheless notable because parts of the film were already shot over the last two years, including on Bill Clinton's philanthropic trips to Africa.

Known as the Covered Bridge Capital of Oregon, Cottage Grove has just under 10,000 residents and a number of films have been shot there, including Buster Keaton's «The General.»

An unfiltered glorification of crime, the movie is thought to have encouraged a number of copycat killings, including the 1999 Columbine High School massacre in Colorado, during which 12 people were shot dead, as the murderers supposedly yelled lines from the film.

After determining that I was not just another moralist who wanted to influence film content, but someone who was genuinely interested in film, Shurlock relaxed and asked me a question that was very much on his mind: «We are trying to determine what to do about a picture in which director Sidney Lumet wants to include a shot of a woman's bare breasts.

And when Keith Smart had finished scoring 12 of his team's last 15 points, including the winning 16 - foot jump shot from the left side with five seconds remaining under massive pressure, most of Indiana didn't even care that the film Hoosiers» Dennis Hopper hadn't won the Oscar for best supporting actor just so long as this real - life Hoosier named Smart had.

What began a few years ago as a trickle of small independent films shot in and around Kingston has of late turned into a veritable flood, including big - budget productions with real movie stars, thanks to a new tax break and efforts by local officials to woo and accommodate the industry.

The hills are alive... During the first of many backpacking trips, Gazzaley shot 70 rolls of film, including this view of Otago Peninsula on New Zealand's South Island, and experienced a sense of connectedness with nature that he'd never felt before.

The still gallery includes 100 shots; some of these reprise elements already found in the film.

Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond in a dramedy that spans decades and includes scenes shot in black - and - white and color, constantly changing to match the film styles of each period.

The film also stars Natalie Portman, Cate Blanchett and Isabel Lucas, but a number of additional actors have been seen on the beaches of California shooting scenes with Bale, including Wes Bentley, Imogen Poots, Freida Pinto, and Teresa Palmer.

Many people, including Harlan Ellison, have claimed that the Star Child was a last - minute addition to the film — but in Agel's book, he said that one of the first images shot was of a little boy in a leotard, for consideration as the Star Child.

It's the first film to include both a cameo appearance by Jesus and a full - frontal nude shot of Harvey Keitel dancing in a drugged stupor.

Since much of modern life — including most films — are forbidden in Hasidic culture, and because the film was shot semi-surreptitiously, it's unclear whether there could be repercussions in this strict, tightly - knit community for those involved in this secular undertaking.

For every grisly shot of death and carnage in «E-Team,» Chevigny and Kauffman include soothing images of the couple in their Paris apartment, playing piano and tending to their bright 12 - year - old son; the film's most tense sequence, when the investigators sneak into Syria, plays like a real wartime thriller.

The experimental nature of the film also proves a charm, the ten minute shots make interesting viewing and a high budget cyclorama backdrop that includes the empire state building makes the film look much more modern than anything else from the 1940's.

With more shots of mutant killer babies — thanks to stop motion effects — and the munching of human flesh, the films included here work more often than they do not.

I'm sure others are assuming the release date is for Deadpool 2, but Ryan Reynolds has a couple of films lined - up first which include the action flick Hitman's Bodyguard (currently about to shoot), voice work on Croods 2 and the Mars thriller Life.

Audio Commentary — Director Derek Cianfrance and his film studies professor, Phil Solomon, discuss the film, the shooting process, and the reasons Cianfrance chose to include some scenes in lieu of others.

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

The other elements of the film come together splendidly as well, from the loving - but - not - trite shots of Manhattan, courtesy of cinematographer Ben Kutchins (the «Veronica Mars» movie), to a first - rate comic ensemble that also includes Jason Mantzoukas, Andrea Savage, Natasha Lyonne, Amanda Peet, and Marc Blucas (plus brief but memorable appearances by Adam Brody, Anna Margaret Hollyman, Billy Eichner and Michael Cyril Creighton).

While the films marks Olsen's screen debut and is certainly the most anticipated of her upcoming features, it's hardly the only place she'll appear: The 22 - year - old has already shot four other films, including the dramatic comedy «Peace, Love and Misunderstanding» opposite Jane Fonda and Catherine Keener, and she plays Josh Radnor's younger friend and love interest in the college - set «Liberal Arts.»

Nolan's awe - inspiring masterpiece «Interstellar» will be released on 4K Ultra HD in a 3 - disc Combo Pack that includes the film on 4K UHD and in high definition on Blu - ray, as well as a bonus Blu - ray Disc ™ with three hours of in - depth, behind - the - scenes content detailing the epic shoot, the scientific realities explored in the film, a look at creating the stunning visuals, and much more.

The film also includes some real harm to horses, which does put a dampener on things, but the UK version has those shots cut out for any of you horse lovers.

Some of the biggest movies in Hollywood filmed in Georgia including Baby Driver, I, Tonya, Guardians of the Galaxy 2 and Black Panther have all shot in Georgia.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The entire gag takes a long while to play out (the money shot - close - up on a set of buttocks most definitely not those of the 62 year - old Willis), though it is infused with the kind of nutty energy that Willis last exhibited in his 1991 megaflop, Hudson Hawk (a film that has since acquired an army of «guilty pleasure» defenders, including yours truly).

INTERNATIONAL NARRATIVE FEATURE FILMS: Any narrative work of fiction of international origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» sFILMS: Any narrative work of fiction of international origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» sfilms that are shot in a «mockumentary» style.

U.S. NARRATIVE FEATURE FILMS: Any narrative work of fiction of U.S. origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» sFILMS: Any narrative work of fiction of U.S. origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» sfilms that are shot in a «mockumentary» style.

Original caricature by Jeff York of Ethan Hawke in FIRST REFORMED (copyright 2018) Ethan Hawke has given many brilliant performances in his 33 - year film career, including standouts...... Read more «New from Jeff York on The Establishing Shot: PAUL SCHRADER AND ETHAN HAWKE STUN WITH «FIRST REFORMED»»

The appeal of the film is manifold - its serenity as The American meticulously goes about his craft; the paucity of dialogue that heightens its few action sequences when they do occur; a superb ensemble of actors led by Clooney that also includes Violante Placido (Clara), Thekla Reuten (assassin), Johan Leysen (controller), and Paolo Bonacelli (as a local town priest); the artistic framing of the film by director Anton Corbijn both in its interiors and the long shots of the Italian settings; and simply the story's uncertainty that grips one from its very beginning.

with great sequences, including movies within the movie (these are more introductory sequences for our cast), a smart banter between different religious figures on how Jesus should be portrayed, and some beautiful imagery (the film is shot by Roger Deakins of «Skyfall» and «No Country for Old Men»).

Other violent events in the film include the point blank shooting of a man and an exploding surface - to - air missile.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

The hot topics included discussions about more and more movies being released in 3D, the ongoing conversion to high definition digital projection, and the newest innovations: films being shot in a higher frame rate, and what was described as «the cinema of the future»; the introduction of laser projection which offers the promise of a brighter light source and savings on bulb costs.

«Star Wars» Sequel: All six previous «Star Wars» film have shot some scenes at U.K. studios, but almost all of the production on J.J. Abrams» upcoming sequel will be done in the country, including the visual - effects work.

And it's full of everything we love about the prolific filmmaker, including his stalwart casting of familiars Samuel L. Jackson, Tim Roth, Michael Madsen, and others, including Demian Bichir and Jennifer Jason Leigh, as well as his pithy one - liners, and sprawling Western shots, this time captured on 70 mm film.

EXTRAS: Sadly, there's no audio commentary by director Darren Aronofsky, but the Blu - ray does include a two - part featurette on the construction and filming of the ark and a behind - the - scenes look at location shooting in Iceland.

Anderson has long been a proponent of shooting on celluloid and releasing his films theatrically, which puts him on an anti-streaming team that also includes directors like Christopher Nolan and Quentin Tarantino.

The first feature is called «Shoot the Moon (The Making of Hugo)», it runs about twenty minutes and includes great both cast and crew discussing the film and its production.

It is packed with interesting interviews (including one from 1978 with Donald Pleasance who fails to conceal his contempt for the project) and production trivia (e.g. the mask of the killer originally bore the face of William Shatner), and includes two scenes which were shot later to make the film long enough for NBC to televise.

This is an abstract making - of alternating B - roll shot in a variety of media, watermarked outtakes (including one from a deleted scene between Phoenix and Amy Adams), and snatches of dialogue from the film that gives the impression of a tight - knit cast and crew there to serve Spike's vision.

Considerably more is made of the film's debt to John Ford, specifically The Searchers (a debt underscored in an alternate ending that apes its famous bookend shots), than to the graphic novel series on which Goodman's script is allegedly based, and we learn that the phrase «brutal functionism» was coined to describe the movie's props, including a blade fashioned from Damascus steel that took 100 hours to sculpt for a few seconds of screentime.

Altman is more engaging on «Imagining Images,» an archive featurette in which he freely discusses his influences, including Persona, and confirms that Images was conceived and shot in the same improvisational style as many of his other films, even if it feels more hermetic and controlled.

Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

Guest director Joshua Oppenheimer, whose wrenching «The Act of Killing» debuted at TFF in 2012, has put together an eclectic program that includes Werner Herzog's 1970 «Even Dwarfs Started Small» (with Herzog in attendance), Jon Bang Carlsen's intriguing and obscure «Hotel of the Stars» (1981), an hour - long Danish documentary about extras who live in a shabby apartment hotel in Hollywood; the only movie directed by Charles Laughton, 1955's exquisitely - shot «The Night of the Hunter,» starring a brilliant, terrifying Robert Mitchum, and fortuitously playing in his centenary year; «Salam Cinema,» Mohsen Makmalbaf's 1995 record of auditions by aspiring actors; a new print of Frederick Wiseman's long - banned, corrosive «Titicut Follies» (1967), filmed in a notorious Massachusetts hospital for the criminally insane; and Jacques Demy's glorious, gorgeous musical, «The Umbrellas of Cherbourg» (1967), starring the glorious, gorgeous Catherine Deneuve.

Directed by Wayne Wang, it's companion film, shot on the set during downtime while filming the movie, is very funny, has a cast of dozens (including some great scenes with Jim Jarmusch and Lou Reed) and ranks # 44 this year.