In this long - awaited solo exhibition in Japan, Tuttle will present new works
including wall sculptures and drawings created during the residency.
One of the most intriguing techniques that Jojo incorporates into his work as an artist is a water - pressure - inflation technique, which he uses to shape metals into one - of - a-kind pieces of art,
including wall sculptures, chairs, coffee tables, and other pieces of furniture.
Works on exhibit
include her wall sculptures — rugged, off - rectangular solids — that evolve into rusticated, gridded paintings in high relief.
Not exact matches
Look for our label featuring Arturo di Modica's
Wall Street «Charging Bull» in honor of Tavistock founder, Joe Lewis whose private art collection
includes this iconic
sculpture.
The new Soldier Field offers a multitude of options to visitors
including: sporting events, concerts, banquet facilities, a Sledding Hill, a Children's Garden, and the Veteran's
Sculpture and Water
Wall.
Tarzi has already found tantalizing clues,
including several small
sculptured Buddha heads and a
wall that might be part of a monastery.
Highlights
include videos from Bill Viola's immersive Martyrs series, about the endurance and infliction of suffering for beliefs (Earth Martyr, Air Martyr, Fire Martyr, and Water Martyr, 2014); The Propeller Group's sculptural freeze - frames of bullets fired into ballistics gel designed to simulate the effect of wounds (Universe of Collisions series, 2015); Liza Lou's hovering, gatelike
sculpture covered in millions of gold - plated beads and providing no real protection (Barricade, 2007 − 8); and a commissioned
wall drawing by Tirtzah Bassel (Concourse, 2016) that examines how familiar emblems of airline travel — freedom, adventure, global connection — have become entangled with notions of vulnerability and disempowerment.
White
walls and polished concrete floors are a quiet backdrop for tufted sofas, textured wood dining stools and vibrant contemporary paintings, murals and
sculptures,
including a whimsical ship suspended from the ceiling.
Michelozzo, Antonio da Sangallo il Vecchio, Baldassarre Peruzzi, Vignola are only some of the names contributing to the urban aspect of Montepulciano, whose main buildings are mostly
included within its city
walls: the elegant Piazza Grande with its Palaces and the Cathedral; the long artery that under different names winds through the city, ranging along its sides sixteenth century or medieval façades, renaissance churches, and even
sculptured stones dating back from the etruscan times; the charming little squares and the narrow, romantic passages.
Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story,
Wall - E, Up, Brave, The Incredibles, and Cars,
including relics such as rarely seen paintings,
sculptures, hand - drawn sketches, and other original artwork.
Other site - specific works and commissions
include Storm King
Wall, Storm King Art Center, Mountainville, NY; Garden of Remembrance, Jewish Heritage Museum, New York, NY; and Roof, National Gallery of Art Washington, D.C. Goldsworthy has exhibited in major museums such as the Metropolitan Museum of Art, New York, NY (2004); Frederik Meijer Gardens &
Sculpture Park, Grand Rapids, MI (2006); the Yorkshire
Sculpture Park, U.K. (2007); Pori Art Museum, Finland (2011); and deCordova
Sculpture Park and Museum, Lincoln, MA (2011).
The installation
includes works on the
walls, on the ceiling, and a
sculpture in the center of the gallery space.
Other works
include: a John Chamberlain
sculpture, sexy photographs by Carolee Schneeman, two Bruce Conner pieces, a Lee Bontecou on the
wall, a Cy Twombly, five Ray Johnson collages, a Wallace Berman, an Edward Kienholz, three mixed media works by Jess, a
sculpture by Frederick Keisler, photographs by Minor White, Aaron Siskind, Harry Callahan, Robert Frank, William Klein, and Roy DeCarava, and three Romare Bearden collages.
Nearby, more stand out works abound,
including a rare Bruce Nauman
sculpture at Hauser & Wirth (E10), End Tunnel Folded Into Four Arms with Common
Walls (1980); an investigation of the relationship between drawing and
sculpture in the work of Roy Lichtenstein and Robert Morris at Castelli (F11); and works by David Salle, Cindy Sherman and George Condo at Skarstedt (E14).
Through The Contemporary's Museum Without
Walls program, Grachos has arranged the long - term loan of outdoor
sculpture from the museum's existing collection for display at various parks throughout Austin,
including the monumental installation of Ai Weiwei's Forever Bicycles at Waller Creek.
Also
included are reproductions of Wolfson's new series of
wall - mounted
sculptures comprised of bumper stickers overlaid on inkjet prints, candid photographs of the artist taken by Gaea Woods, and a text by the artist providing context for the visual material.
The exhibition
includes Simmons's first chalk drawings on blackboards done in the artist's «erasure» technique along with
sculptures, paintings, photographs and a 1992
wall drawing not seen since it's first presentation at the Drawing Center.
Trilogy
includes three films made between 2004 — 2007: The Paper
Wall, 2004, (won the Worldwide Short Film Festival's Best Experimental Film Award); A Life of Errors, 2006 (acquired & exhibited by the Hirshhorn Museum &
Sculpture Garden); Loudly, Death Unties, 2007 (acquired by the Museum of Contemporary Canadian Art, Toronto).
The collection
includes many works acquired early in its artists» careers, among them: collage by Kara Walker; paintings by Mickalene Thomas; neons by Tracey Emin, digital animation by Jennifer Steinkamp; paintings by Amy Sillman;
sculpture by Kiki Smith;
wall relief by Teresita Fernandez and woven trompe l'oeil by Miami artist Frances Trombly, among others.
For Pace, Wilson will reconfigure Afro Kismet which
includes two chandeliers, two monumental Iznik tile
walls, four black glass drip works, and a globe
sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.
Elms
includes much strictly formal work such as figurative drawings and symbol - based paintings by Elijah Burgher, overly nostalgic ink drawings by Paul P., and a seemingly popular, somewhat garish installation of aluminum and silver
wall sculptures by Terry Adkins.
Alongside those works, Serra designed a series of forged pieces
including: «Two Forged Rounds for Buster Keaton», «Snake Eyes and Boxcars» and «Ali - Frazier» and «Charlie Brown» One of his biggest installation is «The Matter of Time» commissioned by the Museo Guggenheim Bilbao, it incorporates a series of seven
sculptures made of spot - welded sheets of steel that form 4,3 m high curling
walls positioned around the existing
sculpture, «Snake», that had been commissioned for the museum's opening in 1997.
Brian
Wall's work was seen in America for the first time in 1967 in the exhibition New British Painting and
Sculpture, which traveled to six U.S. museums
including the University Art Museum, Berkeley.
A selection of recent work will be shown,
including three, new large - scale acrylic paintings, intricately beaded punching - bag
sculptures and
wall hangings that incorporate textual statements.
The exhibition
included both freestanding
sculptures and
wall works combining text and image; exhibited as well were examples of «interactive
sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of photographic documentation, or made accessible by computer.
Encompassing a wide range of mediums, Ritchie's immersive installation -
including painting,
wall drawing,
sculpture, sound and moving image - demonstrates the complexity and transient nature of information.
Recent group exhibitions
include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «
Wall - to -
Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective
Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.
Work perceived as trending that sold out the first day
included pop comments on Pop (Sylvie Fleury's life - size crushed car that she painted with pink nail polish and posed against a
wall caked with makeup; impeccable fabrication (Anish Kapoor's shiny discs that danced down every aisle); mannequin
sculptures (Chicago imagist Karl Wirsum's robotic stick figures); body fetish (Guillaume Leblon's truncated ceramic legs and Jonathan Monk's kicking ones, Naotaka Hiro's body casts of himself made with his right hand).
Highlights in the Galleries sector
included a
wall installation of works on paper by Sol Lewitt (b. 1928, d. 2007) and floor
sculptures by Carl Andre (b. 1935) at Paula Cooper Gallery, a solo presentation by Ugo Rondinone (b. 1964) at Galerie Eva Presenhuber and Ellsworth Kelly's (b. 1923, d. 2015) «Sumac» at Lévy Gorvy.
It will
include works from Turner Prize winner Martin Creed, the playful minimalist who created the notorious room with lights going on and off, Andrea McLean whose dense surfaces teeming with birds, beasts, flowers and trees, double up as a delicately detailed diary of her experiences, Neil Jeffries's
wall - based
sculpture, David Batchelor's jewel bright minimalist painting.
On exhibit will be a selection of recent work,
including acrylic on elk hide paintings, intricately beaded punching bag
sculptures and
wall hangings that incorporate text statements.
Begun in 2008, Black Dada is a conceptual paradigm for a body of work, which
includes ideas, paintings,
sculptures,
wall works, videos, a manifesto, and a reader.
Outstanding works in the contemporary collection
include Frank Stella's monumental geometric painting Raqqa II (1970), Ellsworth Kelly's minimalist painting Blue Panel (1980), Anselm Kiefer's Untitled (1980 — 86) triptych, Gerhard Richter's abstract painting Station (577 - 2)(1985), Elizabeth Murray's three - dimensional painting Pigeon (1991), Guillermo Kuitca's evocative painting People on Fire (1993), Sean Scully's luminous painting
Wall of Light Peru (2000), Jaume Plensa's illuminated
sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture I
sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass
sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture I
sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor
sculpture Wind Sculpture I
sculpture Wind
Sculpture I
Sculpture II (2013).
ELIGIBILITY Craft Hilton Head 2018, 6th National Juried Fine Art Craft Guild Exhibition is open to all artists over 18 years of age, submitting entries of 2D and 3D fine art crafts in
sculpture, basketry, glass, fiber
sculpture and
wall hangings (
including paper), metal works, works in clay, handmade artist books, jewelry, weaving, wood, and assemblage.
«
Sculpture Now offers the public an opportunity to experience a wide range of up - to - the - moment artwork, including three - dimensional freestanding sculpture, wall - hung and ceiling - hung installations, abstract construction, and more,» said
Sculpture Now offers the public an opportunity to experience a wide range of up - to - the - moment artwork,
including three - dimensional freestanding
sculpture, wall - hung and ceiling - hung installations, abstract construction, and more,» said
sculpture,
wall - hung and ceiling - hung installations, abstract construction, and more,» said Sausser.
They run to
sculpture on and off the
wall —
including a cabinet by Bill Jenkins, a mirrored column of rough cedar by Virginia Overton, and two columns of plastic crates by Tony Feher.
Other exhibition highlights on view in October
include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs,
sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale
wall hangings by renowned American sculptor Lynda Benglis.
Using a range of media,
including installation,
wall sculptures, paintings and works on paper, the show explores the formal and psychological aspects of symmetry, distortion, inside and outside.
From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated
Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections
including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and
Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.
Smit's powerful ceramic
sculptures includes a spectacular site - specific
wall installation where Smit shifts from her three - dimensional style of sculpting towards two - dimensional reliefs, hanging flat on
walls.
The
walls are covered with a wild assortment of artworks on sale for the holidays, in a variety of mediums
including painting, drawing,
sculpture, photography, printmaking, fiber, and ceramics.
Jamie's two dark - underbelly - of - suburbia videos led the popular vote for the show, which
included photographs, masks,
wall - mounted and freestanding ceramic
sculptures, drawings, and books — enough art to fill galleries on two floors.
This exhibition explores the social and cultural impact of these vessels and showcases over 250 objects,
including paintings,
sculpture, and ship models, alongside objects from shipyards,
wall panels, furniture, fashion, textiles, photographs, posters and film.
Sculptures made of corroding metal scavenged from first world war battlefields, and a colourful
wall - hanging consisting of ribbons bearing honours that
include Nazi medals.
In 1968, he created the «V» series of lithographs, which
included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered
wall - mounted
sculptures.
IJ: Your current solo show at Derek Eller, which you titled, Driftloaf, seems a lot more quiet and pared - down compared to your previous installations which
included large scale
sculpture, painted
walls and hundreds of drawings; it's more concise and seems to be more about
sculpture.
Doubling as installations, his
sculptures incorporate images of nature and found objects
including rocks and house plants to create literal portals into nature against the gallery
walls.
This exhibition marks Wynne's most ambitious gallery show featuring his now iconic glass
wall sculptures in the shape of waves, vortexes, and underwater exhale bubbles and text works
including a new series using black glass.
On exhibit at SCAD Atlanta Gallery 1600 from Tuesday, Feb. 2 through Friday, May 20, 2016, will be a selection of recent work,
including acrylic on elk hide paintings, intricately beaded punching bag
sculptures and
wall hangings that incorporate text statements.
Known for artist - centric projects and collaborations, The Contemporary invites exploration in both its urban and natural settings - downtown at the Jones Center on Congress Avenue, lakeside at the Laguna Gloria Campus (
including the Betty and Edward Marcus
Sculpture Park, the Art School, and the historic Driscoll Villa), and around Austin through the Museum Without
Walls program.