MPAA Rating: (for thematic material
including war atrocities, violence and disturbing images, and for some sexuality)
Rating: PG - 13, for thematic material
including war atrocities, violence and disturbing images, and for some sexuality
Not exact matches
The CCP stirs the nationalistic emotions of the people by contesting Japan over issues such as: the disputed territorial claims with China: its writing of history that omits Japanese
atrocities in its invasion of China, and in recent visits by its leaders to Japan's Yasukuni shrine which honors national heroes
including convicted
war criminals.2
In a rare turn of events that suggests maybe we're not living in the darkest timeline after all, this category — usually home to the most devastating and despair - inducing glimpses inside
war zones and historical
atrocities —
includes zero films about the Holocaust, Syria, or murder.
In the Land of Blood and Honey Rated R for
war violence and atrocities including rape, sexuality, nudity and language Available on DVD and Blu - ray Written and directed by Angelina Jolie, Land of Blood and Honey tells the story of a man and woman during the Bosnian War whose allegiances to their countries and religions keep them from furthering their relationsh
war violence and
atrocities including rape, sexuality, nudity and language Available on DVD and Blu - ray Written and directed by Angelina Jolie, Land of Blood and Honey tells the story of a man and woman during the Bosnian
War whose allegiances to their countries and religions keep them from furthering their relationsh
War whose allegiances to their countries and religions keep them from furthering their relationship.
The Educator section of the website
include classroom resources to teach about the Nanjing
Atrocities within the larger context of World
War II in Asia.
The Nanjing
Atrocities: Crimes of
War online companion to our print book
includes a rich multimedia collection of maps, videos, timelines, and teaching strategies that place the Nanjing
Atrocities within the larger context of World
War II in East Asia, and will challenge students to consider the complex questions this history raises about wartime violence, justice, and memory.
Her art, characterised by an intense realism,
includes works on paper and ephemeral installations, and find inspiration in contemporary or historical events such as the torture of women in Nicaragua, the Holocaust and the
atrocities committed during the Vietnamese
War.
Studio items such as the manipulation of photographs
including those of John Deakin, Peter Stark and Peter Beard; reproductions of Muybridge's pioneering studies of the human figure and animals in motion; images torn from books, magazines and newspapers of skin diseases,
war atrocities, boxers, wildlife, art, lovers and friends all of which are of intense interest and relevance in the field of contemporary art practice.
The
atrocities of the Vietnam
War dominated the motives of her films and performances in the 1960s,
including her film Viet - flakes (1965) and the multimedia kinetic performance Snows (1967).