HOKUSAI A survey of the legendary Japanese artist's seven - decade career,
including woodblock prints, paintings, and illustrated printed books, drawn from the MFA, which has the finest collection of Hokusai's work outside of Japan.
Paula Wilson, «Tomorrow's Tomorrow,» 2008, 0il, spray paint, collaged / inlayed paper
including woodblock prints mounted on paper, 50 x 50 ″
Works
include woodblock prints, hand - painted scrolls, metal works and sculpture that highlight esteemed and centuries - old artistic practices and traditions from the cultures of Japan, China, India, Tibet and Thailand.
Not exact matches
Rabble wines
include single varietals with labels showcasing a selection of historical
woodblock print renditions from the Nuremberg Chronicles from the 1400s.
The special display will also feature some memorabilia and artwork
including large
woodblock country music concert
prints by Hatch Show Prints of Nashville and Print Mafia of Bowling Green, various pieces of country music memorabilia and autographed
prints by Hatch Show
Prints of Nashville and Print Mafia of Bowling Green, various pieces of country music memorabilia and autographed
Prints of Nashville and
Print Mafia of Bowling Green, various pieces of country music memorabilia and autographed items.
The interior decorations
include Champa sandstone sculptures, Dong Sun bronze drums, Vietnamese calligraphy, Dong Ho
woodblock prints, water puppets, silk embroideries, and royal purple fabrics.
Examples of this experimental approach in the exhibition
include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her
woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly on the plate.
Sumptuous color plates showcase a dazzling array of achievements —
including Shanghai School paintings, modern calligraphy, commercial art, 1920s and 1930s
woodblock prints, modern guohua (traditional ink and color paintings), socialist realist paintings and other contemporary works.
The selection presented here
includes the work of internationally renowned masters, such as Munakata Shikō, whose bold monochrome
woodblock prints redefined the possibilities of that time - honored process, and Hamaguchi Yōzō, whose meticulous mezzotints inspired an entire generation to take up that demanding technique.
Ukiyo - e
prints and books from the 19th to the early 20th centuries,
including works by
woodblock print masters Hiroshige (1797 - 1858), Hokusai (1760 - 1849) and Yoshitoshi (1839 - 1892).
Frankenthaler has worked with Pace
Prints to create four Ukiyo - e plus woodcuts,
including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut
printed from 15
woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale
print using a combination of aquatint, woodcut and pochoir techniques.
The collection has grown and evolved to collect more expansively and in ways that support curriculum across disciplines, and it now holds over 5,000 objects
including select and growing holdings of contemporary Chinese art, pre-Columbian art, Japanese
woodblock prints, and African art, to name a few areas.
Japanese Art at Skinner
includes fine paintings, calligraphy, and
woodblock prints, pottery, sculpture, netsuke, and textiles from antiquities through contemporary works.
This collection of
prints celebrates the Japanese 20th - century revival of traditional
woodblock printmaking and
includes works by the master of this field, Kawase Hasui.
An exhibition of the
prints, including woodblocks and progressive proofs will be on view at Pace Prints, 32 East 57th Street, from September 11 through October 18,
prints,
including woodblocks and progressive proofs will be on view at Pace
Prints, 32 East 57th Street, from September 11 through October 18,
Prints, 32 East 57th Street, from September 11 through October 18, 2014.
The Norton Simon collections
include: European paintings, sculptures, and tapestries; Asian sculptures, paintings, and
woodblock prints; and sculpture gardens displaying many sculptors» work in a landscape setting around a large pond.
«Process and Collaboration» displayed not only a number of finished
prints and paintings but
included plates,
woodblocks, and mylar stencils which were used to produce a number of
prints.
Dirty Fingers is a large group exhibition focusing on various forms of printmaking which
include silk - screening, etching, stenciling, stamp and
woodblock printing.
Dirty Fingers is a large group exhibition focusing on various forms of contemporary
print making which
include silk - screening, etching, rubbing, stenciling, stamp and
woodblock printing.
Other engagements of note with Edmonton's arts community
include his limited edition
woodblock print accompaniment to the Society of Northern Alberta Printmakers» spring 2014 edition of SNAPline, and his performance Custodial Walk (2014, in collaboration with Émilienne Gervais), presented by The Drawing Room.
Zarina: Paper Like Skin January 25 — April 21, 2013 This retrospective of Indian - born American artist Zarina Hashmi is the first major exploration of the master printmaker's career, charting a developmental arc from her work in the 1960s to the present and
including many seminal works from the late 1960s and early 1970s,
woodblock prints, etchings and lithographs, and a small selection of related sculptures in bronze and cast paper.
The exhibition
includes works ranging from a powerful sculpture by Willie Birch about the 1992 Los Angeles riots (Pensive, 1992) to a delicate
woodblock print by Helen Frankenthaler (Cedar Hill, 1983).
Using various
printing techniques
including lithography, silkscreen and
woodblock, he renders his subjects in vivid colors and patterns.
Highlights
include: a unique collection of Asian ceramics from Japan, China, Thailand, Cambodia, Vietnam and Myanmar; sculptural masterpieces such as the magnificent Japanese Amida Nyorai, the Sino - Tibetan White and the Jain Shri Mallinath and Vijayanagara period Siva nataraja from India; craftworks like the Javanese ninth - century Kala and Batak Mortuary puppet (si gale gale); a definitive collection of Indian textiles dating from 1350s to the 19th century; ukiyo - e
woodblock prints like the Thirty - six views of Edo by Utagawa Hiroshige; plus rare objects such as a Celestial globe (1780 — 81), and a heterodox Mughal portrait of Prophet Muhammad riding the bouraq steed.
Marking the artist's third solo exhibition at the gallery, featured works
include large - scale ceramic sculptures and one
woodblock print.
Influenced by artists as diverse as Sol LeWitt and Regina Silveira, and the
woodblock prints of Japanese artists
including Katsushika Hokusai, Cinto's Encontro das Águas (Encounter of Waters)
includes an intricate wall drawing, whose ambitious proportions convey a mesmerizing view of an expansive waterscape.