But perhaps the most
incongruous part of the movie was that they tried to convince the world that Hilary Swank and Mia Kirshner look alike for plot purposes.
Not exact matches
This sets off a chase through various unwholesome
parts of town on an
incongruous Christmas Eve, with our two trans sex workers acting as our potty - mouthed tour guides.
Cable is a badass killing machine (and the machine
part is literal), so the battered old teddy bear that he carries around with him is a little
incongruous.
Finally, consider the statement, «The trouble with being too open - minded is that your brains may fall out:» Such a proposition, startling and
incongruous as it may seem, fits this assignment; it implies a causal relationship as
part of an argument against the generally accepted positive standard of open - mindedness and tolerance.
It's a direct tie between Pondick's own sculptures, which meld together otherwise
incongruous body
parts, and an ancient fascination with the human figure.
Works such as Greffe ’72 (Graft» 72)(1972) and Human Bonsai — Freedom of Deformity — Deformity of Freedom (1979) are
incongruous mixed media assemblages (paint, soil, metal, light bulbs, thermometers) resembling body
parts and genital organs cultivated as bonsai trees.
In the tautly and, for the most
part, plausibly constructed De Style, Marshall embeds an anecdotal detail so
incongruous that it warps the rest of the composition.
The works, which began emerging from the artist's New York studio around 1959, were made of canvas and other fabrics, stretched over steel frames and stitched with wire, sometimes incorporating airplane
parts, war - surplus materials, laundry — conveyor belts, industrial - saw teeth, and other
incongruous objects.
Work No. 135 by Martin Creed, is a protrusion that grows from and becomes
part of the wall itself, finished in the same material and painted white so that it appears simultaneously at home and
incongruous.
While certain characters reappear throughout the works, loosely implying narrative threads, ultimately each picture stands as an autonomous work —
part of an
incongruous, ever - shifting whole.
The
incongruous nature of this imagery is a
part of the artist's religious commentary.