Stella's proclivity for constantly challenging himself continued in the mid-1980s, when
the increasingly deep relief of his paintings gave way to full three - dimensionality, with sculptural forms derived from cones, pillars, French curves, waves, and decorative architectural elements.
During this time,
the increasingly deep relief of Stella's paintings gave way to full three - dimensionality, with sculptural forms derived from cones, pillars, French curves, waves, and decorative architectural elements.
[7] During this time,
the increasingly deep relief of Stella's paintings gave way to full three - dimensionality, with sculptural forms derived from cones, pillars, French curves, waves, and decorative architectural elements.