Sentences with phrase «increasingly global culture»

It looks at how the state - system, world economy, and our increasingly global culture both fuel climate change and represent political realms for mobilizing response.

In the last quarter of the twentieth century, many Chinese scholars, critics, and artists decried traditional Chinese painting (Zhongguohua) as out of step with an increasingly global culture.

The show poses questions about the impact and limits of an increasingly global culture.

Not exact matches

Economic development and an increasingly global commerce in movies, TV, and other forms of popular culture weaken traditional Islamic institutions and disturb and disorient many Muslims.

In the same way that we are ignorant of our distant future; they had no knowledge, no idea, no vision, no dream, no fantasy that two millennia hence there would be an increasingly global and interconnected culture and economy of 7 billion people, world wars and holocausts encompassing and killing and making refugees of millions, staggering accomplishments in medicine and engineering and transportation and communication, and the development of sciences and mathematics and technologies that did not and could not exist in their time and that they could not have comprehended.

in the context of the present government policy of high - tech development based on the global free market, the dalits, the tribals and the fisherfolk are increasingly getting alienated from the Land, the Forest and the Water - sources respectively which have been giving them their living, and are also getting uprooted from their habitat and culture; and women are commoditized and their sexuality, fertility and labour are increasingly commercialized.

This disparity is at the very heart of the scientific enterprise, the culture of higher education, and the economics of research in an increasingly competitive global environment.

In a global culture increasingly driven by scientific and technological innovation, research in areas ranging from microbial genomes to the human brain will become ever more inextricably linked to public health, medicine, and industry.

The increasingly global nature of human society, with interdependent economies, international communications networks and intermingling cultures, has created, according to Gregory Stock, the conditions for the emergence of a new type of being — a social super-organism bound together by technology, which he calls Metaman.

Speaking at the UK - China People - to - People event, which celebrates the growing links between the two countries, including education policy, Greening said: «This scheme allows our young people to immerse themselves in different cultures, broaden their horizons and develop the skills they need to thrive in an increasingly global jobs market.

In our increasingly globalized society, having knowledge about the world and understanding diverse perspectives or cultures is essential, however many youth do not have the opportunity to develop the skills, knowledge and perspectives needed for our global age.

In the past year, our culture has dealt with continuous turmoil, mass shootings, increasingly disturbing accounts of gross sexual misconduct, threats to the rights of immigrants, reproductive rights, transgender rights, threats against our rights to health care, against gender and racial equality, against the protection of our environment, of internet neutrality, as well as attacks against Planned Parenthood, the EPA, the NEA and global organizations such as UNESCO.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Concurrently, his work celebrates the poetic nature of hip - hop's language, both verbal and physical, as well as its powerful and empowering contribution to an increasingly hybrid global culture.

See e.g. Maxeiner, supra n. 1, at 44 (arguing that a globalized legal education is no longer subject to the cultural barriers that were once dominant in society, allowing students to focus on the legal cultures that they will likely encounter in an increasingly globalized economy); see also James E. Pfander, Book Review, (reviewing Thomas Main, Global Issues in Civil Procedure (Thomson / West 2006)-RRB-(describing the case for globalized Civil Procedure courses by emphasizing how such an approach would lead to a greater understanding of American procedure).

I don't think it's so much that companies and creators in Japan are trying to cater to a global audience — though that's certainly true in some cases — as much as it is the rest of the world becoming increasingly acclimated to Japanese culture and media over the last couple decades.

With business becoming an increasingly global affair, more and more students are enjoying the career benefits of studying abroad — which allows them to immerse themselves in a new culture as they develop skills that can make them more marketable in the global economy.