Beyond the Lights big, glossy, and beautiful with
incredible costume design and impressive musical numbers - but lacks any sort of energy.
With a talented, majority black cast, a director with a distinctive voice and several technical triumphs, including
some incredible costume design by two - time Oscar nominee Ruth Carter (Amistad, Malcolm X), Black Panther is a superhero highpoint for the history books.
Ruth E. Carter's
incredible costume designs are eye - popping, tactile and vibrant, expressing so much about the characters.
Not exact matches
You've seen that singing live featurette time and time again; you know what's coming — famous faces,
incredible voices, mesmerizing set
design and pitch perfect
costume work.
Featuring
incredible camerawork from Academy Award nominee Rachel Morrison (Mudbound) and gorgeous
costumes designed by the great Ruth E. Carter (Selma), the visual aesthetics of all that Coogler has envisioned is of an imaginatively creative scale unlike anything I had anticipated.
He captures this era with
incredible detail in everything from the
costumes to set
design to the color coming across on screen.
The film is a beautiful piece of art, a painting come to life, every single frame so carefully crafted from the makeup to the
costumes to the set
design, to the way the camera moves from one room to another, and to the
incredible performances.
He's also got an
incredible eye for detail, using every inch of his fantastically
designed sets and
costumes to further drive particular points home.
His camera not only magnificently captures the richness of the production
design and
incredible costumes (
designed by Mark Bridges), but has a special eye for his performers» subtleties, the withering barbs and the emotional wounds they leave behind.
With
incredible detail by James Franco of not just playing Wiseau, but making the reenactments of «The Room» — from the crappy set
design and
costumes to how awful lines were delivered — is
incredible.
Our
costume design is
incredible.
Showcasing
incredible production
design, matte paintings, sets, props and
costumes, Burton's Batman is visually layered and gorgeous to look at.
Costumes designs incorporated as many pouches as possible and the (anti) heroes often carried guns of an
incredible size.
Featuring stunning
costumes designed by Mayes C. Rubeo (John Carter),
incredible production
design courtesy of Oscar - winner John Myhre (Memoirs of a Geisha, Chicago) and eye - popping art and set direction, oftentimes there's so much going on in the frame it's almost impossible to take it all in.
Also included are a series of featurettes covering things like production
design and
costumes, casting the lead actors, and
designing Thor's iconic hammer, as well as over 20 minutes of deleted scenes and a short film called «The Consultant» starring Clark Gregg that gives the end credits scene in «The
Incredible Hulk» a little more context.
It begins with «The Most
Incredible Thing,» the Hans Christian Andersen story on which the ballet is based, and presents Dzama's
costume designs.
First appearing as a figurative element in his works on paper in the mid-1990s, and since incorporated into his large - scale drawings, paintings, and films, masks were most recently featured in the artist's critically - acclaimed stage and
costume design for the New York City Ballet's The Most
Incredible Thing in 2016, a performance choreographed by Justin Peck and based on Hans Christian Andersen's fairy tale.
In February 2016, the New York City Ballet debuted The Most
Incredible Thing with sets and
costumes designed by Marcel Dzama.
The New York City Ballet's The Most
Incredible Thing, a performance based on Hans Christian Andersen's fairy tale for which Dzama created the
costume and stage
design (choreographed by Justin Peck; music by Bryce Dessner), premiered in February 2016.
You can't deny the fact that an
incredible amount of effort must go into
designing and producing these
costumes.