Sentences with phrase «indeed be in the film»

Bryan Singer has posted some production art for X-Men Apocalypse on his Instagram account and it reveals that a version of Angel or Archangel will indeed be in the film Some production art.

Not exact matches

(Indeed, ESPNW is doing some of the most interesting and important work in sports journalism right now: look no further than its recent profile of Christy Mack, an adult film star who was brutally assaulted by her boyfriend, a mixed martial arts fighter.)

Indeed, the film fest is all about standing in lines.

The director confirmed at numerous screenings that he attended leading up to the movie's release that there's indeed one shot in the final cut of the film where Spacey can be seen playing billionaire J. Paul Getty.

Indeed, Shirer's viewpoint lives on at the Holocaust Memorial Museum in Washington (where visitors are shown a film that accuses Luther of being the progenitor of Germany's National Socialism) and in the remarks of an Alan Dershowitz: «It is shocking that Luther's ignoble name is still honored rather than forever cursed by mainstream Protestant churches.»

Stone recognized that the late Sixties really were a time of living mythology, of god - creation, and he wanted his film to both take us through that, and indeed make us complicit in it.

For a while Botham, as if hypnotized, went along with all this, and at one point it seemed that he would indeed land a film part, albeit one as a psychopathic killer, in something called The Perpetrator, a Ramboesque movie which, in fact, was never to be made.

Indeed, just recently I was a «Food Blogger for Hunger» in association with A Place at the Table, the excellent documentary film you cite above.

And if physicists set up the experiment with a photon detector at each slit, that is indeed what they see: Photons hurtle randomly through either the first slit or the second, which results in two separate clumps of dots forming on the film.

The use of video (and other technologies) is common in such courses; indeed, the cinematic experience of Moctezuma's nonmajor students isn't limited to James Bond films.

Indeed, the researchers say that there is no evidence to suggest that the level of violence has changed in children's films since Snow White in 1937, when Snow White's stepmother, the evil queen, was struck by lightning, forced off a cliff, and crushed by a boulder while being chased by seven vengeful dwarves.

The scene — and indeed the timing of key details in the film — is clearly dramatized for Hollywood, but it raises the questions: What exactly is Euler's Method?

Moulin Rouge is indeed a fanastic film and I even dyed my hair red because of Satine hahaha... also in my teenage years, so good to know I wasn't the only one obsessed with Moulin Rouge.

Dubbed by some as the next Jennifer Lawrence due to the inevitable comparison of her film to Hunger Games (much to the anger of fans who insist on the stark difference between the two storylines), it seems that the 21 - year - old actress is planning on taking advantage of this career momentum — reps confirm that the shorter do is indeed for her new film The Fault in Our Stars, another film adaptation of a wildly popular novel.

Unfortunately those movies, like the later prequel films of the 1990's left a bad taste in the mouths of many fans and are indeed best forgotten.

Trying to underplay conventional plotting as much as it can, this film is seriously meditative upon the life of a man who we barely known anything about, and makes matters worse by portraying gradual exposition in too abstract of a fashion for you to receive the impact of the would - be remedies for characterization shortcomings that do indeed go a very long way in distancing you from a conceptually sympathetic and worthy lead.

As schematic as a popular entertainment needs to be yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature director Mimi Leder and fledgling film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie star.

Indeed, the film's reliance on audience familiarity with sources of so - called high culture has been dismissed in some quarters as a pretentious gimmick, as if it were somehow an eighth deadly sin to expect intelligence either in police detectives or attendees of lowly genre films.

Cameron Diaz is wonderfully subtle in her portrayal of Fiona, and the addition of Puss In Boots from the second film is a bright fresh character, indeein her portrayal of Fiona, and the addition of Puss In Boots from the second film is a bright fresh character, indeeIn Boots from the second film is a bright fresh character, indeed.

Indeed, to his credit no one was ever seriously injured in any of his films.

There is indeed a certain immersion value even within the film's style, subtle though it may be, and when it comes to substance, no matter how thinly or formulaically it goes handled, it carries a potential that is reflected in the film carrying wit and dramatic elements as a portrait on man's interactions with his environment and his peers, anchored by memorable characters who are themselves anchored by memorable performances.

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

Indeed, the non-Marvel films in these franchises that have done best more recently are the ones that stood out from the crowd, like Wonder Woman (which rejected the dark tone of other DC movies), Logan (which felt like a grown - up standalone film), and Deadpool (which loudly razzed the idea of being linked to X-Men movies).

What's interesting is pretty much unintentional, centering in the film's performances, which are excellent indeed.

Coco, with its Mexican and indeed universal themes revolving around the importance of la familia, reverence for those who have shuffled — well, danced — their way off this mortal coil, and Mexic - culturally specific traditions and attitudes, is one of Pixar's best films in years.

It is often said that a film reflect the fears of the country that produces it, and the fact that in Man on Fire a pretty white girl is having to be protected by a strong black man against nasty South American foreigners, is perhaps very telling indeed.

The film was one of MGM's biggest hits in 1942 — indeed, one of the biggest in the studio's history.

It can't be easy to keep a comedy on track when the underlying emotions are so vicious, and indeed DeVito's staging slips more than once — too realistic here, too broad there — resulting in a film that is at least as often funny - peculiar as it is funny - haha.

Setting entirely aside the accuracy of the film, the IRA still has him marked for death, and indeed there was an attempt on his life in Canada 10 years after he fled.

The Diving Bell and the Butterfly) that do indeed provoke some inquiry towards the subject of dying and the boundaries of morality - but this film does none of that, Haneke's objective here is no different than in Funny Games: he simple wants to use the shock value to prove that we are captivated to a sickening extent by watching horror unfold before us.

I am inclined to like Swinton and Fiennes, and their performances were indeed fine in this film, but the film offers little else.

Because that film business is very sick indeed; Fox was the only major studio not to reach $ 1 billion in domestic grosses last year, and its U.S. receipts dropped an astounding 34 % compared to 2010.

While Glazer's latest is indeed a totally trippy experience, you only need to relax and let the film glide over and pull you in to finally realize it's a pretty straight forward science - fiction story told in a completely unique way.

In other words, it's the kind of film a clever - dick film student can really get their teeth into (and indeed, many have).

After the closing - night festivities — which, indeed, were pretty good, which is why this final report is coming in on a Monday — and the trip back to Chicago, I caught up with a couple of screeners of films available for press online.

I very well could be wrong, though [Edit: Apparently I'm wrong, as Heat Vision reports that Cooper will indeed be playing the nefarious Green Goblin in either this film or its sequel, after first being a mentor to Peter Parker].

Indeed, the film would work whether or not there is foul play or all in their heads.

Indeed, almost every character in Paul Thomas Anderson's brilliant Boogie Nights could hold our attention in a film of their own, but it's Rahad Jackson, Night Ranger lover, who really piqued our interest.

Indeed, it's thanks to Kidman that one of the most astounding movie moments of 2004 occurs in what is otherwise one of the year's worst films: an expertly shifting play of emotions, from doubt to epiphany, that Kidman's Anna beautifully conveys across a lingering close - up, in a scene set in a concert hall.

While Hancock's films tend to be a tad rote and unremarkable, the prospect of seeing Keaton in such a meaty role is hard to resist, and indeed the actor looks to be knocking this one out of the park.

Maritime films are a rarity in Hollywood namely due to their enormous production costs (indeed, this film had a budget of 100 million dollars and it looks unlikely that it will be recuperated in the box office).

Indeed, digital platforms remain a key part of getting UK indie films in front of audiences in a challenging environment, with The Ghoul also nominated for Outstanding British Debut, alongside I Am Not a Witch (both released day - and - date), Lady Macbeth and Jawbone.

Allan Cameron's Modular Narratives in Contemporary Cinema, the subject of this review, does something similar — for the most part — to Puzzle Films and seems to sit clearly on the side of the debate that understands there is indeed something unique about the complex narratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they often resemble.

If we're back in the casting phase on Gambit, a director would likely be already in place and the film is indeed in pre-production.

Warren Buckland, by contrast, picks up exactly these aspects which do not fit and argues that these films do indeed represent something new, something that is not classical at all; his edited collection, Puzzle Films: Complex Storytelling in Contemporary Cinema, offers a number of interesting perspectives on just what is new about these films (2).

For one thing, the recent track record of these late summer dramas is decidedly mixed - while The Help indeed connected with Oscar, Lee Daniels» The Butler's summer box office went unrecognized by the Academy, and it is the latter film that Get On Up seems to resemble more, what with it being a biopic that attempts to tell the entire life story of its subject, which, as discussed in the previous installment in regards to Unbroken, is a questionable proposition with today's Academy.

Indeed, he's matured into such a terrible actor that it's actually disturbing to watch him in scenes with Firth (solid here), as though he's some theatre geek who's cut himself into the film with iMovie.

Indeed, this was their first film not to be set in the (sometimes recent) past since Raising Arizona.

Yet unlike those film's heroes, Richard is neither a Christ figure (in one scene he expressly denies that he is Jesus — or indeed the Devil), nor an agent of divine justice (the film's first line is «God will forgive them, He'll forgive them and allow them into heaven — I can't live with that»)-- and while there is no doubt that his judge - jury - and - executioner attitude towards vigilantism is entirely reactionary, both his morality and his sanity come to be called into question by the film.

The funniest sequence of the film in fact has no relevance to the movie being spoofed, or indeed the scary movie genre at all.