The most
indelible performance in the film is not, strictly speaking, a performance at all.
Not exact matches
The
film brings the crude, demanding LBJ into focus along with the insecure, desperately needy man
in one
indelible performance.
Stars Jamie Foxx and director Quentin Tarantino praise the actor's
indelible performance as plantation owner Calvin Candie
in this latest look at the hit
film.
This
film made an
indelible impression anchored by Robin's exceptional
performance ---- one of the best we've seen on screen
in a very long time.»
Though she isn't
in the
film long, McAdams leaves such an
indelible impression through her
performance that it gives Southpaw the needed emotional resonance to give all of the rest of the scenes that play out a good deal of weight, as we root for Billy, not because we see him as sympathetic, but because she believed he was a good man underneath his thuggish tendencies.
The Brothers Bloom is an odd, somewhat distancing, but still curiously satisfying confection that may not leave the
indelible impression
in the mind that Brick does, but, thanks to the brilliant
performances, literary presentation, and kitschy European art design, offers a nice bit of escapism into its uniquely quirky world, not dissimilar to the way Wes Anderson might do if he were to create a
film with more of a conventional plot (Anderson's Bottle Rocket perhaps comes closest to the spirit of Johnson's
film from a story standpoint).
Directed by Jay Roach («Trumbo,» «Game Change,» «Recount») from a screenplay by Robert Schenkkan, who also wrote the Tony - winning play, the
film brings the crude, demanding LBJ into focus along with the insecure, desperately needy man
in one
indelible performance.
A marathon viewing of her
film career would double as a crash course
in the most
indelible and transporting
performances of the last 20 years.
After arresting work as an aimless skinhead
in Mike Leigh's Meantime, he delivered two of the most humane,
indelible performances of that decade, both as doomed real - life figures: Sex Pistols bassist Sid Vicious
in Alex Cox's Sid and Nancy, one of the most searching
films in all of British cinema, and the impish playwright Joe Orton
in Prick Up Your Ears (directed by Frears and written by Alan Bennett).