Sentences with phrase «independent curator from»

ALI ROSA - SALAS is a dancer and an independent curator from Brooklyn.

Its main exhibition will be curated by Lucrezia Calabrò Visconti, a young independent curator from Italy.

Alessandra Gomez is an independent curator from South Carolina specializing in contemporary art and experimental dance and performance.

Tumelo Mosaka is an independent curator from South Africa.

ABOUT THE CURATOR Amanda Cachia is an independent curator from Sydney, Australia and is currently completing her PhD in Art History, Theory & Criticism at the University of California, San Diego.

With the Whitney remaining silent on the case, it means that Grabner, an independent curator from Chicago, has become the institution's de facto public face in the controversy.

Each application was reviewed by a panel of jurors comprising Erin Gilbert, independent curator from Chicago; Mark Scala, Curator at the Frist Center for the Visual Arts in Nashville; Lauren Haynes, Curator of Contemporary Art at Crystal Bridges Museum of American Art in Bentonville, Arkansas; Jan Davidson, retired director of the John C. Campbell School of Folk Arts in Brasstown, North Carolina; and Gia Hamilton, director of the Joan Mitchell Center in New Orleans.

CARLA LUCINI is an Art Historian and Independent Curator from Buenos Aires, Argentina, currently living in New York.

Curated by Joshua David Riegel, an independent curator from Brooklyn, NY, the exhibition displays new works in textiles, sculpture, painting and film by artists Judith Brotman, Josh Faught, Christine LoFaso, and -LSB-...]

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

Not exact matches

OSV Collectors» Forum speakers will include Colleen Callahan, Independent Historian: Put the Manly Breeches On: Boys» Clothing as Symbols of Manhood in the 19th Century; Laura E. Johnson, PhD., Associate Curator at Historic New England: From Stays to Skeleton Suits: Dressing Children in Early America; Chris Bates, Old Sturbridge Village Costume Coordinator: Making A Portrait Come Alive: Creating Reproduction Clothing at Old Sturbridge Village, presented with Rebecca Beall, Old Sturbridge Village Collections Manager, and Jean Contino, Old Sturbridge Village Coordinator of Households and Women's Crafts.

INDEPENDENT & FOREIGN FILMS Black White + Gray (Unrated) Bifurcated bio-pic examines both the intimate and professional relationships of a couple of art icons from the Seventies, curator Sam Wagstaff and homoerotic photographer Robert Mapplethorpe.

Recent awards and grants include two awards from the International Association of Art Critics (2011), the Agnes Gund Curatorial Award from Independent Curators International (2010), Curatorial Research Fellowship from the Warhol Foundation (2008), and Chevalier of the Order of Arts and Letters from the French Government (2006).

Having posed for some 10 paintings by Alex Katz, Mie Iwatsuki — a Japanese model and independent curator based in New York — collaborated with dealer Nick Lawrence to solicit portraits of her by an additional 34 artists, ranging from Robert Frank to DJ Spooky, from New York's David Humphrey to China's Lin Yilin and Korea's Min Hyung (who, in one of the show's most imaginative leaps, depicts Itwatsuki as a male Maasai warrior in Kenya).

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

Paperworks, organized for the Craft & Folk Art Museum by independent curator Howard N. Fox, is on view from September 27, 2015 through January 3, 2016.

The prize was devised by Hammond in 2007, the independent curator then went on to compile The Catlin Guide, a yearly book that presents a collection of recent graduate and postgraduate artists from UK art schools, which is now recognised as an essential reference for collectors of contemporary art.

With detailed profiles of over 400 independent art spaces from 96 countries around the world, this easy - to - use volume is a useful tool for artists, curators, students and the general public.

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

From the 15 finalists, a jury of experts — Adelina Vlas, associate curator of contemporary art at the Art Gallery of Ontario; Lisa Oppenheim, winner of the 2014 AIMIA AGO Photography Prize; and Gabrielle Moser, a writer, educator and independent curator based in Toronto — selected three winners.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

An independent curator and scholar, she is known for organizing processional performances that explore the «political aesthetics of walking, marching, second lining, masquerading and parading,» which she has presented in public spaces from Miami and New Orleans to Gwangju, Cape Town, Venice, and the Tate Modern in London.

Kate Fowle is Chief Curator of Garage Museum of Contemporary Art in Moscow and Director - at - Large at Independent Curators International (ICI) in New York, where she was Executive Director from 2009 to 2013.

Gingeras is an independent curator as well as holding an adjunct curatorship at Dallas Contemporary, where she most recently curated Black Sheep Feminism: The Art of Sexual Politics, which examined the work of four radical feminist artists from the 1970s: Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti.

Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior curatorial assistant, Whitney Museum of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.

by Ruslana Lichtzier download printable PDF from Issue 01 Guillaume Désanges is an independent French curator and art critic.

Independent curator, Jane Livingston, observed a dream - like quality that takes its inspiration from childhood memory overlooking the Schuylkill River from an apartment window.

Cuauhtémoc Medina, independent curator and art critic from Mexico City, Mexico, has written extensively on contemporary art and is a former curator of contemporary art at the Museo de Arte Carrillo Gil in Mexico CityRead more

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

Organized by independent curator Cornelia Lauf, the show presents an array of visual content, from abstract, to conceptual, to representational, verging on narrative.

For Bomb, Ashley Stull, an independent curator and professor, spoke to Odutola about moving from California to New York, where she now lives and works.

Independent curator Lars Bang Larsen will present his research in art and psychedelia from both academic and exhibition making perspectives.

Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with archival images and objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.

Each exhibition will be organized by curators with specific expertise in the area of focus, with WhiteBox artistic Director Juan Puntes curating the China - focus exhibition, independent curator Kyoko Sato for Japan, WhiteBox Curatorial Advisors Blanca de la Torre and Raúl Zamudio for Mexico and Latin America, and the former Yugoslavia portion curated by WhiteBox Director of International Programming Lara Pan, in collaboration with museum curators from across the region.

Lars Bang Larsen is an independent curator and writer based in Barcelona and Copenhagen, whose exhibitions and books consider artists» engagement with counter culture and social activism from the 1960s onwards.

As League Curator Jillian Russo explains, «Butler's original idea to bring several independent art organizations into partnership to create a building with dedicated exhibition space transformed the Art Students League from fledgling art school into a cultural institution.»

After working in Europe as an art critic and independent curator during the 1980s and 1990s, Christov - Bakargiev was senior curator at P.S. 1 Contemporary Art Center from 1999 to 2001 (she was a primary force behind and co-curator of the inaugural «Greater New York» exhibition at P.S. 1 in 2000).

Situated in Bangkok's Siam Square and established in 2006 by American architect David Mayer, owner of the renowned architecture and interior design company of the same name, and Thailand artist and curator Maitree Siriboon, Whitespace Gallery is one of best known independent art galleries from Thailand.

Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.

MNUCHIN GALLERY In «Cindy Sherman: Once Upon a Time, 1981 - 2011,» a show organized with the independent curator Philippe Ségalot, three series from Ms. Sherman's prolific career go head - to - head.

It takes time, even if it means rushing from one independent curator to another as well.

Following our conversation with Edward Winkleman and Murat Orozobekov, the co-founders of Moving Image, we discussed with some of the participants about the relevance of the Moving Image art fair and the uniqueness of video as an artistic medium: with Paula Alzugaray (independent curator, São Paulo, Brazil) and Sabine Brunckhorst (collector, Hamburg, Germany) about their perspective on the fair from a curator's and a collector's perspective, and with gallerists Serra Pradhan (Marianne Boesky Gallery, New York, NY, USA), Catharine Clark (Catharine Clark Gallery, San Francisco, CA, USA), Barbara Polla (Galerie Analix Forever, Paris, France), Catlin Moore (Mark Moore Gallery, Culver City, CA, USA), Wagner Lungov (CENTRAL Galeria de Arte, São Paulo, Brazil), Nancy Atakan (5533, Istanbul, Turkey), Lise Li (Vanguard Gallery, Shanghai, China), Kelani Nichole (TRANSFER, Brooklyn, NY, USA), Asli Sumer -LRB-.

The fair's exhibiting galleries represent some of the most exciting artists working today, from the emerging to the iconic; and a team of world - leading independent curators advise on feature sections, making possible performance - based work and ambitious presentations by emerging galleries.

Cuauhtémoc Medina, independent curator and art critic from Mexico City, Mexico, selected Rubén Ortiz - Torres for his ArtPace residency.

Rugoff, who joined the Hayward from San Francisco's CCA Wattis Institute for Contemporary Arts in 2006, has worked widely as an independent critic and curator, and was the Artistic Director of the 13th Biennale de Lyon in 2015.

Laura Sprague, independent curator; Arlene Palmer Schwind, curator of the Victoria Mansion; and Diana Greenwold, Curatorial Fellow at the PMA, will address various aspects of the decorative arts in Portland from the early 19th century to the present.

In 2016 he received the Independent Vision Curatorial Award from Independent Curators International (ICI), New York.

An independent curator since 1994, she has been curating extensive groups exhibitions of art from recycled materials and trash, entitled «Art from Detritus» for which she received a Kaufmann Fnd Grant in 1995 and a Puffin Fnd Grant in 2007.

Together with curator Chris Sharp, Soto Climent founded the independent project space Lulu in Mexico City in 2013 and currently collaborates with blogs and independent initiatives from the international art scene, while preparing his master's degree on photography at the Academia de San Carlos, UNAM.