Sentences with phrase «independent curatorial practice»

(Gregos will be moving on to pursue her independent curatorial practice.)

In addition to working for cultural institutions, he also maintains an active independent curatorial practice and is currently developing a public art project titled Mexico 68 that looks into the residual infrastructure of the infamous 1968 Olympics that took place in Mexico City with the support of the Graham Foundation.

571 Projects supports the work of dynamic emerging and mid-career artists by bringing conceptually strong, well - crafted work to the notice of an engaged art going and collecting public, via special exhibitions, independent curatorial practice and an informed art consulting practice.

In June of 2014, Ellen Hackl Fagan expanded her independent curatorial practice into a full time business and is now the owner of ODETTA Gallery in Bushwick, Brooklyn.

Topics have included Artists in Residency in Tokyo, art and ecology and independent curatorial practices in Japan since 2000.

Not exact matches

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projects.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

Matthias Borello is a Danish critic and independent curator focused on art practices, exhibition formats and curatorial strategies within social practices.

Enjoli's entrepreneurial curatorial practice brought Richmond a new but already beloved cultural forum, the Afrikana Independent Film Festival.

Situated artistic and curatorial practices 14.30 — 16.30 h Natasa Petresin - Bachelez (independent curator and critic based in Paris, chief editor of the journal Manifesta Journal — Around Curatorial Practices), Huang Xiaopeng (artist based in Guangzhou, founder and director of Huang Bian Station), Fang Lu (artist based in Beijing and founding member of Video Buro) Moderated by Bilcuratorial practices 14.30 — 16.30 h Natasa Petresin - Bachelez (independent curator and critic based in Paris, chief editor of the journal Manifesta Journal — Around Curatorial Practices), Huang Xiaopeng (artist based in Guangzhou, founder and director of Huang Bian Station), Fang Lu (artist based in Beijing and founding member of Video Buro) Moderated by BilCuratorial Practices), Huang Xiaopeng (artist based in Guangzhou, founder and director of Huang Bian Station), Fang Lu (artist based in Beijing and founding member of Video Buro) Moderated by Biljana Ciric

Jessica Cochran is an independent curator and educator, interested in emerging art, social practice at the intersection of craft, artists» books, and the history and theory of curatorial practice and the art market.

Ian Alden Russell in an independent curator and Assistant Professor of Contemporary Art, Curatorial Practice and Cultural Heritage at Koç University, Istanbul.1 Articles

An independent curator currently based in Beirut, Amanda has focused her curatorial projects on socially engaged practices and exhibitions that critically address modes of production and exhibition in the art world today.

Myers earned her Master of Fine Arts in Criticism and Curatorial Practice at OCAD University and continues her research as an independent curator.

ICI's Alaina Claire Feldman met in New York with 2016 Independent Vision awardee Miguel A. Lopez to discuss his curatorial practice.

This program, co-produced with the Mohile Parikh Center in Mumbai, examined an evolving definition of contemporary curatorial practice, shaped by institutional professionals, independent curators, and artists.

Additionally, between LACE and her appointment at the Armory Center, Tsatsos established an independent curatorial and writing practice that includes collaborations with individual artists and renowned institutions.

(New York, USA) Simultaneously an art fair, an exhibition, and a curatorial platform, Independent Projects will explore a dialogue between historical, established, and emerging practices while also embracing more maverick positions including folk and outsider art.

Early this Fall, Independent Curators International (ICI) was in residence at the South London Gallery (SLG) which created an open forum for reflection on current curatorial practices by inviting curators from its network to collaborate on research into what it means to be working internationally today.

Education: Doctor of Philosophy (Ph.D) Art History, 2017 Complutense University of Madrid (Madrid, Spain); International Curator Course (Summer 2012) Gwangju Biennale Foundation (Gwangju, South Korea); Contemporary Curatorial Practice (Summer 2012) ICI - Independent Curators International (New York, USA).

Working with independent curators diversifies our approaches to curatorial practice and is a wonderful hands - on learning experience.

He has also been teaching curatorial practices in different postgraduates and MA programs, as in Honours in Curatorship of Michaelis University of Cape Town or the Independent Studies Program of MACBA in Barcelona, and now being the annual tutor professor of École du Magasin in Grenoble.

María del Carmen Carrión is an independent curator and art critic, who received an MA from the Curatorial Practice Program at California College of the Arts, in San Francisco, and taught at Universidad Católica in Quito.

Featuring a series of individual initiatives between the curators and twenty international artists, «The Dictionary of Received Ideas» celebrates the independent and diverse practices of the Goldsmiths Curating Programme and has abandoned an overarching thematic agenda to encourage an array of curatorial approaches and ideas.

A discussion with Alessio Antoniolli (Director of Gasworks), Tanya Barson (Curator of International Art at Tate Modern) & Kiki Mazzucchelli (independent curator and writer) focuses on how Latin American art is represented through art institutional and curatorial practices, addressing the possibilities and limitations of international visibility.

The new combined facility of the Govett - Brewster and Len Lye Centre will offer a unique and independent curatorial voice given its dual focus on both contemporary international art practice, and the Len Lye Collection and Archive as a significant Modernist single - artist collection.

Developed by Independent Curators International (ICI) in collaboration with the Bag Factory Artists» Studios, the Curatorial Intensive: Contemporary Curatorial Practice will examine the pragmatics of organizing exhibitions, while addressing the specificities of curating in the African context.

«Independent Curators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience deCuratorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience decuratorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience development.

Proposal for a Floor As part of its commitment to support innovative curatorial practice, the Zabludowicz Collection has invited independent curator Alex Gartenfeld to produce a new exhibition for this unique architectural space.

Amanda Abi Khalil: Independent curator & Founder of Temporary Art Platform Based in Beirut, Amanda Abi Khalil focuses her curatorial projects on socially engaged practices, public spaces and the contextual ways of making art and curating in Lebanon.

Moukhtar Kocache is an independent consultant with experise in philanthropy, cultural and civil society development and curatorial practice.

Co-founders Audra Lambert, Kimi Kitada, and Adam Zucker are independent curators based in New York, and their respective curatorial practices similarly highlight the potential of art as a means to instigate social change.

The Next 25 Years: Propositions for the Future of Curatorial Education has been organized by the CCA Graduate Program in Curatorial Practice, in partnership with the Banff International Curatorial Institute; Dun Laoghaire Institute of Art, Design & Technology; École du Magasin, Grenoble; Independent Curators International, New York; and the Royal College of Art, London.

Prior to developing his curatorial practice, Wimberly was the founder and CEO of the pioneering Marketing and Public Relations agency, August Bishop; Director of Communications for The Museum for African Art, NY, and most recently, Director of Strategic Planning at Independent Curators International, NY.