Sentences with phrase «independent studio time»

The program will include a substantial amount of independent studio time for participants to delve into their practice, as well as a combination of professional development opportunities, studio visits and tours to get a sense of the artistic and cultural of community at the Joan Mitchell Center and the city of New Orleans.

BEIJING - March 9, 2017 - Independent studio Time of Virtual Reality (TVR) has announced it will bring the virtual reality game Ancient Amuletor to PlayStation ® VR * this summer.

This summer, join a group of passionate, creative, and excited students in classes, ensembles, and independent studio time.

Not exact matches

Every year around this time it seems fitting to give thanks to horror - movie fans, whose willingness to support their genre of choice by actually laying cash on the line is substantially responsible for keeping a lot of studio library divisions and independent video companies in operation.

Los Angeles / November 28, 2016 — The International Press Academy (IPA) announces its nominations for the 21st Annual Satellite ™ Awards and for the first time the IPA is awarding a separate independent film and major studio film as Best Picture.

I suppose it's ironic that a film that a a series of films that explores the values of small - time business owners and independent thinking is just a package by major studio to cash in by trying to establish its own franchise.

The Best Picture winner of that year — one that heralded for many the ascendance of the «indie» and predicted, if one were cynical enough to predict such a gloriously retarded thing at the time, the major studios scampering to erect boutique «major - minis» and hence create their very own independent movies — was of course Sam Mendes's grimoire of suburban gothic archetypes, American Beauty.

You can see Gyllenhaal make a career U-turn after «Prince of Persia: The Sands of Time,» working with young directors on independent projects or challenging studio films - «Source Code,» «Enemy,» «Prisoners,» and David Ayer's «End of Watch.»

Elite's transfer is very nice, and along with deleted scenes and trailers, the commentary track (which includes two of the film's lead actors) also provides a rather vivid portrait of the horror genre at the time, which, for many burgeoning filmmakers, was the only way to enter the film business before the larger studios devoured the remaining independents.

Rather than a production of a major studio, Dark Odyssey was part of the innovative independent film scene of the time.

Not surprisingly, The Player would also be one of his more independent productions, though its studio Fine Line / New Line would eventually be swallowed up by Turner / Time Warner not long after the film's release.

An in - demand destination for film lovers, drawn by unmatched locale and a diverse program of mainstream studio features and new visions from independent voices from around the world, MVFF also hosts an exciting array of filmmaker and industry conversations, panels, parties, and live music performances, featuring the most acclaimed emerging and veteran actors, filmmakers, and musicians of our time.

At a time when so many studio films are the rave of the box office, it's the independent films that need to be supported by audiences.

In the end, this race seems to always get back to Spotlight being the winner, even with the things about it that make it seem like it might not: 1) being released from an independent studio, which would be only the 4th time in 88 years of Oscar history.

Wechsler's other producing credits are a distinctive and award - winning mix of independent and studio films including «The Road,» a Venice Film Festival Golden Lion selection; «The Time Traveler's Wife,» «We Own the Night,» a Cannes Film Festival Palme d'Or selection; «The Fountain,» a Venice Film Festival Golden Lion selection; «North Country,» for which Charlize Theron and Frances McDormand earned Oscar and Golden Globe Award nominations; «Requiem for a Dream,» which earned an Independent Spirit Award Best Picture nomination and an Oscar nomination for star Ellen Burstyn; «The Yards,» a Cannes Film Festival Palme d'Or selection; «Quills» a Best Picture winner from the National Board of Review; «Eve's Bayou,» an Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of Fiindependent and studio films including «The Road,» a Venice Film Festival Golden Lion selection; «The Time Traveler's Wife,» «We Own the Night,» a Cannes Film Festival Palme d'Or selection; «The Fountain,» a Venice Film Festival Golden Lion selection; «North Country,» for which Charlize Theron and Frances McDormand earned Oscar and Golden Globe Award nominations; «Requiem for a Dream,» which earned an Independent Spirit Award Best Picture nomination and an Oscar nomination for star Ellen Burstyn; «The Yards,» a Cannes Film Festival Palme d'Or selection; «Quills» a Best Picture winner from the National Board of Review; «Eve's Bayou,» an Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of FiIndependent Spirit Award Best Picture nomination and an Oscar nomination for star Ellen Burstyn; «The Yards,» a Cannes Film Festival Palme d'Or selection; «Quills» a Best Picture winner from the National Board of Review; «Eve's Bayou,» an Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of FiIndependent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of Film Critics.

For the first time in the industry's history, high - end tools are being offered to both AAA studios and independent teams alike.

«Microsoft has been an incredible partner since day one and we've always kept a background dialog open with them about the idea of returning to an independent studio model if the timing made sense for us,» said Josh Bear, Twisted Pixel co-founder and creative director.

Other independent developers, including my own studio, donated parts or all of their revenue to the ACLU for a specific amount of time, raising tens of thousands of dollars in the process.

It's not the Myst heyday - money has come and gone, but we've managed to stay alive as a small, independent studio through times when indie studios were falling by the wayside.

Tough Guy Studios, an independent micro studio and creator of the critically acclaimed and off the wall mobile cult hit, Time Ducks, has secured funding for its next visionary title.

This is a part - time role, perfect for students or hobbyist developers looking to learn more about the development processes and practices of a leading independent studio.

«Last Day of June» by 505 Games and Italian, independent studio Ovosonico is a puzzle game that had me uncomfortably contemplating my life for quite some time after completion when I played it back on PS4 in 2017, and still contemplating after a run through on the Nintendo Switch.

From independent studio Pathea Games and published by Team 17, My Time At Portia has recently released via Steam Early Access, and we've set sail to Portia to [Continue Reading]

From independent studio Pathea Games and published by Team 17, My Time At Portia has recently released via Steam Early Access, and we've set sail to Portia to see what it's all about.

I started in the industry as a game designer and producer for Quantic Dream and independent French studios, then spent a long time in China where I was producer on AAA games for Ubisoft.

The purpose of Steam Greenlight was to enable independent developers, small time studios, and non-published individuals to submit their games through the Greenlight backend and then the Steam community would be allowed to vote on the game and determine if it was worth seeing it through to the official Steam storefront.

While the intriguing mental health story basis grabbed my interest, the feature that kept the game in the back of my mind all this time was the label «AAA quality from an independent studio».

We would like to continue doing this as an independent company that funds our own properties and retains ownership of our IPs, to the end that over time our back catalogue continues to generate money for the studio until most of the team leaves and I begin work on the videogame equivalent of Chinese Democracy.

You're the head of an independent studio, your publisher just asked you to change everything, and you're quickly running out of time and money.

PS Plus is like an Independent film studio, you will get some Tarantino, but most of the time you get someTommy Wiseau.

Solomon Lee, Mat Milizia, and Jeremy Wood - the three founding members of fledgling independent games studio Frostkeep Studios - met during their time at mega-developer Blizzard Entertainment some 15 years...

Independent Montreal game studio Spearhead Games and game publisher 505 Games have announced a partnership to digitally release co-op puzzler Tiny Brains on the PlayStation ® 4, timed to the platform's North American launch this November 15.

Ancestors Legacy is a complex real - time strategy game developed by the Polish independent studio Destructive Creations.

Cinemax, an independent studio with more than 40 titles published so far, today officially announced The Keep, an old - school dungeon first person crawler with real - time -LSB-...]

Cinemax, an independent studio with more than 40 titles published so far, today officially announced The Keep, an old - school dungeon first person crawler with real - time combat for the Nintendo 3DS hand - held system.

Perhaps a small independent developer with a crowdfunded MMO and a realistic expectation of development time, costs and eventual revenue might come up with the next great subscription MMO, but I can't see any of the big studios doing it.

Yoshida mentioned that Gary had been helping out with Sony Santa Monica's independent studios on the development of Journey and Unfinished Swan at the time.

For students enrolled in the full - time programs, the School offers the opportunity to combine historical practice with independent, creative thought, and benefit from the studio - based method while having the time and space to explore their own individual creative efforts.

November 3 Maya Hayuk, a first - generation Ukrainian - American muralist, painter, photographer, printmaker, musician and Barnstormer, maintains a full time, independent studio practice in Brooklyn.

Will Hutnick: During my senior year at PC in a painting course I had a small studio all to myself to paint and work in, and that independent time and research really helped to shape my practice.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Roslyn Sulcas, «Talk of the Turner Prize, Where, for One Thing, Talk Is Art», The New York Times, November 29 Karen Wright, «In the studio: Lynette Yiadom - Boakye», The Independent, November 8 Laura Cumming, «Turner prize 2013 — review», The Observer, October 27 Marcus Field, «The art market may be obscene — but should we be so angry?»

His solo exhibitions, collaborations and residencies include: Independent studio in Kreutzberg, Berlin, Germany and Mexico City (1999); Artist residency, La Panaderia, Mexico City (2000); The Harlem Collage Shop Studio in Harlem, New York, USA; Solo exhibition «Harlem Collage Shop» (2008), Galeria Marlborough, Madrid, Spain; «Media Violence» (2008), Marlborough Chelsea, NYC; «Collage Geomancy», Marlborough Chelsea, (2009); «Target Billboards to ToteBags» with designer Anna Sui and Mother Ad Agency, Times Square, NYC, USA (2009); Ace hotel Lobby Graffiti Sticker permanent Installation, W29th St & Broadway, New York (2009); Independent Studio, The Athens Collage Shop, Kalamida 7, Psyirri, Athens, Greece (2011); Dos Equis «Most Interesting Artist in the World,» exhibitions and parties in Los Angeles, San Antonio, San Diego and NYC (2012); Winner, Red Bull Canvas Cooler NYC Competition, Brooklyn, New York (2013); Permanent graffiti sticker installation, Weiden + Kennedy, New York.

Who Can Apply: Eligibility is limited to studio artists, artist teams, and independent curators who reside in King County, WA and are not represented by a commercial gallery at the time of application.

awards research enabling grant $ 7500.00, university of north texas, 2010 junior faculty fellowship $ 5000.00, university of north texas, 2010 purchase award, 1st national bank, columbia, mo 2008 fellowship, vermont studio artist colony, vt 2000 jessie rickly award, st. louis artist guild, st. louis, mo 1996 graduate fellowship, university of washington, seattle, wa 1990 national fine art award, binney and smith, usa 1988 bibliography • light and depth at bruno david by ivy cooper, special to the beacon november 11, 2008 • laura beard, catalog, bruno david gallery, essay by charles schwall, november 2008 • fresh paint, fresh faces, inaugural columbia invitational, courtesy of jason pollen by ladan nikravan vox magazine, october 9, 2008 • comments and reviews of visual art, st. louis: open studios tour by rob miller 2008 • perception / abstraction, laura beard aeling and gary passanise, by megan peters, the review, 2007 • varied show of bold abstracts revels in the joy of paint by teresa callahan, west end word, october 2004 • contemporary moves by sydney norton, west end word, october 2004 • laura beard aeling - winterkill at the st. louis ethical society by jeff daniels, art critic of the st. louis post dispatch, february 23, 2003 • something for everyone, by kate hackmen, kansas city star, june 29, 2001 «fresh raises expectations for the new», by caprice stapley of the review, july 2001, vol 3, # 9 • abstraction for the sensory overload by ben shockey, the review, 2001 • driven to abstraction by robin trafton, kansas city star, march 30, 2001 • landscape go in all directions by jeff daniels, art critic of the st. louis post dispatch, july 9, 2000 • this just in... painting still alive by jeff daniels, art critic of the st. louis post dispatch, summer 2000 • excavations: new paintings by laura beard aeling by jeff daniels, art critic of the st. louis post dispatch, mar. 19, 2000 • new american paintings volume 23, 1999 (national distribution) •: surreptitions by jeff daniels, art critic for st. louis post dispatch, april 1998 • extirpate by jeff daniels, art critic of st. louis post dispatch, december 17, 1997 • extirpate by eddie silva, art critic of the river front times, december 1997 • route 66 brings real art to life by Stephen weeks, the independent, september, 22, 1992 • artist converge for route 66 revisited exhibit by stephen weeks, the independent, gallup, nm, september 18, 1992 • route 66 art show a must see at red mesa by gaye brown, the gallup gazette, 1992 • primarily paint at the laguna gloria art museum laguna gloria art museum, 1990

Independent Projects: Studio Intensive in Oaxaca, Mexico May 17 — 31 Tuition: $ 2,900 Learn about and appreciate ancient civilizations, Spanish colonial art and architecture, vibrant cultural traditions and a lively contemporary arts scene, all while producing your own unique project during concentrated studio time.