James Turrell is one of three concurrent,
independently curated exhibitions of the artist's work taking place this summer in the USA.
She has
independently curated exhibitions including The Marfa Sessions at Ballroom Marfa, Texas; Substitute Teacher at Atlanta Contemporary Art Center, Georgia; and An Exchange with Sol LeWitt at Cabinet, Brooklyn, New York.
From 2008 - 12, Baran served as the Assistant Director of White Flag Projects, and has
independently curated exhibitions on the work of Thomas Lanigan - Schmidt, Robert Gober, and Kerry James Marshall at various regional institutions.
Zuckerman Jacobson has lectured extensively on contemporary art,
independently curated exhibitions internationally, and served in numerous advisory capacities at The Louis Comfort Tiffany Foundation, The MacArthur Foundation, The Joan Mitchell Foundation, Creative Capital, and The Art Council, among others.
He has
independently curated exhibitions as well, including: Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 68 (with John Corbett and Terri Kapsalis); Interstellar Low Ways (with Huey Copeland); Can Bigfoot Get You a Beer?
She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous
independently curated exhibitions.
Outside of her work for museums and biennials, Edwards has
independently curated exhibitions at galleries, most notably «Blackness in Abstraction,» an expansive survey of the color black in non-figurative work, for New York's Pace Gallery in 2016.
Currently, Susan works with the Harpo Foundation and
independently curating exhibitions and developing creative projects.
Jointly produced by the Asian American Women Artists Association and the Asian Pacific Islander Cultural Center, the juried show was organized by Linda Inson Choy, who worked as a Curatorial Assistant at the Asian Art Museum, San Francisco, form 1996 to 2004, and has since gone one to
independently curate exhibitions at Mills College and Incheon Art Platform, Incheon, Korea, as well as organizing panels at the College Art Association Conference for the past four years.
Not exact matches
Independently, she has
curated exhibitions and performances at Back Yard Projects in Manhattan, co-founded the small - edition artist book press Great Point Books, and has contributed texts to Kitsune Journal, Top Magazine and Triple Canopy Annotations.
As a founding member of the artists collective TABOO he helped
curate 13
exhibitions and has
independently curated over 10 other.
In addition to this, Jarvis has
independently curated and consulted on many fine art
exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling
exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).
Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she
curated film, performance and
exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group
exhibitions Last Seen Entering the Biltmore (2014) and
independently Duh — Art and Stupidity (co-
curated with Paul Clinton) at Focal Point Gallery (2015).
Independently, Palmer has
curated exhibitions including Lucas Samaras Pastels, at Craig F. Starr Gallery, New York (2013), and co-
curated Decenter: An
Exhibition on the Centenary of the 1913 Armory Show, with Andrianna Campbell at Henry Street Settlement's Abrons Arts Center (2013), among others.
Exhibitors are given latitude in the content and arrangement of their work and are expected to work
independently to
curate, promote and install their
exhibition professionally.
The biennial can be broken down into three essential parts: the Fotofocus
Curated Exhibitions (eight exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of the Bie
Curated Exhibitions (eight exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of the
Exhibitions (eight
exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of the
exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (exhibitions that are curated independently of FotoFocus, but support the theme and mission of the Bie
curated by FotoFocus Artistic Director and Curator Kevin Moore), the Biennial Program (four days of events and programs pertaining to the biennial and its theme), and Participating Venues (
exhibitions that are curated independently of FotoFocus, but support the theme and mission of the
exhibitions that are
curated independently of FotoFocus, but support the theme and mission of the Bie
curated independently of FotoFocus, but support the theme and mission of the Biennial).
Touati also
independently curated gallery
exhibitions such as» ¿ Cómo te voy a olvidar?»
Dorsky Gallery Curatorial Programs is a 501 (c)(3) not - for - profit organization that presents
independently -
curated exhibitions of contemporary art.
It is the first permanent, public
exhibition venue for the 29 - year old, who has been
curating exhibitions independently in both renowned and less formal environments since his teens.
He has
independently curated many
exhibitions, including: Interstellar Low Ways (with Huey Copeland); A Unicorn Basking in the Light of Three Glowing Suns (with Philip von Zweck); and Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 68 (with John Corbett and Terri Kapsalis).
Our programs of
independently -
curated exhibitions, publications, curator's and artist's talks, panel discussions, and art donations seek to illuminate and deepen the public's understanding and appreciation of contemporary art as well as to foster a dialogue about contemporary art.
Curated by Bartomeu Marí, the
exhibition features four generations of artists who question in their work the range of possibilities between desire — that which we wish for,
independently of whether it is good or just a fact of life — and that which is necessary, without which we can not exist and which can not be any other way.
D O R S K Y G A L L E R Y Curatorial Programs (DGCP) is a 501 (c)(3) not - for - profit organization that presents
independently -
curated exhibitions of contemporary art.
She received a BFA from Rutgers University, and has
curated many
exhibitions for En Foco and
independently.
This year, BOS is featuring an impressive number of
curated and
independently produced
exhibitions on top of the usual range of open studio tours, gallery
exhibitions and special performance events.
Shows will be
curated independently of work at other Gagosian outposts and will not correspond to
exhibitions at SFMOMA.
Under the title «Imagined Borders,» the biennale will showcase the works of 153 artists from 41 countries, spread across a series of seven
independently curated thematic
exhibitions.