Sentences with phrase «indeterminate shapes»

By 1947 Rothko had eliminated all elements of surrealism or mythic imagery from his works, and nonobjective compositions of indeterminate shapes emerged.

By the late 1940s, Rothko had virtually eliminated all elements of surrealism or mythic imagery from his works, and nonobjective compositions of indeterminate shapes emerged.

Often arranged on the floor, spreading around corners in indeterminate shapes, Apfelbaum's forms comprise intricate, nearly psychedelic layers of dyed fabric, as if myriad smaller paintings had sprung from a cental cluster of colorful shapes.

Sometime in 1940 Rothko makes his last figurative painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of color - Multiforms as they were called by others - which were greatly influenced by Milton Avery's style of painting.

Not exact matches

In the deepest sense, faith is the affirmation of what will be rather than the attempt to shape an indeterminate future.

The strange shapes of the inkblots or the indeterminate figures in the drawings present themselves to us in terms of definite meanings, which we unconsciously project on them.

Why does an alien fern capable of shape - shifting and possessing humans need to resort to shit weasels (Alien) and evil fungi (Creepshow) of indeterminate intent?

The disconnect between the film's liberated shooting and editing style and the social entrapment actually experienced by its characters gives The Florida Project its indeterminate emotional tenor and ungainly shape.

The space, shapes, and lines from the artist's original drawings are lost and the indeterminate blur that he produces becomes the paintings» dominant aesthetic form.

Big minimal geometric drawings on shaped pages where the line follows folds of the paper, such as «Conservation Class # 5» (1973), keep company with a squared - up Tintoretto of a man falling backward in an open, indeterminate space — the sky, perhaps.

Turning from the hard edges of his representational and geometric abstraction, Demarchelier uses curvilinear paint strokes in bold colors to show indeterminate puzzle pieces of reactive shapes moving in the dynamism of shifting systems, a technique that points to the role emotion plays in determining perception.