Pronoun had attracted
indie writers and publishers through its offer of «100 % royalties» (net of the retailer's commission) but that business model proved to be unsustainable and Macmillan pulled the plug after taking over the firm just last year.
This past month I've been blogging about a few different topics, mainly of concern to
indie writers and publishers rather than fans of my books.
There's nothing to stop
indie writers and publishers publishing literary fiction in the Kindle Store.
I like reading about
indie writers and publishers.
If they don't accept your work into the Kindle Singles, at least it will be listed in their Kindle Store, so that is a consolation for
indie writers and publishers.
Indie writers and publishers work hard to collect reviews, but is it all worth it?
Excellent post, Rebecca — thank you for speaking out on behalf of
indie writers and publishers.
Not exact matches
Pennsylvania About Blog All
Indie Writers is a resource and community for freelance writers, indie publishers, and independent bloggers looking to build a successful writing ca
Indie Writers is a resource and community for freelance writers, indie publishers, and independent bloggers looking to build a successful writing
Writers is a resource
and community for freelance
writers, indie publishers, and independent bloggers looking to build a successful writing
writers,
indie publishers, and independent bloggers looking to build a successful writing ca
indie publishers,
and independent bloggers looking to build a successful writing career.
The National
Indie Excellence ® Book Awards is judged by independent experts from all aspects of the indie book industry, including publishers, writers, editors, book cover designers and professional copywri
Indie Excellence ® Book Awards is judged by independent experts from all aspects of the
indie book industry, including publishers, writers, editors, book cover designers and professional copywri
indie book industry, including
publishers,
writers, editors, book cover designers
and professional copywriters.
We
indie writers are trying to sell to people who also read print books,
and Big
Publisher books,
and we need to look as good as those do.
The
indie writers who are now wanting to go with a traditional
publisher because — duh — they will get this huge advance
and will be sent on tours to sign their books
and will soon be playing poker with other best selling authors ala Castle.
According to founder Mark Coker, more than 11,000
writers and indie publishers already are producing
and distributing their books through Smashwords.
A lot of
writers I know are hybrid
writers, going both ways, which is also proving dangerous for traditional
publishers, since a
writer doing that has clear, clear, scary - clear comparisons between a book going traditional
and a book going
indie.
Joan is a former
indie publisher who makes her living now as a freelance
writer, editor
and book consultant while she continues to work on her own writing projects.
And most
indie publishers are not seasoned veterans of publishing, but new
writers coming in.
I like (
and will continue to use) the term «
indie publisher» or «
indie writer» to talk about
writers striking out on their own into the publishing world
and starting their own presses.
But in those rejections, there's hope for the
indie writer — if you can develop your own platform
and show that you've sold a few thousand copies of your self - published book, it's very likely that you will catch an agent or
publisher's attention.
The Author Earnings Reports shine a light on what is really happening
and that light is amazing for us
indie writers and scary as hell to traditional
publishers.
Traditional
publishers claim better copyediting, but that's just a laugh
and indie writers find great copyeditors.
Numerous sites like IndiesUnlimited.com have sprung up to review
indie books,
and Independent
Publisher's IPPY Awards (among others) recognize the works of
indie writers.
And that's why
indie writers are making more money in the field than major
publishers, because not only are they offering more books that hit more specific tastes, but Internet - savvy
writers also charge far less.
And unless you are a bestseller, or an indie - published writer and the publishers are coming to you, you won't get any of these ter
And unless you are a bestseller, or an
indie - published
writer and the publishers are coming to you, you won't get any of these ter
and the
publishers are coming to you, you won't get any of these terms.
As traditional
publishers grab for more rights
and become even more difficult to work with, more
and more
writers are moving to
indie publishing.
As traditional
publishers grab for more rights
and become even more difficult to work with as they fight to stay alive, more
and more
writers are moving to
indie publishing.
And indie writers buy right into it without question, the same
writers who fight against all the crap that traditional
publishers toss out.
The most successful
Indie writers experience one day the thrill of a call from a big
publisher (or a movie producer)
and suddenly the
Indie writer is no more.
I have read articles by several
Indie writers who contend that getting a traditional
publisher contract is more likely if you already have published work product
and a following of readers.
And the biggest myth to hit indie writers (because traditional publishers repeat this over and over) is that indie writers can't get their books into bookstor
And the biggest myth to hit
indie writers (because traditional
publishers repeat this over
and over) is that indie writers can't get their books into bookstor
and over) is that
indie writers can't get their books into bookstores.
As soon as
indie writers get their collective heads out of the imaginary castle they are defending
and start realizing that ALL DISTRIBUTION CHANNELS that a traditional
publisher uses for paper books is open to them now, without problem, the
indie writer can make a ton more money
and sell far, far more books.
The
publishers need to catch up, but they've already missed the boat —
indie writers publishing their own work —
and need to catch up.
Specific, in - depth nuts -
and - bolts guides include The Unofficial Scrivener Workbook by M.J. Carlson, Excel for
Writers by M. L. Humphrey (walks through how to create spreadsheets that track time spent writing, page production, year - to - year metrics,
and keep track of your works), Excel for Self -
Publishers by M. L. Humphrey (amazingly useful for
indie authors, how to track ads
and effectiveness, revenue by sales channel, keywords, amazon reports,
and more),
and The Author's Guide to Vellum by Chuck Heintzelman (an incredible new app for producing print
and eBooks; I'm a total convert myself).
How can
indie writers and self -
publishers use a blog to build an author platform?
So, nope,
Indie Author has nothing to do with shoddy or slush - pile publishing,
and Indie Publisher not necessarily is a
writer (or an author) at all.
This myth is logical because of how
indie publishing came about with the ebook revolution
and then slowly
indie publishers (
writers) started understanding that with a little extra work, they could do a paper book.
This presentation will be useful for
indie publishers, author
publishers, marketers,
and writers of fiction or non-fiction titles.
And I'm avoiding like hell these kinds of traditional vs. indie wars in which horrible things are said about writers AND publishe
And I'm avoiding like hell these kinds of traditional vs.
indie wars in which horrible things are said about
writers AND publishe
AND publishers.
A former
indie publisher (she was the founder / president of GreyCore Press), she makes her living as a freelance
writer, editor
and book consultant while she continues to work on her own writing projects.
Additionally, he is speaking
and / or covering many events this year including: PubSense Summit, Charleston; IfBookThen, Milan, Italy;
Indie Recon; Klopotek's
Publishers Forum, Berlin; the Muse
and the Marketplace, Boston; HOW Live Design, Chicago;
and Writer's Digest's Annual Conference in New York City.
When you
indie publish (put up work yourself), you get the
writer share
and the
publisher share.
That price range tends to be $ 2.99 to $ 9.99 for genre fiction novels, with the
indie writers being on the $ 2.99 side (some at 99 cents still)
and the traditional
publishers being on the $ 9.99 side of the scale (some at $ 15.99 still).
This belief system that CreateSpace or LighteningSource or Lulu are the only way to print or distribute often forces
writers and indie publishers into bad decisions.
For some strange reason, smart
writer after smart
writer seems intent on wanting
and fighting to give away ownership percentages in their work, both with agents, with traditional
publishers, with small presses,
and with
indie publishing «helpers.»
And then a few established writers such as Michael Stackpole and J.A. Konrath started talking to other writers about the money that can be made as an indie publisher, and the control it gives write
And then a few established
writers such as Michael Stackpole
and J.A. Konrath started talking to other writers about the money that can be made as an indie publisher, and the control it gives write
and J.A. Konrath started talking to other
writers about the money that can be made as an
indie publisher,
and the control it gives write
and the control it gives
writers.
In the days before
indie publishing, some
writers seemed like indentured servants, bound by contract to corporate
publishers and tyrannical agents.
Last week I ran the Ultimate Social Media Resource list
and this week I'm going to share all the resources I have gathered over the last few years for
writers,
indie authors
and self -
publishers.
New startups are seeking to address these questions with new software
and they intend on opening it up to
writers,
indie authors
and publishers.
But the longer that direct submission system forces the really unwashed new
writers to agents who are failing, the more editors
and publishers will look into the
indie published books for possible purchases.
And that was before the indie publishing revolution of the last four years that opened up roads for writers to even get around the games of the submission process in New York and have publishers come to y
And that was before the
indie publishing revolution of the last four years that opened up roads for
writers to even get around the games of the submission process in New York
and have publishers come to y
and have
publishers come to you.
Huge number of myths around
indie publishing
and going to a traditional
publisher, so many that most
writers won't think of
indie publishing, will just knee - jerk right into the old agent / editor /
publisher system without one thought of going another way.
They are usually members of some type of
writer's /
publisher's association or what not
and are labled as an
Indie Author.