This panel brings together four artists in the exhibition to speak about
their individual aesthetic approaches to the political urgencies of our present moment.
Not exact matches
Bringing together select works made between 1997 and 2012, the exhibition will feature many never before exhibited works and provide a rare opportunity to explore Zheng's highly
individual aesthetic and vast array of
approaches.
The first writers to acquire an
individual reputation as art critics in 18th - century France were Jean - Baptiste Dubos with his Réflexions critiques sur la poésie et sur la peinture (1718)[17] which garnered the acclaim of Voltaire for the sagacity of his
approach to
aesthetic theory; [18] and Étienne La Font de Saint - Yenne with Reflexions sur quelques causes de l'état présent de la peinture en France who wrote about the Salon of 1746, [19] commenting on the socioeconomic framework of the production of the then popular Baroque art style, [20] which led to a perception of anti-monarchist sentiments in the text.
A renunciation of
individual expression is characteristic of all the selected artists, but the
aesthetic of a critical
approach can not be overlooked in the wake of the politicized Context Art of the 1990s.