Sentences with phrase «individual authorship»
"Individual authorship" refers to an idea or creation that is solely produced by one person. It means that someone has produced a work, such as a book, painting, or piece of music, without any collaboration or assistance from others. In other words, it is the result of one person's efforts and creativity. Full definition
In this gesture Schneemann refuses the notion of individual authorship years before Roland Barthes would address similar concerns in his 1967 essay «The Death of the Author.»
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They have been producing work together since 1997, combining influences and merging traditional practices such as sculpture, painting, film and photography to create and support connections and to question the role of individual authorship in art.
The remark «Today is their creator» could thus be read as an altogether different statement of faith, one centered on abdication of the concept of individual authorship.5
Essays by Sam Pulitzer and Quinn Latimer discuss individual authorship and joint techniques, while Jack Bankowsky's text examines Guyton \ Walker within a broad art - historical context.
Since the collective's inception, Tim Rollins and K.O.S. have challenged the notion of individual authorship by working within a more collaborative structure that prioritizes social engagement and education.
They chose to present themselves as Los Carpinteros in 1994, because they wanted to renounce the notion of individual authorship and refer to an older guild tradition of artisans.
The energy in these works radiate not from the center seam, but rather from the typography itself, a trope that in each case references the artist, his name, his individual authorship, and his concrete identification in the art market.
Artist duos are challenging the concept of individual authorship.
In some ways, it was an idea derived from the writings of French philosopher Roland Barthes, who theorized that individual authorship was dead, and that society's ideas gave things their meaning.
One Grantchester Pottery ceramic can be designed, produced and shaped by many different hands, removing any sense of individual authorship.
Ewald's work radically alters conventional definitions of individual authorship.
Often playing on the double - identity of art dealer and artist, Spaulings» work undermines professional divisions of labor and disciplinary hierarchies, while interrogating accepted notions of individual authorship and agency.
One such formality — although it is frequently bent to the whims of appropriation artists — is individual authorship, which is inherently antithetical to memetic production.
[1] In 1994 they decided «to renounce the notion of individual authorship and refer back to an older guild tradition of artisans and skilled laborers» [2] in an attempt to emphasize their belief that art always, to some extent, involves collaboration.
An instance of such re-examination will be enacted in Christian Falsnaes» performance at the opening on September 7th, when the artist will become the brush, while the audience will act out the role of the artist, thereby questioning the principle of individual authorship.