Sentences with phrase «individual curator and an artist»

Some exhibitions are developed between an individual curator and an artist or artists; others involve the whole curatorial team.

Not exact matches

The fund does not award grants to individual artists but to art venues and curators featuring works by Turkish artists in their exhibitions.
With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.
All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share
Other curators write briefly about individual artists — Mavis Pusey, Maren Hassinger, Chakaia Booker, Lilian Thomas Burwell and Sylvia Snowden.
Nominators and jurors included visual artists, curators, and individuals from arts organizations and the academic community.
Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
The awards «honor the outstanding achievements and accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large,» and will be presented Feb. 15 at CAA's annual conference in New York City.
Curated Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.
She has been a participant in Ecole du Magain's International Curatorial Program and an editor of the «Harald Seemann Individual Methodology» project; resident artist of the Hyde Park Art Center's Center Program; Resident Artist at ACRE; Artist - In - Residence at Nichols Tower Homan Square; Sponsored Artist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar Inteartist of the Hyde Park Art Center's Center Program; Resident Artist at ACRE; Artist - In - Residence at Nichols Tower Homan Square; Sponsored Artist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar InteArtist at ACRE; Artist - In - Residence at Nichols Tower Homan Square; Sponsored Artist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar InteArtist - In - Residence at Nichols Tower Homan Square; Sponsored Artist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar InteArtist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar Intensive.
In 2013, applications will be accepted from individual artists, curators and non-profit arts organizations working in visual and media arts.
The curriculum centers around individual and group critiques with the head of the department, visiting artists, curators, and critics.
Curators, artists, writers, and creative individuals, regardless of experience level, art world involvement, and location, are invited to submit ideas online.
The Chinatown space, run by artist and curator Peter Scott, does not look to give individual artists a bump in sellability.
As the director of S.I.A.R., Alicia Goodwin offers her experience as an artist, writer, curator, and world - traveler to visiting artists, as well as exposure to a wide network of other local, national, and international individuals and organizations integral to a successful artistic cultural exchange.
Drawing upon recent contemporary fiction, curators Tom Eccles and Amy Zion (both Bard College, New York) have invited writers, poets, and artists to investigate the psychological, linguistic, physical and social conditions that underpin the daily struggles of individual lives.
The artists» selection of artwork developed through many conversations with curator Gary Garrels, in which they discussed the issues of their work, their individual studio practices, their appraisal of art history, and the current status of contemporary art.
Nick Aikens, one of the prize's selectors and curator at Eindhoven's Van Abbemuseum, describes the range of chosen individuals as one which «shows the myriad, sophisticated ways artists are articulating and responding to some of the most pressing questions of our time.»
Vibrant photos of each artist's performance by renowned photographer Paula Court and texts contributed by a range of curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger historical trends.
Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.
The program's mission is to help artists advance their career in an environment that allows for expansive thinking and opportunities to engage with their co-residents in a group setting, as well as with influential artists, curators, and educators through individual studio visits.
The artists included in «Performance Archiving Performance» discuss the development of and future goals for their individual archiving projects with the curator.
Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies.
Artes Mundi 7: Following a critically acclaimed Artes Mundi 6, the Wales - based prize invites nominations from individuals working within the global arts community including curators, artists, writers, critics, gallerists and art historians.
«Among Friends» is another example of how curators these days are trying to shift their emphasis away from the mythology of individual genius by showing the artist's immersion in and dependence on his or her context.
KW Friends are part of a network of enthusiastic art lovers, curators, artists and individuals with an interest in the arts and thereby contribute actively to the culturally multifaceted life of Berlin.
The exhibition combines rare artifacts, gathered together for the first time, and is also the first time curators sought to identify individual artists» hands.
Jurors for the 2016 Individual Artist Fellowship Awards were Cybele Maylone, executive director of UrbanGlass, Brooklyn; artist and independent curator Anne Thompson; and Reto Thüring, curator of contemporary art at the Cleveland Museum oArtist Fellowship Awards were Cybele Maylone, executive director of UrbanGlass, Brooklyn; artist and independent curator Anne Thompson; and Reto Thüring, curator of contemporary art at the Cleveland Museum oartist and independent curator Anne Thompson; and Reto Thüring, curator of contemporary art at the Cleveland Museum of Art.
Elsewhere Location: Greensboro, NC Elsewhere is now accepting 2014 residency applications from artists, musicians, curators, scholars, writers, gardeners, and other creative individuals / groups.
Including 121 artists from 40 different countries as selected by 79 curators, critics and established artists, Vitamin Ph includes the following artists: Armando Andrade Tudela, Alexander Apostól, Miriam Bäckström, Yto Barrada, Erica Baum, Valérie Belin, Walead Beshty, Rut Blees Luxemburg, Luchezar Boyadjiev, Frank Breuer, Olaf Breuning, Gerard Byrne, Elinor Carucci, David Claerbout, Anne Collier, Phil Collins, Kelli Connell, Eduardo Consuegra, Sharon Core, Rochelle Costi, Gregory Crewdson, Nancy Davenport, Tim Davis, Tacita Dean, Olafur Eliasson, Hans Eijkelboom, JH Engström, Lalla Essaydi, Roe Ethridge, Peter Fraser, Yang Fudong, Anna Gaskell, Simryn Gill, Anthony Goicolea, Geert Goiris, David Goldblatt, Katy Grannan, AES+F group, The Atlas Group / Walid Raad, Mauricio Guillen, Jitka Hanzlová, Anne Hardy, Rachel Harrison, Jonathan Hernández, Sarah Hobbs, Emily Jacir, Valérie Jouve, Yeondoo Jung, Rinko Kawauchi, Annette Kelm, Idris Khan, Joachim Koester, Panos Kokkinias, Luisa Lambri, An - My Lê, Tim Lee, Nikki S Lee, Zoe Leonard, Armin Linke, Sharon Lockhart, Vera Lutter, Florian Maier - Aichen, Malerie Marder, Daniel Joseph Martinez, Gareth McConnell, Scott McFarland, Ryan McGinley, Trish Morrissey, Zwelethu Mthethwa, Zanele Muholi, Oliver Musovik, Kelly Nipper, Nils Norman, Catherine Opie, Esteban Pastorino Díaz, Paul Pfeiffer, Sarah Pickering, Peter Piller, Rosângela Rennó, Mauro Restiffe, Robin Rhode, Sophy Rickett, Noguchi Rika, Andrea Robbins / Max Becher, Ricarda Roggan, Anri Sala, Dean Sameshima, Alessandra Sanguinetti, Markus Schinwald, Gregor Schneider, Collier Schorr, Josef Schulz, Paul Shambroom, Ahlam Shibli, Yinka Shonibare, Efrat Shvily, Santiago Sierra, Paul Sietsema, Alex Slade, Sean Snyder, Alec Soth, Heidi Specker, Hannah Starkey, Simon Starling, John Stezaker, Clare Strand, Darren Sylvester, Guy Tillim, Nazif Topçuoglu, Danny Treacy, Fatimah Tuggar, Céline van Balen, Annika von Hausswolff, Bettina von Zwehl, Deborah Willis, Sharon Ya'ari, Catherine Yass, Shizuka Yokomizo, Amir Zaki, Liu Zheng, Tobias Zielony With and introduction by TJ Demos and individual texts about the artists by Rodrigo Alonso, Thomas Boutoux, Isolde Brielmaier, Stuart Comer, Dina Deitsch, TJ Demos, Frits Giertsberg, Mark Godfrey, Catherine Grant, Alison Green, Katerina Gregos, Rachel Haidu, Jens Hoffmann, Michael Ned Holte, Ana Finel Honigman, Vincent Honoré, Vasif Kortun, Sarah Lewis, Roxana Marcoci, Dominic Molon, Shamim M Momin, Jessica Morgan, Jonathan Napack, Sally O'Reilly, Tetsuya Ozaki, Bethany Pappalardo, Alona Pardo, John Reed, Catsou Roberts, Jose Roca, Barry Schwabsky, Brian Sholis, Luke Skrebowski, Kerstin Stremmel, Margaret Sundell, Gloria Sutton, Nato Thompson, Sarah Thornton, Grant Watson, Axel Wieder
The names of many worthy individuals were put forward representing a cross section of the contemporary visual arts community including artists, patrons, educators, curators and gallery owners.
Art Trichotomy: Portraits of the Industry aims to explore how gallerists, curators, and artists interface within the art world and what factors shape the trajectory of each individual's career path.
We forge strategic partnerships with collaborating institutions to offer customized residencies designed to meet the individual needs of participating artists and curators.
The Fishers collected in depth, often buying dozens of works by a single artist, and for this first presentation the curators have opted for concentrated displays of individual painters, sculptors and photographers.
More than a dozen anonymous nominators participated, along with the following jurors: Susanne Ghez, director of the Renaissance Society; Lane Relyea, art critic and professor at Northwestern University; Lisa Dorin, assistant curator of contemporary art at the Art Institute of Chicago; Carol Ehlers, independant curator; and Nick Cave, artist and past winner of the individual artist award.
Organized in a collaborative effort between curator Julie Fishkin, and artist Saya Woolfalk, the fifteen artists in the exhibition engage the dichotomy between communal pasts and the individual experience, intertwining them visually through the manipulation of common materials and reexamination of time - honored aesthetic practices.
These international curators will discuss their individual experiences organizing the exhibition for such varied institutions, as well as how this presentation differs from a traditional retrospective with its multitude of influences and affinities that have shaped Trockel's work to create an exhibition as artist portrait.
With an introduction by curator Philippe Vergne and individual interviews with the artists.
We are a national membership organisation, bringing together individuals, institutions and organisations, including contemporary art enthusiasts and collectors, curators and artists, and a UK - wide network of public collections in regional museums and art galleries.
Curator Maurice Berger, author of White Lies: Race and the Myths of Whiteness, provides an introductory text on whiteness and art as well as individual artist essays.
Thankfully, the heatwave makes a great excuse to stay inside and catch up on applications to grants, residencies, and fellowships for individual artists, curators, and critics.
Although the 2014 Whitney Biennial is effectively organized as three individual exhibitions — curators Stuart Comer, Anthony Elms, and Michelle Grabner each installed and programmed a single floor of the Museum — tracing the connections between artworks on all floors of the Museum can point towards the important questions and concerns that engage today's artists.
The negotiation of the outside and the interior; anonymity under the umbrella of the collective, and the development and visibility of their own practices as individual artists, writers, curators and more, is a constantly evolving and unresolved conversation.
The Center for Curatorial Studies is home to a diverse group of scholars, curators, researchers, and artists, whose individual interests and projects shape an environment where contemporary art and its relationship to our society is constantly tested and explored.
The Hopper Prize The Hopper Prize is a grant - making institution and exhibition platform offering a series of individual artist grants totaling $ 5,000.00 USD administered through an open call juried by leading curators.
In addition, a diverse roster of visiting artists, curators, critics, and arts professionals gives public lectures, engages in periodic semester reviews, and conducts individual studio visits with students.
Students were interested in the work of the artists who taught them, funders were interested in artists communities and curators interested in individual artists histories.
Featuring individual artist publications, independent publishers, zines, presses, collectives, and curators.
The interaction between the museum public, the artist and the curator have made the subject of this exhibition no longer the artist as an individual but instead the field of a multiple «everyone.»
From 1995 to 2005 he was Senior Curator at the New Museum, New York, where he developed numerous group exhibitions, such as East Village USA and Living inside the Grid, and several individual shows dedicated to the artists Martin Wong, William Kentridge, Carolee Schneemann, Carroll Dunham, Doris Salcedo, José Antonio Hernández Diez, among others.
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