Sentences with phrase «individual exhibitions from»
As one of the largest events of the year of its kind, Photo London also promises to host an unmissable programme of events, including individual exhibitions from their 2017 Master of Photography, Taryn Simon, as well as Juergen Teller and William Klein.
http://www.aestheticamagazine.com/ Not exact matches
From 20 to 28 January 2018, some 200 exhibitors from all over the world present their latest models, products, technologies and services in the field of individual mobility at the Cobo Conference / Exhibition Center in DetrFrom 20 to 28 January 2018, some 200 exhibitors from all over the world present their latest models, products, technologies and services in the field of individual mobility at the Cobo Conference / Exhibition Center in Detrfrom all over the world present their latest models, products, technologies and services in the field of individual mobility at the Cobo Conference / Exhibition Center in Detroit.
The grand finale ball and exhibition show is slated for Nov. 8 from 6 p.m. to 8:30 p.m. Individual dance classes are $ 15 per person and the finale show is $ 30 per person.
Located in the heart of the Tianhe Business District our Guangzhou Hotel is connected to the Metro & adjacent to the Pearl River New City.We're just 5 minutes from the Guangzhou East Railway Station & 15 minutes from Guangzhou International Exhibition Centre, Hotel is right next to the Grandview Mall, where you'll delight in more than750 shops & restaurants.Guest rooms & suites feature luxurious bedding, individual climate controls & high - speed Internet access.Catch up with colleagues at our Man Ho restaurant serving the best of traditional Cantonese cuisine or relax in our lobby lounge.
Hadieh Shafie's work has been included in numerous exhibitions and She has been the recipient of grants from the Kress Foundation, RTKL and MSAC Individual Artist Grant (2010 & 2008) and the Mary Sawyers Baker awards from the William G. Baker Jr..
Following her first individual and group exhibitions in Brisbane from 1986, Georgetti held solo shows at the Museum of Contemporary Art, Brisbane, 1988; Institute of Modern Art, Brisbane, 1989; Store 5, Melbourne, annually from 1990 - 93; 200 Gertrude Street (now Gertrude Contemporary Art Spaces), 1993; and Contemporary Art Centre of South Australia, Adelaide, 1994.
Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of landscape and still life painting.
2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland,from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland,from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland,From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA
This exhibition features a new spatialization of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which he rearranges Arnold Schoenberg's «Verklärte Nacht» [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.
The exhibition presents a selection of artistic positions from the Hildebrand collection, which explore individual and collective memory or reflect on the interrelations between remembered places, the human mind and emotional states.
This month's Project Space exhibition celebrates the structure and cultural diversity of Milton Keynes by featuring a collection of artwork drawn from a range of organisations and individuals, reflecting the many perspectives of Milton Keynes.
This exhibition features a new spatialisation of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which the artist rearranges Arnold Schoenberg's Verklärte Nacht [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.
The exhibition «Louise Bourgeois: Structures of Existence: The Cells» presents 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, the exhibition also reunites Cells I to VI for the first time since 1991, when they were first shown at the Carnegie International in Pittsburgh.
These exhibitions are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council Member Stephen Levin, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and with generous support from The Andy Warhol Foundation for the Visual Arts, The Robert Lehman Foundation, Iorio Charitable Foundation, Select Equity Group Foundation, many individuals and Smack Mellon's Members.
Without forecasting artistic trends or predicting future creation, 89plus manifests itself through panels, books, periodicals and exhibitions, bringing together individuals from a generation whose voices are only starting to be heard, yet which makes up nearly half of the world's population.
Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and strategies to rediscover or recover the past.
Celebrating the breadth of artistic production from South Florida, this exhibition presents the work of 25 individuals, who collectively embody the diverse culture of our region.
Museum of Contemporary Art Santa Barbara (MCASB) exhibition and education programs are generously supported by the National Endowment for the Arts; Nordstrom; Towbes Foundation; Dedalus Foundation; Ann Jackson Family Foundation; Community Events & Festivals Grant Program using funds provided by the City of Santa Barbara in partnership with the Santa Barbara County Arts Commission; Mosher Foundation in honor of Barry Berkus, recommended by Dr. Bruce McFadden; Montecito Bank & Trust; High Tide Foundation; and contributions from our Board of Trustees and many generous individuals.
Museum of Contemporary Art Santa Barbara (MCASB) exhibition and education programs are generously supported by Paseo Nuevo Shopping Center, The Andy Warhol Foundation; the National Endowment for the Arts; Nordstrom; Ann Jackson Family Foundation; Towbes Foundation; Festivals Grant Program using funds provided by the City of Santa Barbara in partnership with the Santa Barbara County Arts Commission; Mosher Foundation in honor of Barry Berkus, recommended by Dr. Bruce McFadden, and contributions from our Board of Trustees and many generous individuals.
Over the past 29 years, more than 8,000 diverse visual and performing artists have participated in programs at 18th Street Arts Center ranging from group and individual exhibitions to special events and presentations.
For example, while the press release presents «Proof» as «a three - person show featuring prints and artist's books made by master printers Ruth Lingen, Jennifer Melby and Leslie Miller,» the exhibition checklist does not credit individual works to particular printers but, as is conventional, credits only the «artists,» e.g. Elizabeth Murray, James Siena, Vija Celmins, Henrik Drescher (See the images above from Planthouse's website.
The exhibition of photographs is comprised of 100 photographs of individuals juxtaposed with text narratives formulated from the interviews.
«We can trace this theme throughout the exhibition — a testimony to the power of the use of nontraditional symbolic and conceptual portraiture as a means to reclaim the representation of self and other from inherited formulas that may threaten to suppress rather than express what it means to a unique individual.»
Based on the premise that the cultures of role play, sexual play, and digital play have all flourished beyond the boundaries of art structures, this exhibition provides a gathering place and platform for the exploration of queer play created by individuals and groups from the worlds of game design and theory, performance, kink, and activism.
Focusing on themes such as the shift from Pictorialism into Modernism and the role of women in the history of photography as well as spotlighting the works of individual photographers, the remaining online auctions in January and April 2018 speak to the history and importance of MoMA's exhibition programme.
«We can trace this theme throughout the exhibition — a testimony to the power of the use of non-traditional symbolic and conceptual portraiture as a means to reclaim the representation of self and other from inherited formulas that may threaten to suppress rather than express what it means to a unique individual.»
With over 600 square meters of exhibition space designed by Beijing - based artist / architect Ai Weiwei, Pekin Fine Arts strives to represent and to promote the best and most innovative contemporary artists from Asia, focusing on individuals adept at working in a wide - variety of medium, with experience in both domestic and international exhibitions.
On view from January 26 through March 16, 2018, this site - specific exhibition visually materialized and meshed memories of the past and present in Red Star's investigation of her Apsáalooke (Crow) Indian father's life in rock music, a site of familial importance and popular culture that has informed the artist's practice and individual and collective identities as an Apsáalooke (Crow)- Irish American woman.
«The idea is that a group exhibition of works by artists from all over invites more cross-fertilization and dialogue than individual gallery booths,» Inman says.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
Bringing together around 60 works, including extraordinary pieces from the collections of individuals such as Peter Pears and Tacita Dean, the exhibition ranges from brooding, adolescent interpretations of the pastoral, to the world of Bacchic celebration he discovered in Crete.
Students observe how individuals from a wide range of backgrounds and interests have built careers as creative professionals, gaining a nuanced understanding of a life in the arts — including learning how an artist's studio is run and the role of a gallerist in the production, exhibition, and sale of artworks.
A new group exhibition features individual and collaborative work from Luca Barolli, Lauren Betty, Andrew Catanese and Igor Korsunskiy.
As a versatile individual, she has had the pleasure of managing an array of artistic projects for arts organizations, from youth art education, art exhibitions, and interdisciplinary artist showcases, to poetry, theater, and music programs.
I am dispersing with the usual third person format in summarising Marina Abramović's residence at the Serpentine, this being an «experience» not an exhibition, and entirely subjective to each individual's impression of it, bound to change immeasurably from person to person.
There have been at least four posthumous individual exhibitions of Tobey's work: National Gallery of Art, Washington, D.C., USA, 1984; Museum Folkwang, Essen, Germany, 1989; Galerie Beyeler, Basel, Switzerland, 1990; and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, November 11, 1997 — January 12, 1998 where the exhibition brought together about 130 works from some 56 different collections, covering the years from 1924 to 1975.
To celebrate its centenary year, the School has mounted an exhibition which tells its history from the perspective of its people and spaces, highlighting the contributions and experiences of a selection of individuals who represent the diversity and character of SOAS.
The Korean Cultural Center Washington, D.C. presents The Prismatic, a new contemporary art exhibition that explores the universal human tension between self and other, individual and group, and private and public, through innovative mixed media and installation works from seven accomplished artists.
Program support from individuals helps SAM create inspiring exhibitions, acquire art, conserve our collection, present stimulating educational programs, and so much more.
From 1939 to 1943, the group held annual exhibitions that showcased the work of its members, a practice which greatly benefited the artists by reducing their individual costs of artistic production and promotion.
Read through brochures of Exhibits and individual artists» works from the past and present exhibitions at the Hirshhorn.
The exhibition explores work by key artists and collectives whose «critical provocations aim to forge reality free from ideology, to establish the individual apart from the collective, and to define contemporary Chinese experience in universal terms.»
The Dissenters» Gallery exhibition presents the output from the event breaking the connection to the internet and allowing individuals and group audiences to view and discuss the work face - to - face.
Organized by the collaborating genius, Julie Torres, visiting artists from across the US have curated 40 + Bushwick artists into 10 individual exhibitions under one roof.
With topics such as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art, alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across numerous countries.
Thematic essays come together with a select number of object entries to place individual works of art within a larger historical context, and the whole is lavishly illustrated with one hundred images from the exhibition itself.
The exhibition features 207 individual, black - and - white drawings incorporating every word from all fifty chapters, as well as a cover, title page, introduction and back cover.
Aside from the richly colored illustrations (many of them full - page), it includes full technical details, information about the artist's handwritten notes and the provenance, bibliography and exhibitions of each individual work.
The result is an exhibition divided into twelve individual spaces for each of the 12 women with a biographical wall text featuring a quote, a brief bio and images of the artists from the period.