Sentences with phrase «individual exhibitions include»

Important individual exhibitions include The New Museum of Contemporary Art, New York, Whitechapel, London, and Museum of Contemporary Art, Chicago as well as the Museum of Contemporary Art, Rome and Moderna Museet, Stockholm.

The individual exhibitions include sculpture, sound, video and collage works.

[2][4] Other important individual exhibitions include Escuela Nacional de Arte Pláticas of UNAM in 1962, Museo de Arte Moderno in 1970, Los Angeles in 1971, the Studio Museum in Harlem in New York in 1971, Washington, D.C. in 1972, Howard University in 1972, Los Angeles County Museum of Art in 1976, Miller Gallery at Carnegie Mellon University in 2008, [1][8] and the 2011 individual show at the Bronx Museum.

Recent individual exhibitions include: Where Hope and History Rhyme, Rutherford House, Victoria University of Wellington, 2012; Whakawhanangatanga - Making Familial Connections, Northart Gallery, Auckland, 2012; John Miller — Photographer, Nathan Homestead, Manurewa, Auckland, 2012; and Wha Tekau Tau, The Struggle Endures, Pierre Peeters Gallery, Auckland, 2011.

Not exact matches

Each BODY WORLDS exhibition contains real human specimens, including a series of fascinating whole - body plastinates as well as individual organs, organ configurations, blood vessels and transparent body slices.

Hadieh Shafie's work has been included in numerous exhibitions and She has been the recipient of grants from the Kress Foundation, RTKL and MSAC Individual Artist Grant (2010 & 2008) and the Mary Sawyers Baker awards from the William G. Baker Jr..

This exhibition will consist of over 70 new drawings executed over the past five years, including four individual series: Subjectile / Objectile, Black and White Examples, Scattering Conditions, and Meshworks.

«Illustrating the rich interplay of tradition, innovation, and individual talent, the exhibition includes painting, photography, video, assemblage, installation, quailing and mixed - media works.

Four grant - supported exhibitions focus on individual artists, including the established artist Andrea Fraser, whose new performance and publication will premiere at the Hammer Museum, and emerging artist Indira Allegra, whose first solo museum exhibition, «No Space Without Tension,» will open at the Craft and Folk Art Museum in September 2019.

The new website, launched in late September 2010, includes the following enhancements: more multimedia content, greater search functionality within the AS - AP site to retrieve all content related to specific art spaces, exhibitions, and individuals.

Marianne Boesky Gallery and Marlborough Chelsea would like to express their gratitude to the many individuals and institutions whose generous loans made this exhibition possible, including Cranbrook Academy of Art, Detroit Historical Society, Detroit Institute of Arts, The Henry Ford Museum, Mike Kelley Foundation for the Arts, New York Historical Society, Pewabic Society, and Wayne State University.

Preview Talk: Rachael Thomas & Nan Goldin Thursday 15 June 2017, 6.00 — 6.45 pm / Johnston Suite Marking the exhibition preview of Weekend Plans, Rachael Thomas, Head of Exhibitions, IMMA and renowned American artist and photographer Nan Goldin discuss her connections to Ireland, bringing to light the influence of individual relationships on Goldin's work, including a 40 year friendship with Irish artist and film - maker Vivienne Dick, who is featured in several of Goldin's photographic works.

Located in the former Associate Reformed Presbyterian Church in Uptown Charlotte, McColl Center houses nine individual artist studios, more than 5,000 square feet of exhibition space, and multiple common - use spaces, including a studio for large - scale sculpture fabrication.

Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and strategies to rediscover or recover the past.

Their extravagantly installed exhibitions, the artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.

Taaffe has been participating in international exhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, DubExhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dublin (2011).

The exhibition is accompanied by an intimate catalogue that includes works in the exhibition, visual references, dialogue between the artist and multiple individuals, and an introduction by the artist.

He has also had individual shows at numerous private galleries and universities, including a 10 - year retrospective in 1983 at the Studio Museum in Harlem and an exhibition of memorial paintings in 2008 at the Atlanta Contemporary Arts Center in Atlanta, Georgia.

As one of the most prolific artists worldwide, his photography has been exhibited internationally in both individual and group exhibitions, with works residing in many significant public and private collections including the Tate Modern and San Francisco Museum of Modern Art.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Bringing together around 60 works, including extraordinary pieces from the collections of individuals such as Peter Pears and Tacita Dean, the exhibition ranges from brooding, adolescent interpretations of the pastoral, to the world of Bacchic celebration he discovered in Crete.

Despite a long career that included many gallery and museum exhibitions, the great breadth of her drawings is only now emerging as the individual works on paper are catalogued.

Students observe how individuals from a wide range of backgrounds and interests have built careers as creative professionals, gaining a nuanced understanding of a life in the arts — including learning how an artist's studio is run and the role of a gallerist in the production, exhibition, and sale of artworks.

The exhibition includes seated portraits of individuals, a series of paintings that recalls Matisse's masterpiece Dance and paintings of figures posing in his studio.

A great number of group exhibitions include strong individual works but lack compelling ideas that would make them into something more than random selections of objects.

The subjects of the portraits included in the exhibition are often identifiable persons of importance in the artists» lives, and the nature of these individual relationships directly influenced the style of each print.

Preview Talk: Rachael Thomas & Nan Goldin Thursday 15 June 2017, 6.00 — 6.45 pm / Johnston Suite Marking the exhibition preview of Weekend Plans, Racheal Thomas, Head of Exhibitions, IMMA and renowned American artist and photographer Nan Goldin discuss her connections to Ireland, bringing to light the influence of individual relationships on Goldin's work, including a 40 year friendship with Irish artist and film - maker Vivienne Dick, who is featured in several of Goldin's photographic works.

Included in group exhibition Individual Stories.

Proposals may include individual or group exhibitions, installations, or curatorial projects lasting up to two weeks; As well as performance, screenings, «happenings» or other experimental short programming lasting up to 72 hours.

On November 18, 2016, the Clyfford Still Museum begins a full year of celebratory exhibitions, events, and programs dedicated to all those individuals and organizations — including the citizens of Denver and the seven - county Scientific and Cultural Facilities District, numerous philanthropic donors, and more than fifty fellow non-profit organizations and local businesses — who have supported and partnered with the Museum, enabling it to redefine the boundaries of what a single - artist museum can achieve.

A cultural phenomenon, BOS2015 takes place Friday, June 5 — Sunday, June 7, 2015 and includes over 500 individual studios, shows, and exhibitions involving thousands of artists.

Featuring a dozen portraits of L.A.'s top stylists, costume designers and influential tastemakers, the exhibition includes subjects such as Zoe, Andrea Lieberman, Liz Goldwyn, Cameron Silver and Elizabeth Stewart, who styled themselves for individual photo shoots with Brooks.

Works that have great personal resonance for her are placed into a context of communal engagement — the exhibition has been organized with Ault and a team of individuals who have collaborated with her in different capacities during the last three decades, including Danh Vo, Martin Beck, Jason Simon, and Heinz Peter Knes.

Binders contain mostly slides and transparencies for individual artists, including some installation views for solo exhibitions at Pat Hearn Gallery.

The exhibition includes three narrative series — The Emancipation Approximation (1999 — 2000), Harper's Pictorial History of the Civil War: Annotated (2005), and An Unpeopled Land in Uncharted Waters (2010)-- along with numerous individual works that underline Walker's use of Antebellum and Reconstruction - era imagery and themes.

Noteworthy individual shows at Spanish museums and institutions include the exhibition Paintings at the Palau de Casavells in Gerona in 2013, and the 2014 exhibition Outside referents at Tossal Gallery in Valencia.

The exhibition includes compositional drawings, individual figure studies, carefully ruled construction drawings, and sketchbooks.

Aside from the richly colored illustrations (many of them full - page), it includes full technical details, information about the artist's handwritten notes and the provenance, bibliography and exhibitions of each individual work.

As the only exhibition of its kind in California, it brings together more than 120 works by 28 individuals, including large - scale installations, sculpture, paintings, works on paper, wall drawing and photographs, as well as digital and video art.

She was chosen as a finalist for the Outwin Boochever Portrait Competition 2013, her work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis in 2008.

Alongside more than 400 full - color plates (many of them full - page) and nearly 100 black and white plates, it includes full technical specifications, information about the artist's handwritten notes, and the provenance, bibliography and exhibitions for each individual work.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Rather than focusing on individual works of a larger number of artists, the exhibition includes 18 artists who, each in his or her own way, is central to the collection.

Curator of numerous individual and group exhibitions, including Monika Sosnowska's exhibition in the Polish Pavilion in the 52 Venice Biennale and Yael Bartana in the 54.

Her work has been shown in numerous individual and group exhibitions in Alaska and the contiguous United States, including the national exhibition Changing Hands 2: Art without Reservation, the international exhibition Arts from the Arctic, and Hide at the National Museum of the American Indian in New York.

With much of the work in «The Order of Things» focusing on the individual and cultural identity, the exhibition also includes a large selection devoted to vernacular photography from the late - nineteenth and early twentieth century — offering a glimpse into the day - to - day life of a time that we will never know.

The «Annual» exhibitions seek to eliminate any categorical or hierarchical distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally seen, or the seniority of an individual artist, etc.) The works included in the exhibition might have originally been encountered in exhibitions at galleries, not - for - profit spaces, or during visits to artists» studios, etc..

MPA's exhibitions and educational programs are funded by many partners, including corporate and community sponsors, individuals and foundations.

Featuring loans from institutions and private collections in North America and Europe, along with selections from the artist's collection, the exhibition includes around 130 works across several mediums, including individual sculptures and immersive sculptural environments and a distinctive body of drawings, prints, and photographs.

EXHIBITION For more than a century, the New York City Police Department (NYPD) has surveilled individuals and groups viewed as a threat to the status quo, including civil rights activists, the Nation of Islam, and Black Panthers.