Not exact matches
Their extravagantly installed
exhibitions, the artists» free - wheeling
individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including
such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.
Focusing on themes
such as the shift from Pictorialism into Modernism and the role of women in the history of photography as well as spotlighting the works of
individual photographers, the remaining online auctions in January and April 2018 speak to the history and importance of MoMA's
exhibition programme.
Bringing together around 60 works, including extraordinary pieces from the collections of
individuals such as Peter Pears and Tacita Dean, the
exhibition ranges from brooding, adolescent interpretations of the pastoral, to the world of Bacchic celebration he discovered in Crete.
Henning Schaper, the new director of the museum in Baden - Baden, explained it was very important that the
exhibition stimulated an exchange of thought on current issues «
such as our attitudes to the truth and respect for the truth in both an
individual and a global context.»
Featuring a dozen portraits of L.A.'s top stylists, costume designers and influential tastemakers, the
exhibition includes subjects
such as Zoe, Andrea Lieberman, Liz Goldwyn, Cameron Silver and Elizabeth Stewart, who styled themselves for
individual photo shoots with Brooks.
With topics
such as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art, alternative spaces in Mexico City, and boundary - crossing practices of Latino artists,
exhibitions will range from monographic studies of
individual artists to broad surveys that cut across numerous countries.
These international curators will discuss their
individual experiences organizing the
exhibition for
such varied institutions, as well as how this presentation differs from a traditional retrospective with its multitude of influences and affinities that have shaped Trockel's work to create an
exhibition as artist portrait.
This
exhibition enacts accompaniment
such that the physical, historical, and social supports within
individual practices are made manifest, but also so that each participant and contribution inevitably accompanies and is accompanied in the present within the group.
From 1995 to 2005 he was Senior Curator at the New Museum, New York, where he developed numerous group
exhibitions,
such as East Village USA and Living inside the Grid, and several
individual shows dedicated to the artists Martin Wong, William Kentridge, Carolee Schneemann, Carroll Dunham, Doris Salcedo, José Antonio Hernández Diez, among others.
She has been included in numerous
individual and group
exhibitions at
such institutions as the Kennedy Center in Washington, D.C., the Museum of Contemporary Art in Glasgow, Scotland, the National Gallery of Victoria, The New Museum of Contemporary Art, New York, and the Museum of Contemporary Art, Sydney.
The
exhibition will include work portraying literal depictions of dreams and nightmares, as well as related concepts,
such as «The American Dream,» personal phobias, or
individual insecurities.
Including film and performance photography of some of Brisley's most iconic work, and a new installation from which the
exhibition takes its title, this show traces enduring themes in Brisley's work
such as the body as a tool for directly addressing
individual autonomy and fundamental notions of power, authority, community and freedom.
We could not produce the exceptional
exhibitions that our members and visitors have come to expect from the Virginia Museum of Fine Arts without the partnership of corporate patrons
such as Northern Trust, as well as our dedicated Foundation Directors led by President Kelly Armstrong and a host of
individual supporters.»
In addition to our
exhibition programs, Franklin Street Works also collaborates with organizations and
individuals to create community events that bring people together to explore cultural and social themes via entry points
such as art, food, and storytelling.
Each taking as their subjects the lives of a deceased creative
individual and his personal belongings, their projects build meaningfully on the Whitney Biennial's recent history of both deceased artists and artist - curated «sub
exhibitions,» notably from the 2012 edition the inclusion of George Kuchar (died, 2011); Robert Gober's presentation of work by Forrest Bess; Nick Mauss» curation of queer - oriented work culled from the museum collection; and also discursive contributions,
such as Andrea Fraser's essay No Place Like Home.
Drawing on anthropologist Mary Douglas's interpretations of sociologist Ludwik Fleck, the
exhibition juxtaposes works that were produced in collective environments in the 1990s with new structures and films produced alone; as
such the
exhibition reflects on the contradictions that arise between the
individual and the group in relation to the production of art.
Bringing together a number of acclaimed artists from the MENA region
such as Manal al - Dowayan and Adel Abidin, whose works are housed in Sharjah - based Barjeel Foundation, the
exhibition concerns itself with the impacts of geopolitical struggles on
individual situations and artistic practices.
The
exhibition represents the life stories and related issues of the post-war Chinese LGBTQ community as the artworks on view touch upon a profusion of subject matters
such as identity, equality, exploitation by mass media, social predicaments, comments on
individuals / groups, human desire, as well as life and death.
For this
exhibition, which contains a section on each of the original themes, Rosler has subsumed herself under the name Temporary Office for Urban Disturbances to collaborate with scores of groups —
such as 596 Acres, Inc., Center for Urban Pedagogy, New York City Community Land Initiative — and
individuals, including LaToya Ruby Frazier, Gregory Sholette, and Robbie Conal.
While it may be easy to declare that the
individual works of each artist suffer as a result of
such an
exhibition strategy, doing so would only reaffirm the monolithic model of the gallery group show, one where works are curated in a typical — yet hierarchical — fashion.
One
such individual is the international art dealer Gian Enzo Sperone, whose collection comprises the heart of this
exhibition, to which has been added numerous works borrowed from public and private sources.
The
exhibition continues a long tradition of
such explorations through the art of the twentieth century —
individuals including Antonin Artaud, Henri Michaux, and Rudolf Steiner; just to mention a few.
Other themes explored in the
exhibition include looking at ways portraits can, by concentrating on a specific aspect of the sitter's life -
such as Vanessa Bell's The Cook, Bernard Meninsky's Portrait of a Girl and William Roberts» A Gypsy Girl - remove an important part of their
individual identity.
At her second
individual exhibition, in New York's Valentine Gallery, Martins came into contact with artists
such as André Breton, Marcel Duchamp, Piet Mondrian, Yves Tanguy and Max Ernst, who, having fled World War II, were then living in the United States.
Content for the publication, in conjunction with the
exhibition, includes histories of major nonprofit and for - profit institutions, artist collectives, and key
individuals such as artists, collectors, administrators, critics, and educators, along with documentation of moments that have contributed to the history of Dallas's contemporary art scene.
This weekend course will include a strong practical element, in which participants will consider crucial questions
such as the relationship between language, style and
individual works of art, and what types of judgement are involved in reviewing
exhibitions.
The 1987 winner of the Turner Prize, his work has been presented in numerous
individual exhibitions in Europe, America, and Aisa, and the sculptor has also participated in many group
exhibitions such as the Carnegie International, Münster's Skulpturen Projekten, and Documenta.
Discussion will focus on art collectives
such as The Guerrilla Girls as well as
individual artists, Mierle Lederman Ukeles, Martha Rosler, and Ana Mendieta — whose work is represented in the Wild Noise
exhibition in Havana.
Departing from a number of important historical works, the
exhibition presents a network of interdependent topical themes
such as consumerism, value circulation, trade routes, and also how these abstract notions influence the
individual's experience within a natural and urban environment.
By investigating areas
such as the voice and agency, political structures and
individuals, labour and language, the work in the
exhibition locates the
individual in the confusing world of bureaucracy.
There have been
exhibitions in France of the work of
individual British artists,
such as Burne - Jones, in recent years.
Allan McCollum unleashes
such an assault in his
Individual Works, one of the
exhibition's most visually captivating compositions.
The EAF
exhibition is distinct in its mission to foster
individual artist projects rather than present an overarching theme, and the current EAF16 artists will join the ranks of EAF alums
such as Hank Willis Thomas (EAF06), Wade Guyton (EAF03), and Sanford Biggers (EAF01).
They wonder how we're able to present art
exhibitions in the Latino Arts Gallery
such as the Colorín Colorado
exhibition of paintings by indigenous children from Mexico, and
individual artists.
More recently, we expanded our program to work with
individual artists,
such as Ashley Bickerton, Patricia Cronin and Cynthia Daignault to develop solo
exhibitions of new work, or present a body of work to be seen in New York for the first time.