And to complicate things, Mr. Lüpertz frequently works in series, repeating a single image with eye - testing variations, the equivalents, he tells us, of
the individual frames of a film that, similarly, evoke the passage of time.
Not exact matches
Whereas the earlier
films, mostly shot by Dietrich Lohmann, often
framed the groups or members
of the group in static tableaux in order to highlight their solidarity and opposition to a lone outsider, this
film (Fassbinder's ultimate collaboration with Michael Ballhaus) uses an almost constantly moving camera and a remarkable succession
of framing and fracturing devices within the camera
frame to underscore the shifting alliances,
individual isolation, and internal struggles
of the characters.
The latter includes tweets, blurbs, «paid editorial» in reputable newspapers, explicating and celebrating the
film and its mythos, online features speculating on the
film's loose ends and on where Marvel movies can possibly go next, and fan commentary parsing with Talmudic exactitude the sources
of individual images or moments in the
film, tracing them back to specific
frames in specific issues
of specific comics.