Sentences with phrase «individual painting art»

In his quotes Renoir reports about his individual painting art andabout the connected Impressionist artists around him like Monet, Pissaro, Cezanne, Bazille.

Not exact matches

Whether or not paint by number kits curtail an appreciation of art or the skill and talent of creating individual pieces, there remains an enthusiasm and joy in the hobby as well as a desire by many to collect completed paintings.

I guess in that way tattoos — the art form — matter to me in the same way that poetry, prose, painting, sculpture, etc. matter to me beyond individual works.

Creative, intelligent, compassionate and caring individual who enjoys the arts and music, has a passion for jewelry making, painting, and loves interior design and remodeling.

Moreover you can find on TES Resources the individual artists quotes by Marinetti and the other Futurist artists as Carra, Severini, Boccioni under their own name - with their stories on life and their Futurist painting art.

They present moreover his later individual artistic attitude in creating his modern painting art.

All Elephant Safari Park Lodge rooms feature unique elephant art painted by the parks own pachyderms, elephant inspired dà © cor and artifacts, individual climate controlled air - conditioning and overhead fans, state of the art LCD televisions with satellite and in - house channels, resort wide wi - fi internet service, IDD telephones and personal honor - bar and a unique Elephant Chauffeur service direct from the elevated landing of the lodge room, with the exception of the Paddy View rooms.

Contemporary directions — earthworks, conceptual art, art as information, etc. — certainly point away from emphasis on the individual genius and his salable products; in art history, Harrison C. and Cynthia A. White's Canvases and Careers: Institutional Change in the French Painting World, New York, 1965, opens up a fruitful new direction of investigation, as did Nikolaus Pevsner's pioneering Academies of Aart, art as information, etc. — certainly point away from emphasis on the individual genius and his salable products; in art history, Harrison C. and Cynthia A. White's Canvases and Careers: Institutional Change in the French Painting World, New York, 1965, opens up a fruitful new direction of investigation, as did Nikolaus Pevsner's pioneering Academies of Aart as information, etc. — certainly point away from emphasis on the individual genius and his salable products; in art history, Harrison C. and Cynthia A. White's Canvases and Careers: Institutional Change in the French Painting World, New York, 1965, opens up a fruitful new direction of investigation, as did Nikolaus Pevsner's pioneering Academies of Aart history, Harrison C. and Cynthia A. White's Canvases and Careers: Institutional Change in the French Painting World, New York, 1965, opens up a fruitful new direction of investigation, as did Nikolaus Pevsner's pioneering Academies of ArtArt.

Piffaretti's paintings incorporate both individual expression and duplication of that expression into the final art object.

2016 — The Studios at MassMoCA / Assets for Artists Residency, North Adams, Massachusetts — Centre d'Art i Natura Residency, Farrera de Pallars, Spain (Also 1996, 2006, 2010) 2015 — Millay Colony Winter Shakers Residency, Austerlitz, NY 2014 — Watershed Center for Ceramic Arts Residency, Newcastle, Maine 2011 — New York Foundation for the Arts Fellowship in Drawing 2009 — Camargo Foundation Fellowship, Cassis, France — Byrdcliffe Art Colony Residency, Woodstock, NY 2008 — Ragdale Foundation Residency, Lake Forest, IL (Also 1995) 2004 — Council of Danish Artists, Refugiet Klitgaarden Residency, Skagen, Denmark — Saltonstall Foundation Residency, Ithaca, NY 2001 — New York Foundation for the Arts Fellowship in Drawing — Millay Colony for the Arts Residency, Austerlitz, NY — Dorland Mountain Arts Colony Residency, Temecula, CA (Also 1996, 1999) 2000 — Fundación Valparaíso Residency, Mojácar, Spain 1999 — John Simon Guggenheim Foundation Fellowship in Painting, New York 1998 — Individual Fellowship, Tennessee Arts Commission, Nashville 1997 — Djerassi Resident Artists Program, Woodside, CA 1995 — Tyrone Guthrie Centre Residency, County Monaghan, Ireland 1987 - 88 — National Endowment for the Arts Visual Artists

The conversation will focus on their individual artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.

The artist conceived and re-conceived the exhibition in his Los Angeles studio, eventually presenting paintings, sculptures and video the reflect his individual voice, collapse the division between artist and ordinary people, and emphasize his belief in the social and cultural influence of art, particularly in this historic, political moment.

He is a two - time recipient of the Maryland Arts Council Individual Artist Grant in Visual Arts: Painting, in 2010 and 2013.

In the back gallery, individual objects that are more like the artist's usual work, and much closer to traditional paintings, are hung alongside her grandmother's needlepoint exercises, coyly implying that there is no difference between so - called high art and the cliched.

Curated Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.

This exhibition brings together paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of landscape and still life painting.

In 2015 New American Paintings» jurors reviewed the work of more than 20,000 individual works of art by over 5000 artists.

While his work bears similarities to that of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting as the product of an individual and a time.

Highlights include a focus on «experimental» drawing with individual displays by artists such as Eduardo Basualdo, from Argentina; Mateo López and Nicolás Paris from Colombia; deconstructed painting and sculpture with largescale displays by Brazilian artists Leda Catunda, Adriano Costa, Maria Nepomuceno, Erika Verzutti and Cuban artists Los Carpinteros, among others; and a strong emphasis on street art and urban culture, with largescale participative installations by Os Gêmeos and Paulo Nazareth from Brazil, and individual displays by Mexican artists Pedro Reyes, Moris, and Edgardo Aragón.

November 13 to December 14, 2014 Fountain Street Fine Art, Framingham, MA Gallery artists bring a new twist to the 2014 Members Show by incorporating collaborative projects in photo, fiber, painting, drawing and sculpture alongside individual works.

Caivano's works incorporate an uncompromising yet individual approach to the tradition of abstract painting, drawing as much on unique perceptions of colour, space, texture, volume and light as on art history.

He was working across a range of media including painting, diorama installation, science fiction illustration, and street painting, and I felt there was a strange yet potent alchemy between their individual approaches to making art.

Working in media from painting to digital art, these individual artists collectively form a community that is Fountain Street.

Pratt Institute's M.F.A. Painting and Drawing Curriculum offers students a broad but rigorous studio practice, highlighting students» individual development and focusing on an understanding of the significant concerns that constitute contemporary art today.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

Linked to these individual studies are wide - ranging and imaginative writings on the nature of decorative art, the figure of the angel in Latin American «colonial painting», art as sanctuary, and the question of British identity.

Inspired by the idea of an imagined society in which psychotherapy is a freely available drop - in service, Johnson's installation of large - scale paintings, hanging plants, Persian rugs and four wooden day beds questions established definitions of the art object and its limitations, as well as the relationship between individual and shared cultural experience.

An awards ceremony followed, celebrating the achievements of five individuals across the breadth of British art, covering photography, painting, curation and architecture.

I must have seen some of Reinhardt's paintings, but I didn't really pay much attention to them then because I saw that Reinhardt was not simply repeating a motif, that they were all different, and at the time, in the mid-to-late 1960s in Paris, art had to be political, which repetition was, while individual expression was not.

My buddy Richard Frumess offered this observation on the two reviews: «They're coming from two different directions: the Abstract Art Online review looks at the individual paintings through the whole show, the New York Sun review looks at the whole show through the individual paintings.»

He has also had individual shows at numerous private galleries and universities, including a 10 - year retrospective in 1983 at the Studio Museum in Harlem and an exhibition of memorial paintings in 2008 at the Atlanta Contemporary Arts Center in Atlanta, Georgia.

Painters including Jackson Pollock (1912 — 56), Willem de Kooning (1904 — 97), Franz Kline (1910 — 62), Robert Motherwell (1915 — 91), Mark Rothko (1903 — 70), Barnett Newman (1905 — 70), Adolph Gottlieb (1903 — 74), Richard Pousette - Dart (1916 — 92), Clyfford Still (1904 — 80) and Lee Krasner (1908 — 84) saw the individual process of art - making as equal to or more important than the final result, and art critic Harold Rosenberg coined the phrase «action painting» to refer to this overriding significance of the act of painting.

Presumptuous and imposing, they manage to escape strict categorization as painting, sculpture or media art, merging the power of photographic and film pictures that Longo exploits as a mean of his research of importance of visual expression in popular culture and stereotypical portrayals of the individual's alienation within a complex society.

CURRICULUM VITAE [download full CV below] EDUCATION 2014 MFA Painting & Drawing - Herron School of Art & Design, Indianapolis, IN 2012 BFA Painting / Art History - Herron School of Art & Design, Indianapolis, IN SELECTED COLLECTIONS Brown Legacy Group, Indianapolis, IN Fishman, Haygood Collection, Baton Rouge, LA First Financial Bank, Indianapolis, IN Indiana University - Purdue University (IUPUI) Campus Center, 2nd Floor IUPUI, Graduate Center for Teaching and Learning IUPUI, Office of Administration SELECTED ARTIST RESIDENCIES 2017 The Arctic Circle, International Territory of Svalbard 2016 Leveld Art Centre, Leveld Norway Vermont Studio Center, Johnson, VT 2015 Vermont Studio Center, Johnson, VT 2015 Teton ArtLab, Jackson, WY 2014 - 15 Stutz Artist Residency, Indianapolis, IN 2014 Taliesin East, Frank Lloyd Wright School of Architecture, Artist in Residence, Spring Green, Wisconsin 2013 International School of Painting, Drawing, & Sculpture, Umbria, Italy 2011 Ox - Bow, Saugatuck, MI SELECTED GRANTS / AWARDS / FELLOWSHIPS 2016 - 17 Indiana Arts Commission, Individual Artist Grant Recipient Merit Fellowship, Vermont Studio Center, February Visual Artist Residency 2015 High Art Billboard Project, The Arts Council of Indianapolis, 2015 - 2016 Award Recipient 2014 - 15 Artist ‐ in ‐ Residence Award, Stutz Artist Association, Indianapolis, IN 2015 Artist ‐ in ‐ Residence Award, Teton ArtLab, Jackson, WY 2014 Artist in Residence, Taliesin Frank Lloyd Wright School of Architecture, Spring Green, WI 2009 - 14 Paul Zimmerman Memorial Endowment Scholarship SELECTED SOLO EXHIBITIONS

«The 2017 Whitney Biennial, the seventy - eighth installmentof the longest running survey of American art, features sixty - three individuals and collectives whose work takes a wide variety of forms, from painting and installation to activism and video - game design.

An enduring feature of Kusama's unique art is the intricate lattice of paint that covers the surface of her Infinity Net canvases, the negative spaces between the individual loops of these all - over patterns emerging as delicate polka dots.

The artists manipulate these found objects to create collages, sculpture / found object art, paintings, and fabric arts, which convey who they are as individuals.

The three exhibitions, Tacita Dean: Landscape, Portrait, Still Life, shaped by Dean's response to the individual character of each institution, will explore genres traditionally associated with painting — landscape at the Royal Academy of Arts, portraiture at the National Portrait Gallery and still life at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practice.

This latest push to regulate the art market comes after testimony three weeks ago at a closed - door session of the House Financial Services Committee in which prosecutors from the Department of Justice and NY District Attorney's Office gave testimony about recent cases, such as the recent indictment in the Eastern District of New York of six individuals and four corporations in a $ 50 million money laundering scheme in which an undercover agent purchase a Pablo Picasso painting to launder fraudulent profits from a stock manipulation scheme.

As the only exhibition of its kind in California, it brings together more than 120 works by 28 individuals, including large - scale installations, sculpture, paintings, works on paper, wall drawing and photographs, as well as digital and video art.

London Arts Board, Advisor, Individual Awards to Artists - Painting.

Skowhegan School of Painting and Sculpture Location: Skowhegan, ME Skowhegan, an intensive nine - week summer residency program for emerging visual artists established in 1946, seeks each year to bring together a gifted and diverse group of individuals who have demonstrated a commitment to art - making and inquiry to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction and growth.

Capitalism and its promise of a better life is explored through paintings on luxury fabrics whose patterns acquire a neo-classical painterly quality; Orientialism and a subtle critique of European values are explored in the films of his roadtrip to Pakistan and Afghanistan with shocking neutrality; and conceptual art is mocked in Potato House (1967) and paintings of absurd mathematical equations, while the series of self - portraits — Polke as astronaut, Polke as drug — confront the contemporary individual in the mire of history.

New York, USA 1993 - 95 Luther Greg Sullivan Visiting Artist, Wesleyan University, Middletown, USA 1993 The Louis Comfort Tiffany Foundation Awards in Painting, Sculpture, Printmaking, Photography and Craft Media, (catalogue) Illinois Arts Council, Individual Artist's Fellowship Academy Award in Art, American Academy of Arts and Letters, New York, USA 1990 Faculty Prize for Graduate Study in Studio Arts, University of Illinois at Chicago, Chicago, USA

Hence the title of the series, the Pharmaceutical Paintings, and the individual titles of the paintings themselves... Art is like medicine, it can heaPaintings, and the individual titles of the paintings themselves... Art is like medicine, it can heapaintings themselves... Art is like medicine, it can heal.»

Hence the title of the series, the Pharmaceutical Paintings, and the individual titles of the paintings themselves... Art is like medicine, it can heal» (D. Hirst, quoted in D. Hirst, I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now, London 1997,Paintings, and the individual titles of the paintings themselves... Art is like medicine, it can heal» (D. Hirst, quoted in D. Hirst, I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now, London 1997,paintings themselves... Art is like medicine, it can heal» (D. Hirst, quoted in D. Hirst, I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now, London 1997, p. 246).

Maine College of Art's Painting faculty believe uncovering what individuals want to express carries equal weight with learning how to express it.

In this key role she oversees a staff of specialists who appraise and catalog prints, paintings, sculpture, and works on paper for a wide variety of Skinner clients, including arts and cultural institutions, estates, major collectors, and private individuals.

This is (my) Freedom is an installation expressing individual freedom via conversations in art, as expressed through painting, poetry, photography, fashion, music, short stories drama and dance.

Francesca Fuchs Working on a series of paintings of framed paintings, prints, and photos that hang in her house, Francesca Fuchs begins with personal history, focusing on an individual experience, rather than an art historical system of worth.