Sentences with phrase «individual painting practices»

Not exact matches

The conversation will focus on their individual artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.

Pratt Institute's M.F.A. Painting and Drawing Curriculum offers students a broad but rigorous studio practice, highlighting students» individual development and focusing on an understanding of the significant concerns that constitute contemporary art today.

The collaborative works created for this exhibition is the outcome of four disparate painting practices, creating hybrid works which question notions of authorship and challenges each artist's individual practice.

The culmination and continuation of extensive curatorial research across India, Indian Highway features nearly thirty individuals and collectives whose creative practices span a wide range of media — incorporating sculpture, video, installation, painting, and performance — and subject matter are focused around the situation of modern India.

Scale and color shift subtly from work to work, revealing the internal logic of Pestoni's practice and contextualizing each individual painting.

The three exhibitions, Tacita Dean: Landscape, Portrait, Still Life, shaped by Dean's response to the individual character of each institution, will explore genres traditionally associated with painting — landscape at the Royal Academy of Arts, portraiture at the National Portrait Gallery and still life at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practice.

Individual Gravities brings together the works of three artists whose practices stretch between classifications of sculpture, painting, and installation.

The conversation will include a discussion of the artists» individual practices, ranging from painting to installation and beyond, as well as their work's reflection on memory and time, and the way they navigate the global art world.

Find the value in continual practice and see your drawing and painting advance while finding comradery with other likeminded individuals.

In recognition of the Museum's history, guest curator Sarah Tanguy relates the artworks thematically to the building's architecture and aspects of the collection.From installations, paintings, sculptures and works on paper to video, the selection offers a fresh perspective, not only on individual practices, but also on the collective strength of Washington's art community - and honors Carmen and David Lloyd Kreeger's legacy and the Museum's future.»

Through in - class demonstrations and exercises, we will explore how color mixing and paint handling in oils can inform our individual practices and expand the ways in which we see.

Curated by Sessa Englund, Introductions brings a contemporary mix of video, photo, sculpture, painting and screenprint, offering the audience a view into the works of artists who's practice centers on the individual and academic exploration of self - identity.

«Doubles, Pairs, and Diptychs» highlights three modes of Wesley's painting practice: paintings that extend beyond a single canvas; individual works that are conceived formally or conceptually as pairs; and individual works that have virtually identical compositions in which small shifts in color, scale, and line create distinct visualizations.

He works across film, painting and sculpture, and his practice often involves collaboration with different groups and individuals.

This detritus made its way into the paintings and sculptures the duo made while at Black Mountain — and, later, informed the use use of found objects in both artists» individual practices.

Isabelle Cornaro has created Mixed Feelings to accompany the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

But in 30 Americans at the Detroit Institute of Arts, three decades of painting, sculpture, installation, photography, and video, making up over 50 works by these artists, explore the full range of events and inspirations that have shaped both their individual practices and art history itself since the 1980s.

David Ostrowski has created the special c - type print F (I think you may have something here)(2014) to accompany the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

MOTHERSHIP is a group exhibition that presents works by artists at varying stages of their careers, celebrating their shared connection as mothers alongside their individual artistic practices in drawing, film, installation, painting, photography, print, sculpture, sound and textiles.

Caravaggio's practice of painting from life and his use of chiaroscuro (strongly contrasted lighting effects) were quickly emulated, but artists did not simply replicate his style; taking Caravaggio's works as their starting point, they responded to different aspects of his art and developed their own individual approaches.

However, as Rosenberg states «of course, not everyone wanted to use paint and so the series became more diverse overall», reflecting the collaborating artists» individual practice.

Rupert allowed me to begin the process of a long - term curatorial project with the four original core members of New York - based collective Fierce Pussy (Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka), focusing on the movement towards abstraction in their individual practices in photography, video, drawing, painting, sculpture, and installation and the necessity of abstraction vis à vis their political collective work.

Their individual practices takes them deep into the fundamentals of the craft and conceptual basis of painting.

Celebrating individual mediums whilst recognising the richness of interdisciplinary practice, the 2015 selection was distributed across the categories of Photographic and Digital Art; Painting and Drawing; Three Dimensional Design and Sculpture, and Video, Installation and Performance.

Philip Taaffe: Anima Mundi presents more than 30 abstract paintings from the past ten years, including many of the most striking examples of the vivid, complex imagery that characterises Taaffe's highly individual practice.

The things we do for love (so proud so alone) was published on the occasion of the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

While plein air painting goes back further among individuals, it was with the invention of tin paint tubes and the portable «Box Easel» in the 19th century that painting en plein air, or «in the plain air» became the practice of significant numbers of artists.

Intended as a major genealogy of the rise of a still - powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities.