Sentences with phrase «individual people in the film»

Though we may not feel for individual people in the film, I think that Paris I love You manages to do what the filmmakers set out to do — it captures the look, feel, vibe, and importance of the city of Paris to its inhabitants, and the world at large.

Not exact matches

Footage of educators, policy makers, and young people at the center of our film is complemented by a rich spectrum of individuals who are important to school lunch policy and administration but who are rarely included in popular discourse on the subject.

«Someone wearing a green shirt, we have on film a lime green shirt, took out a gun, shot four people in the vicinity of the basketball court, one of them being a player, and chased another individual across the street and shot that individual.»

In keeping with these earlier findings, Parkinson and her colleagues found activity in a widely distributed network of brain regions was sensitive to the social status of the people in the film clips, with individual regions responding to different aspects of iIn keeping with these earlier findings, Parkinson and her colleagues found activity in a widely distributed network of brain regions was sensitive to the social status of the people in the film clips, with individual regions responding to different aspects of iin a widely distributed network of brain regions was sensitive to the social status of the people in the film clips, with individual regions responding to different aspects of iin the film clips, with individual regions responding to different aspects of it.

«Normally people make sense of a film's plot in their own individual ways.

Where there was a tie, we tended to give preference to the films that were seen by more people (in an effort to ensure these rankings reflected all of our tastes), and to the films that ranked higher on individual lists.

However, given that the subject is, to say the least, touchy, the fact that this film was even made is worthy of at least some kudos to Maher for having the guts to potentially offend the vast majority of people in the country, and perhaps the world, with his expression of doubt in their beliefs and his own belief that, though many individuals have found great benefit from the ancient scriptures, religion ultimately does more harm than good when looking at it in its totality from a global historical scale.

Like characters in a classic Preston Sturges or Ernst Lubitsch comedy, they enter the film as caricatures and emerge as fully - formed individuals, the sorts of people (monsters!)

Lynne Ramsay's last two films (Morvern Callar, We Need to Talk About Kevin) have focused on individuals (in these cases, women,) who must contend with being the odd - person - out, someone with a secret they fear so dark and disturbing that it...

It's a legal term that requires allows an actor to require greater say in the production of a film, including the hiring of actors and crew that reflect diversity, including women, minorities, LGBTQ individuals and people with disabilities.

The characters in this film especially Sutter and Aimee are not perfect people but instead flawed individuals.

Lynne Ramsay's last two films (Morvern Callar, We Need to Talk About Kevin) have focused on individuals (in these cases, women,) who must contend with being the odd - person - out, someone with a secret they fear so dark and disturbing that it leaves them at odds with and isolated from society.

And many creative people work in parallel to «individual sports» — painting, sculpting, composing, writing, as opposed to staging plays, making films, setting choreography on dance companies, singing in chorales.

From a particular heightened vantage point, David was able to localise individuals or groups of people as they made their descent, creating what seems like «film stills» - reflective moments captured in time and space.

In my films I always relate and connect people's individual fates with general occurrences in societIn my films I always relate and connect people's individual fates with general occurrences in societin society.

Taylor - Wood puts a strong focus on the individual person, while Gordon is usually inspired by well - known film classics, and in the exhibition Robert de Niro's film figure from Taxi Driver reappears in an unexpected way.

The film and related archive provide first - person histories of the pioneering individuals and key founding members of the feminist art movement in the United States, along with younger generation of artists influenced by them.

This year, we're particularly interested in finding and honoring films (we'll only give one award, but may give «shout - outs» of some kind to other worthies) that inspire and empower everyday individuals, especially people not traditionally thought of as part of the environmental movement, as well as those that eschew the clichà © s of the genre: talking heads, doom - «n - gloom, and what I call the «Care Bear Ending»: if we all just felt right about environmental problem X, and joined hands, and were kind to each other, and recited inspirational quotes, and signed petitions, green justice and mercy would surely follow.