As noted above, the concrescing actual entities within a given structured society prehend in different ways a common world, i.e., the concrete interrelatedness
of their immediate
predecessors together with the common element
of form which bound them together as this rather
than that society.2 This feeling
of both emerging out
of and yet still belonging to a unified whole is then incorporated into their
individual processes
of concrescence.
Rather
than using the painting and sculpture galleries to present a purely canonical narrative, she has broken with her
predecessors by treating
individual galleries more like rotating special exhibitions, showcasing MoMA's holdings in certain areas and providing a more inclusive and nuanced view
of modern - art history.