Sentences with phrase «individual video installations»

Not exact matches

«Illustrating the rich interplay of tradition, innovation, and individual talent, the exhibition includes painting, photography, video, assemblage, installation, quailing and mixed - media works.

The participants range from emerging to well - established individuals and collectives working in painting, sculpture, drawing installation, film and video, photography, activism, performance, music, and video game design.

The culmination and continuation of extensive curatorial research across India, Indian Highway features nearly thirty individuals and collectives whose creative practices span a wide range of media — incorporating sculpture, video, installation, painting, and performance — and subject matter are focused around the situation of modern India.

The installation comprises 74 individual titles of the artist's video and film works, amongst others «24 Hour Psycho» (1993), «Between Darkness and Light (After William Blake)» (1997), «Play Dead; Real Time» (2003), «k. 364 — A Journey by Train» (2010), «Henry Rebel» (2011) and «Phantom» (2011).

The works included in Haunted range from individual photographs and photographic series, to sculptures and paintings that incorporate photographic elements, to videos, film, performance and site - specific installations.

Amela Parcic is an interdisciplinary artist who uses video installations, paintings, collages, and photography to explore memory and the sense of dislocation that urbanization has on individuals.

While the collective has previously worked mainly in video and performance, this show includes both collaborative installations and individual sculptural pieces by the two members.

«The 2017 Whitney Biennial, the seventy - eighth installmentof the longest running survey of American art, features sixty - three individuals and collectives whose work takes a wide variety of forms, from painting and installation to activism and video - game design.

In order to accommodate all 10 works — with individual viewing spaces that provide optimal light and sound for each video installation — NMWA's curatorial team redesigned and transformed the second floor gallery space.

The installation contains a large portrait of one individual affected by the economic crisis who was threatened with eviction from his home; a video projection presenting TAF's actions and social practice against eviction, and a graphic chart offering relevant information on the economic and hosing situation in Spain, such as «There is an eviction in SPain every 8 minutes, 532 evictions a day during 2012's first semester...» Audiences are invited to write postcards to the financial institutions who are responsible for conducting these evictions.

As the only exhibition of its kind in California, it brings together more than 120 works by 28 individuals, including large - scale installations, sculpture, paintings, works on paper, wall drawing and photographs, as well as digital and video art.

Black Mirror - an artwork in multiple forms exploring the story of a nomadic individual, set in a modern wilderness - featured a video installation and a live theatre performance on a uniquely designed barge floating off Athens and Hydra Island, Greece in 2011.

These individuals inspire Hajjaj's diverse artworks from photographic portraits to video installations, sculptures, music, design and handcrafted objects.

Curated by artist Frank Connet and HPAC's Director of Exhibitions Allison Peters Quinn, the exhibition featured insightfully sensitive wall hangings, installations, video / performance and sculptures by Chicago artists Aviva Alter, Danny Mansmith, Dutes Miller & Stan Shellabarger, and Rebecca Ringquist that utilize the stitch to tangibly represent the passionate, chaotic and sometimes painful connection love generates between individuals.

In addition to Inverted Birth the exhibition presents four individual works derived from Viola's large - scale permanent video installation Martyrs (Earth, Air, Fire, Water), 2014, at St Paul's Cathedral in London.

Comprising music, lights, field recordings and video elements activated by free events, South Tank invites audiences to explore both Tillmans» practice and Tate Modern's industrial setting throughout it's installation: they can come and go at any point, meaning that every visitor has an individual and unique encounter with the work.

Working across painting, photography, installation and video, the artists each have very distinct approaches yet collectively reveal the paradoxical ways in which individual and shared memories are retrieved and intersect.

Jiang uses video, painting, photography, installation, writing and other mediums, blurring the boundaries between fictional documentary, mediated images and private narratives to reveal the intersections and segmentations between the body, desire and emotion of different individual and its representation or imagination in contemporary society.

We love Richard Mosse's immersive multi-channel video installation in the Curve which he has produced using a powerful telephoto military camera that can detect the human body from a distance of more than 30 km and accurately identify an individual from 6.3 km, day or night.

In drawings, video installations, artist books and photography, Drake has exposed the emotions and realities of individuals and their struggles for social justice and equity.

Featuring a variety of mediums including photographs, video, performance, installation, and text, the artist depicts her journey to gain access and privilege via international tourism, the pursuit of luxury, and how these activities contradict an individual sense of interiority.

Her installations, photography, video, sound and public sculpture are developed through active dialogue, consultation and negotiation with people whose participation gives context to their individual and collective memories, accounts, opinions and experiences which then become both represented and considered.

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

In recognition of the Museum's history, guest curator Sarah Tanguy relates the artworks thematically to the building's architecture and aspects of the collection.From installations, paintings, sculptures and works on paper to video, the selection offers a fresh perspective, not only on individual practices, but also on the collective strength of Washington's art community - and honors Carmen and David Lloyd Kreeger's legacy and the Museum's future.»

His photographs, installations, videos and performances revolve around philosophies of impermanence and mortality, focusing on the persistence of collective histories and the brevity of individual lives.

The Program in Visual Arts presents «You Are Not Required to Fight Fires,» an exhibition of new work by Princeton senior Kathleen Ma, whose mixed media works (audio - video installations, diagrams, and poetry) explore themes of authority, instructions, agency, and individual / collective responsibility.

After the huge success of Julien's installation film TEN THOUSAND WAVES (2010), his most recent video work PLAYTIME explores current issues such as the ambivalent relationship between capital, the contemporary art world and the individual.

Presented as videos, installations, and performances, these semi-staged situations are a means by which to examine and test what constitutes a functioning society, and what the role of an individual is within its systems.

As part of a notion of doing everything with a bare minimum of resources, Clemente Jacqs presented eleven individual projects, largely showcasing video, installation and performance, by artists Augusto Marbán, Cristian Franco, Arturo Gómez Guerra, Julián Jaime Contreras, Edgar Cobián, José Alfredo Elías Dabdoub, Omar Aguayo, Lisa Gutiérrez and Cristián Silva.

Through eyewitness testimony, reenactments, and video documentation, the artists will create an installation that explores individuals and their evidence suggesting mankind is not alone on Earth.

Through monumental billboards, site - specific environments, sound works, photography, sculptures, and immersive video installations the artist investigates the spatial and temporal dislocation of images and the vulnerability of individuals, in a period of massive industrial and environmental changes.

While one of the show's main elements consists of a large grid - like installation encompassing individual works from each artist, there are also collaborative works, including a sculptural installation, a series of wall paintings, and a back - room installation consisting of a generative video work projected on the grid of a garage door and several palm fronds strewn about the floor.

Working across the mediums of video, photography, painting, installation and text, Diaz - Perera presents metaphors to illustrate how relationships are established among social individuals.

Her video installation Citizen Band (2012), which studies the migration of sounds and resilience of culture through the accounts of four individuals, won the 2013 Anne Landa Award for Video and New Media Art from the Art Gallery of New South Wales, and traveled to major institutions in cities including Paris, Rome and Montreal for solo presentatvideo installation Citizen Band (2012), which studies the migration of sounds and resilience of culture through the accounts of four individuals, won the 2013 Anne Landa Award for Video and New Media Art from the Art Gallery of New South Wales, and traveled to major institutions in cities including Paris, Rome and Montreal for solo presentatVideo and New Media Art from the Art Gallery of New South Wales, and traveled to major institutions in cities including Paris, Rome and Montreal for solo presentations.

PRESS RELEASE VIDEO INSTALLATION A FORUM FOR PUBLIC PROTEST Artculture Resource Centre, Art Metropole, The Funnel, Mercer Union, Music Gallery, YYZ, Impulse Magazine, Lacemakers Gallery, Video Inn, the Western Front and other organizations and individuals are pleased to announce their co-sponsorship for the world premiere exhibition of CONFUSED: PART II, THE INSTALLATION «SEXUAL VIEWS» by -LSBVIDEO INSTALLATION A FORUM FOR PUBLIC PROTEST Artculture Resource Centre, Art Metropole, The Funnel, Mercer Union, Music Gallery, YYZ, Impulse Magazine, Lacemakers Gallery, Video Inn, the Western Front and other organizations and individuals are pleased to announce their co-sponsorship for the world premiere exhibition of CONFUSED: PART II, THE INSTALLATION «SEXUAL VIEWS» by -LSBVideo Inn, the Western Front and other organizations and individuals are pleased to announce their co-sponsorship for the world premiere exhibition of CONFUSED: PART II, THE INSTALLATION «SEXUAL VIEWS» by -LSB-...]

But in 30 Americans at the Detroit Institute of Arts, three decades of painting, sculpture, installation, photography, and video, making up over 50 works by these artists, explore the full range of events and inspirations that have shaped both their individual practices and art history itself since the 1980s.

The exhibition includes 63 participating artists, ranging from emerging to well - established individuals and collectives working in painting, sculpture, drawing, installation, film and video, photography, activism, performance, music, and video game design.

About the artist Taking fraught issues of personal and national identity as her subject, Yael Bartana (b. 1970, Kfar Yehezkel, Israel) works in photography, film, video, sound, and installation and focuses on the poetics of individual political gestures.

Chong Kwan works with photography, video, sound, installation, and performance and weaves together documentary and fantastical approaches to explore ideas of collective and individual memory, history and expanded notions of and frustration between the senses.

Formed in 2010, the groups activities encompass collective art making including drawings, video works, sculpture, installation and performance, a residency program and exhibition space, as well as individual studio practices.

Rupert allowed me to begin the process of a long - term curatorial project with the four original core members of New York - based collective Fierce Pussy (Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka), focusing on the movement towards abstraction in their individual practices in photography, video, drawing, painting, sculpture, and installation and the necessity of abstraction vis à vis their political collective work.

The latter's video installation Book for Architects, which was presented at the 2014 Venice Architecture Biennale, attests to his fascination with life in the city as a kaleidoscope of divergent individual design decisions.

Oursler has a dynamic video practice that combines and expands the confrontational installations of Nam June Paik and Bruce Nauman, the countercultural analysis of Mike Kelley and Jim Shaw, and the impact of mass media on the individual.

Future Perfect features over 30 photo - based installations — comprising nearly 5,000 individual images — along with photographs, videos, and books that trace Umbrico's obsessive systems of inquiry and online research since 2006.

Celebrating individual mediums whilst recognising the richness of interdisciplinary practice, the 2015 selection was distributed across the categories of Photographic and Digital Art; Painting and Drawing; Three Dimensional Design and Sculpture, and Video, Installation and Performance.

In using domestic materials, sound equipment, and musical instruments as objects (things in the world), as well as video loops, he has created sound installations that he calls his corps sonore (sonic body) works, which lead the viewer towards a unique set of individual sensory installation experiences.

However, even as this presentation in some ways limits the power of individual videos, the immersive space becomes the realization of a new and greater master work, one that is completed by Acconci Studio's careful design of installation elements, such as the floating hall of poetry or the metal arabesques that house archival materials of performances.

Rizzi's photographs, films and video installations explore the impact of neo-liberal globalisation on individual lives through intimate, personal narratives.

Presented as videos and installations, these semi-staged situations are a means by which to examine and test what constitutes a functioning society, and what the role of an individual is within its systems.She is also the co-author of the publication WHO IS AN ARTIST.

Over the past 25 years, since graduating from Parson's School of Design in New York, she has worked in sculpture and video, producing individual artworks and installations, frequently combining both media.