Avoiding clichés of psychedelia that simply adopt bright colours and refer to synthetic, laboratory produced hallucenogens, the
exhibition instead attempts to frame apparently opposing conceptual, craft or media - led practices and
design within a timeless art history that goes back to the shamanic, drug
induced rituals of prehistory.
The multi-directional grids in the
exhibition, plotted according to value and saturation, are
designed to intensify collisions and complements among hues and
induce specific visceral responses.