Sentences with phrase «industrial image production»

Ordinary Pictures Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture - based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production.

Not exact matches

Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers, David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
These images deal with food production in an industrial society and the price we pay as consumers for our craving for blemish free produce.
Artistic production is totally worldly here: One image per frame, thus mimicking the film reel, and its industrial logic with the kitchen roll.
One of the most influential artists working with photography and the production and display of images, Christopher Williams» recent photographs reveal the unexpected beauty and cultural resonance of commercial, industrial and instructional photography
These compositions, which have become the artist's trademark, are based on the repetition of a single image as subordinated, pixel - like units to create ironic, dystopian portraits of anonymous subjectivity in a world dominated by industrial production and out - of - control consumerism.
Widely copied in Europe and America in the 20s, this iconic image of a machine - age utopia celebrated the power of industrial production in the modern age.
To stress his removal of the artist's hand, Kounellis rendered his forms using simple, utilitarian stencils similar to the industrial method of production used to produce the signage and advertising images that had inspired him.
Overlaid on the image of shampoo is a digital image of black and orange imprints that were created by making a print of the artist's own arm, leading to a human interruption in the industrial production.
The image on the fabric represents shampoo, a product that through its conflicting associations acts as a symbol of glamour and yet also of industrial production.
Suppose the firm's most important industry group, responsible for 40 % of revenue, throws together a lackadaisical and unambitious content plan; simultaneously, a tiny startup niche within the firm creates an industrial - grade content production machine that would effectively rebrand the entire firm in its image.
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