Sentences with phrase «industrial techniques»

It is of course true that there is a world - wide trend toward the employment of an identical industrial technique.

Where artists like Judd or Andre made use of industrial techniques and materials as an attempt to escape from the cultural baggage they saw weighing down traditional mediums, Koons chooses his materials precisely because of their baggage.

Nevelson emphasized the contrast between nature and technology by using industrial techniques to illustrate an organic form.

Japan and Russia have, during the past twenty years, moved with breath - taking speed toward the employment of a common industrial technique.

Because we recognize that new technologies are increasingly helpful in this process, it is acceptable to submit work in which CAD / CAM and other industrial techniques such as 3 - D printing tools are used in the creative process.

The committee and jury rely on the honor of the applicants to submit work in which CAD / CAM and other industrial techniques are simply tools, and have not become the driving force in the creative process.

It is the Nazi movement and not industrial technique which is molding the future of Germany.

There, young artists like Jackson Pollock gathered to pour, airbrush, scrape, and splatter pigments, incorporating industrial techniques into their artistic practices.

While Truitt's smooth surfaces might at first bring to mind the work of Finish Fetish artists like McCracken, Truitt had no interest in industrial techniques such as the use of sprayed lacquer.

Her use of «domestic» mediums differed radically from the rigid industrial techniques of the Minimalists and hard edges of the abstract painters prominent amongst her contemporaries; Hicks is closely aligned with Eva Hesse, her fellow student and fellow innovator of sculpture made from soft, atypical materials.

Now they, too, use the latest industrial techniques, and in doing so, sow the seeds of their own obsolescence.

Before making her widely known and iconic feminist work of the 1970s, 1980s, and beyond, Judy Chicago explored painting, sculpture, and environmental performance, often using innovative industrial techniques and materials, including auto body painting and pyrotechnics.

A renowned figure in Pop Art, Andy Warhol produced art in his Factory, subverting the artist's craft through industrial techniques.

Instead of a personal style, identified by the unique expression of the artist's hand, Lichtenstein went after a brazenly anonymous, machine - made look, adapted from industrial techniques of mass production.

While experimenting with increasingly three - dimensional canvases, McCracken began to produce art objects made with industrial techniques and materials, plywood, sprayed lacquer, pigmented resin, creating the ever more minimalistic works featuring highly - reflective, smooth surfaces.

For example, Climate Engineering, based in Calgary, captures carbon using a liquid solution of sodium hydroxide, a well - established industrial technique.

By the end of the First World War, the artist had fully embraced Art Deco modernity, devoting himself to new industrial techniques of glass production and designs that manifest the sweeping lines and the forms suggestive of speed and movement characteristic of the style.

For several generations the nations of Western Europe have employed what can only be called, in spite of minor variations, a common industrial technique.

The works included for the show explore through various applications of painterly materials and forms, analysis of industrial techniques and social appropriations by these featured artists.

By the early 1960s she was mak - ing figurative paintings, drawings and assemblages that combine Pop art's immediacy, industrial techniques and materials, as well as concern for Suzi Gablik's «surrogate world of the mass media,» with the allusiveness of Dada and Surrealist montage — notably Picabia's mechanomorphic figures — Machine Age idealism and the formalism of European modernist abstraction and design.

His work often involves the isolation of industrial techniques and infrastructures, throwing into relief broader conditions of production in which the artwork is situated.

She then used the industrial technique for her «Fresno Fans» paintings, made when she was setting up the first Feminist Art program in the USA.

The group exhibition, Experimental Berlin, explores the varying applications of painterly materials and forms — analysis of industrial techniques and social appropriations by some of the city's best artists.

For instance, one of the consequences of using fossil fuels is the effective amplification of land: with machinery and industrial techniques, the productivity of land increases.