Sentences with phrase «industry as an art form»

Not exact matches

As the British Library showcases this most maligned of art forms, we look back at the radicalism and rebelliousness of Britain's comics industry

Poetically dubbed «Self / Reflection», the Mulberry fall 2016 campaign directly looks into the dualities one may face during life, as well as into those fashion (both as an industry and as a form of art) constantly embraces season after season.

If bloggers are as passionate as they claim to be about fashion, they should all take the time and put in efforts to learn the basics and form an educated opinion about fashion — as an industry and art form.

As is oft - noted, cinema remains the art form most closely tied to industry, so the mere act of assembling $ 50 million in financing for a piece of this nature certainly represents no easy task — it's an art in itself.

Our film of the year is a fitting champion in form, tone, and technique within such a banner year for the art precisely because it worked counter to so many worrying trends pervading in the industry as of late.

The Seventh Art was founded and produced by Christopher Heron, Pavan Moondi and Brian Robertson in 2012 as an independently produced video magazine released once a month with long - form interviews, video essays and industry profiles.

Under the moniker «The Dancing Chef» from his days working as a dancer and choreographer Lovejoy's focus turned to the culinary arts as a new form of expression for him - and the industry has taken notice.

Through the opinions formed, a thoughtful consensus is given on the many struggles and controversies that the game industry has faced, including the games as art debate, gaming and it's alleged violent and addictive tendencies, and it's legitimacy as a creative medium in the general public eye.

Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929 over 87 years ago, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form.

In many ways, he opened ways for other artists not only to see but to understand conceptually the importance of working in a reductive manner as signaling a new approach to art somewhere between late industry and the virtual age of digital forms — forms that emit a language consistent with the twenty - first century, with all their elegant and paradoxical beauty.

An important influence on modern art painting in the United States, Precisionism was an American movement (also referred to as Cubist Realism) whose focus was modern industry and urban landscapes, characterized by the realistic depiction of objects but in a manner which also highlighted their geometric form.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

She addresses overlooked or undervalued female originality in the historic textile industry and the importance of dying art forms such as figures (elaborate tracings on ice once integral to the sport of figure - skating).

Hosted by Ferens Art Gallery, Hull The fellow will focus on the role of art schools as sites of making and production (recognising their particular relationships to past industries) Display at Whitechapel Gallery: 10 December 2013 — 9 March 2014 Tour Middlesbrough Institute of Modern Art: March — June 2014 Click here to download the job description Click here to download the application fArt Gallery, Hull The fellow will focus on the role of art schools as sites of making and production (recognising their particular relationships to past industries) Display at Whitechapel Gallery: 10 December 2013 — 9 March 2014 Tour Middlesbrough Institute of Modern Art: March — June 2014 Click here to download the job description Click here to download the application fart schools as sites of making and production (recognising their particular relationships to past industries) Display at Whitechapel Gallery: 10 December 2013 — 9 March 2014 Tour Middlesbrough Institute of Modern Art: March — June 2014 Click here to download the job description Click here to download the application fArt: March — June 2014 Click here to download the job description Click here to download the application form

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch