So, take a step forward and embark on the journey of yoga to savor the magical transformations in
ineffable ways.
Remember — anything from the Bible that appears contradictory, absurd or immoral is either 1) Taken out of context 2) A translation error 3) A metaphor 4)
The ineffable Way of God that must be accepted on faith.
by Walter Chaw In
an ineffable way, Boris von Sychowski's The Pool reminds of those old Eighties television teensploitation summer camp movies starring the butch from «Facts of Life» and the fascist from «Family Ties»: poor production values enslaved to the straitjacket of rigid formula filmmaking, wrapped around G - rated titillation that at least in The Pool recognizes is the result in some part of submerged menace.
Not exact matches
When this is combined with the insistence that this is wholly
ineffable, it becomes possible to think that those who have discovered God in this
way are experiencing the same reality as that which Buddhists have identified.
In
ways unarticulated and perhaps beyond articulation, people are encountered by God, by the
ineffable.
But does this
ineffable being which we call God exist only in this
way?
If, then, in worship people are in some
way or other in search of a relationship to the
Ineffable there must be
ways which lubricate and
ways which hinder this search.
In our dialogue with other traditions, the key to sustaining conversation (rather than cutting it short by claims that others will interpret as arrogant) is to keep before ourselves the possibility that in some
way or other all religions may be relative, culturally specific
ways of looking toward an
ineffable mystery.
Although the Tao is finally
ineffable, according to the Tao Te Ching, it is best described as «the Flow,» «the
way things change,» «the Life» or «the Source.»
That roving eye for the
ineffable can be seen not only in the
way fireworks in Coney Island explode behind characters in the air, or vape smoke wafts into the ether in slow - motion, but in the
way cinematographer Hélène Louvart, shooting in grittily textured 16 mm, captures male bodies in motion.
by Walter Chaw Seedy in that
ineffable Eighties
way, Michael Chapman's All the Right Moves is a star vehicle for a young Tom Cruise, following up his leading role in Risky Business with what is essentially a feature - length Steve Earle song about a downtrodden Pennsylvania steel town.
While it still looks like television in that
ineffable over-sharp, slightly over-lit
way (a funny thing to say considering the literal darkness of the series, but Vancouver isn't the best place for supernatural murk; ditto L.A.), it looks like expensive television.
The slim rounded - corner rectangular grille has given
way to the much bigger irregular hexagon here, the textures are much more complex, and almost all the
ineffable charm of the earlier TTs has evaporated.
Like writing does for John, art seems to offer Robbie a
way to tap into something deeper or
ineffable in himself — his final story about Megaboy hints at how much he feels trapped and misunderstood.
If the intended reader of this book should want to go beyond disagreement with its author and try to identify the sins and deformities that animated him to write it (and I have certainly noticed that those who publicly affirm charity and compassion and forgiveness are often inclined to take this course), then he or she will not just be quarreling with the unknowable and
ineffable creator who — presumably — opted to make me this
way.
The tension between subject and content, the
way the one reveals and conceals the other, is played out in the «Women» paintings (Woman as Landscape, 1965 - 66, pictured); the subject appears to be a woman composed of gestural brush marks, the content is
ineffable and elusive.
They represent the
way in which Raqs is thinking at present about counting, gestures, signals and the presence of the
ineffable in our lives.
I employ abstraction and minimalism as
ways to bypass the literal and go directly to metaphor, emotion, and the
ineffable.
«Its all about light» 99th ACSA Annual Meeting: WHERE DO YOU STAND Conference Proceedings 2011 «Discreet Machines of Desire: from Edward Bernays to Robert Oppenheimer» ACADIA 2010 Conference LIFE in: formation, New York, 2010 edited by Pablo Lorenzo - Eiroa Conference proceedings: «Time Promise Land: Notes on our current geographies» CÍRCULO DE BELLAS ARTES, Madrid Spain, 2010 edited by Remo Guidieri Architecture on the
Way to Archetype about John Hejduk «Hejduk, Hamlet and the Ghost Promise» National Science Foundation, Making Science Visible, Conference Rhode Island School of Design / Brown University, Providence, 2010 edited by Chris Rose «Embodied Knowledge Navigating Disciplinary Geographies» «
Ineffable: Architecture Computation and the In - expressible» New York, 2010 edited by Bradley Horn «Globe Double: Mimetic Capital; Technology» published by Oscar Irera Ojeda, Loft Publications.
Vital Curiosity focuses on the
ways each of these artists — who represent a diversity of generations, formal approaches, and experiences — seize upon color as a dynamic, and often
ineffable, element in their abstraction.
In proximity to When the Night Comes, 2014, a faux air vent high on the wall which references Tarkovsky's cult 1972 film Solaris, they direct us towards the idea of the
ineffable in much the same
way Dürer's engraving has been interpreted as a statement about the primacy of the imagination over pure reason.
Paper Like Skin presents a survey of the artist's career that encompasses the autobiographical topographies of distances traveled and time spent, superimposing historical events and personal experiences by
way of the elusive,
ineffable, yet essential, idea of home.