Kentridge's exhibition features works about Leon Trotsky,
the inexplicable nature of time, and models for his forthcoming production of Alban Berg's Lulu (1935) for English National Opera.
Not exact matches
Men have from
time immemorial experienced wonder, mystery, awe, and dread in the face
of the
inexplicable and uncontrollable forces
of nature and
of their own inner
nature, and have hypostatized these experiences in the gods.
The forces bedeviling these families vary in
nature — an apocalyptic disaster in «
Time of the Wolf,»
inexplicable suicidal urges in «The Seventh Continent,» memories
of past transgressions in «Caché» — but see enough
of them and you will soon realize that every tormentor is a front for Haneke himself.
It's a tale
of possession dressed in the decay
of William Friedkin's slow - burning and dread - inducing 1973 masterpiece, only this
time the beast is somehow
of an even more
inexplicable nature.