Making its international premiere in Directors» Fortnight, Debra Granik's acclaimed Sundance title Leave No Trace left many veteran festivalgoers wondering why so
many inferior films had managed to leapfrog it into the Official Selection.
Martin Scorsese has had a rum old time of it at the Oscars, forever losing out in the best picture category to
vastly inferior films: Raging Bull was beaten by the facile psychotherapy drama Ordinary People, Goodfellas by the narcissistic western Dances With Wolves.
The results are well worth repeated viewings, and prove that sequels don't necessarily have to be
inferior films.
Though it suffers from the slightly washed - out 1980s look caused by
the inferior film stocks of the time, the very great British cinematographer, David Watkin («Help,» «The Knack and How to Get It») keeps things from getting too visually stodgy.
While it surely wasn't Lee's intention to make
an inferior film to the original, sadly that is exactly what it is.
That said, Legally Blonde is
an inferior film in almost every way, save for one important factor: Reese Witherspoon.
The similarities stop there, because in almost every respect, The Recruit is
the inferior film.
I think coming off of two
inferior films by Scorsese standards (Cape Fear and The Age of Innocence) that cooled off Scorsese's reputation in the eyes of Academy Award voters and Casino was overlooked.