Forty years later, Marti Cormand spends countless hours drawing Coca Cola bottles by Brazilian artist Cildo Meireles (Insertions into ideological Circuits: Coca - Cola Project, 1970) or bringing
an infinite level of focus to draw a photograph by Sherrie Levine who was appropriating a seminal Walker Evans photograph (After Walker Evans 4, 1981).
Unlike in the original game, the boy will have
infinite jellybeans, meaning the
focus will be far more based around simply solving the puzzles
of the
level and not keeping track
of how many jellybeans you have.